Tracklist

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1Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 1, Jauchzet, frohlocket, auf, preiset die Tage
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:51
2Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 2, Es begab sich aber zu der Zeit
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
3Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 3, Nun wird mein liebster Bräutigam
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
4Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 4, Bereite dich, Zion, mit zärtlichen Trieben
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:17
5Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 5, Wie soll ich dich empfangen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:27
6Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 6, Und sie gebar ihren ersten Sohn
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
7Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 7, Er ist auf Erden kommen arm
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
partial recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:02
8Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 8, Großer Herr, o starker König
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:13
9Christmas Oratorio, BWV 248, Pt. 1 "For the First Day of Christmas": No. 9, Ach, mein herzliebes Jesulein
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
10Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 10, Sinfonia
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
11Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 11, Und es waren Hirten in derselben Gegend
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
12Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 12, Brich an, o schönes Morgenlicht
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
13Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 13, Und der Engel sprach zu ihnen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
14Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 14, Was Gott dem Abraham verheißen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:46
15Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 15, Frohe Hirten, eilt, ach eilet
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:16
16Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 16, Und das habt zum Zeichen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
17Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 17, Schaut hin, dort liegt im finstern Stall
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
18Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 18, So geht denn hin
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
19Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 19, Schlafe, mein Liebster, genieße der Ruh
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:58
20Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 20, Und alsobald war da bei dem Engel
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
21Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 21, Ehre sei Gott in der Höhe
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:21
22Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 22, So recht, ihr Engel, jauchzt und singet
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
23Christmas Oratorio, BWV 248, Pt. 2 "For the Second Day of Christmas": No. 23, Wir singen dir in deinem Heer
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 2022-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
24Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 24, Herrscher des Himmels, erhöre das Lallen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:48
25Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 25, Und da die Engel von ihnen gen Himmel fuhren
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 26, Lasset uns nun gehen gen Bethlehem
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:41
27Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 27, Er hat sein Volk getröst
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
28Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 28, Dies hat er alles uns getan
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
29Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 29, Herr, dein Mitleid, dein Erbarmen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:06
30Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 30, Und sie kamen eilend
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 2022-12 to ????)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
31Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 31, Schließe, mein Herze, dies selige Wunde
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:33
32Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 32, Ja, ja, mein Herz soll es bewahren
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
33Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 33, Ich will dich mit Fleiß bewahren
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:00
34Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 34, Und die Hirten kehrten wieder um
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
35Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": No. 35, Seid froh dieweil
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
36Christmas Oratorio, BWV 248, Pt. 3 "For the Third Day of Christmas": Recap No. 24, da capo: Herrscher des Himmels, erhöre das Lallen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 2022-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
37Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 36, Fallt mit Danken, fallt mit Loben
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:30
38Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 37, Und da acht Tage um waren
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
39Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 38, Immanuel, o süßes Wort
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:20
40Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 39, Flößt, mein Heiland, flößt dein Namen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:35
41Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 40, Wohlan, dein Name soll allein
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:29
42Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 41, Ich will nur dir zu Ehren leben
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:27
43Christmas Oratorio, BWV 248, Pt. 4 "For the Feast of the Circumcision": No. 42, Jesus richte mein Beginnen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:53
44Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 43, Ehre sei dir, Gott, gesungen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:16
45Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 44, Da Jesus geboren war zu Bethlehem
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
46Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 45, Wo ist der neugeborne König der Jüden
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:55
47Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 46, Dein Glanz all Finsternis verzehrt
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
48Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 47, Erleucht auch meine finstre Sinnen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:11
49Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 48, Da das der König Herodes hörte
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
50Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 49, Warum wollt ihr erschrecken?
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
51Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 50, Und ließ versammeln alle Hohenpriester
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
52Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 51, Ach, wann wird die Zeit erscheinen?
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:22
53Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 52, Mein Liebster herrschet schon
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:27
54Christmas Oratorio, BWV 248, Pt. 5 "For the First Sunday in the New Year": No. 53, Zwar ist solche Herzensstube
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:58
55Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 54, Herr, wenn die stolzen Feinde schnauben
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:48
56Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 55, Da berief Herodes die Weisen heimlich
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
57Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 56, Du Falscher, suche nur den Herrn zu fällen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
58Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 57, Nur ein Wink von seinen Händen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:55
59Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 58, Als sie nun den König gehöret hatten
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:30
60Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 59, Ich steh an deiner Krippen hier
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:54
61Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 60, Und Gott befahl ihnen im Traum
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
62Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 61, So geht! Genug, mein Schatz geht nicht von hier
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:59
63Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 62, Nun mögt ihr stolzen Feinde schrecken
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:16
64Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 63, Was will der Höllen Schrecken nun
alto vocals:
Hugh Cutting (countertenor) (in 2022-12)
bass vocals:
Frederick Long (bass-baritone) (in 2022-12)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
soprano vocals:
Hilary Cronin (soprano) (in 2022-12)
tenor vocals:
Nick Pritchard (tenor) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
65Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 64, Nun seid ihr wohl gerochen
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2022-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2022-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2022-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
recorded at:
St Martin-in-the-Fields in London (Greater London), England, United Kingdom (in 2022-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 2022-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:13

Credits

Release

copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2024)
stream for free:https://open.spotify.com/album/3QMvXqlKGhZV5Kye98jvQz [info]
https://www.deezer.com/album/632014161 [info]
streaming page:https://tidal.com/album/394020524 [info]