The Massacre (explicit)

~ Veröffentlichung von 50 Cent (alle Versionen dieser Veröffentlichung ansehen, 22 vorhanden)

Titelliste

| |
1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Intro
recording engineer:
Tony Campana (engineer) und Mike Strange (engineer)
Produzent(in):
Eminem (US rapper)
sonstiger Gesang [voice]:
Lindsay Collins
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
Samples:
What Up Gangsta (explicit) von 50 Cent
recording of:
Intro
Verfasser(in):
Curtis Jackson (50 Cent) und Rob Tewlow (producer Rob Tewlow)
publisher:
50 Cent Music, Desmoné Music, Sony/ATV Songs LLC, Terminally Ill Music und Universal Music Corp. (USA, affiliated with ASCAP)
50 Cent1.650:41
A2In My Hood
recording of:
In My Hood
Verfasser(in):
Curtis Jackson (50 Cent), Marshall Mathers (Eminem, US rapper), Phillip Pitts, Luis Resto und Teraike Crawford
publisher:
50 Cent Music, 700 Music, Resto World Music, Shroom Shady Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3:41
A3This Is 50
recording engineer:
Ky Miller
Produzent(in):
Black Jeruz (producer Robert Smith) und Sha Money XL
Mix:
Pat “Pat ’Em Down” Viala
zusätzlich Blechblasinstrumente [horns]:
Luis Resto
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
G Unit Studios in New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten und Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
This Is 50
Verfasser(in):
Curtis Jackson (50 Cent), Michael Clervoix und Robert Smith (producer Robert Smith)
publisher:
50 Cent Music, 221 Publishing, D. Prosper Music, Mossberg Music (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.43:04
A4I’m Supposed to Die Tonight
recording engineer:
Mike Strange (engineer) und Tony Campana (engineer)
Produzent(in):
Eminem (US rapper)
zusätzliche(r) Produzent(in):
Luis Resto
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Bass und Gitarre:
Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Keyboard:
Luis Resto
Sologesang:
50 Cent
enthält Samples von:
Spectrasonics
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
I’m Supposed to Die Tonight
Verfasser(in):
Curtis Jackson (50 Cent), Steve King (US engineer, mixer, producer, musician and songwriter from Detroit), Marshall Mathers (Eminem, US rapper) und Luis Resto
publisher:
50 Cent Music, Dirty Steve's Music, Resto World Music, Shroom Shady Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent43:51
A5Piggy Bank
recording engineer:
Adam Hawkins (US mix engineer) und Alex Ortiz
Produzent(in):
Needlz (hip hop producer)
Mix:
Sha Money XL
Hintergrundgesang:
Traci Nelson (hip hop vocalist) und Barbara Wilson (hip hop vocalist)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
G Unit Studios in New York, New York, Vereinigte Staaten
recording of:
Piggy Bank
Verfasser(in):
Curtis Jackson (50 Cent) und Khari Cain (hip hop producer)
publisher:
50 Cent Music, Dry Rain Entertainment, Kobalt Music Copyrights SARL, Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent2.74:15
A6Gatman and Robbin
recording engineer:
Akane Behrens, Tony Campana (engineer) und Mike Strange (engineer)
Produzent(in):
Eminem (US rapper)
zusätzliche(r) Produzent(in):
Jeff & Mark Bass (Jeff Bass & Mark Bass)
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Keyboard:
Jeff Bass und Luis Resto
Gast vocals:
Eminem (US rapper)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
Samples:
Batman von Neal Hefti
recording of:
Gatman and Robbin’
Verfasser(in):
Jeff Bass, Mark Bass (Funky Bass Brother), Curtis Jackson (50 Cent), Neal Hefti, Marshall Mathers (Eminem, US rapper) und Luis Resto
publisher:
50 Cent Music, EMI Miller Catalog, Inc., Resto World Music, Shroom Shady Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent feat. Eminem3.83:46
B1Candy Shop
recording engineer:
Kameron Houff
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
Gast vocals:
Olivia (US R&B & hip‐hop artist)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Aftermath Records (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Sound Villa in Miami, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
BILLIONS CLUB
recording of:
Candy Shop (A song originally recorded by 50 Cent)
Verfasser(in):
Curtis Jackson (50 Cent) und Scott Storch (producer)
publisher:
50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music, TVT Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Group
50 Cent feat. Olivia4.153:29
B2Outta Control
recording engineer:
Mauricio “Veto” Iragorri und Steve “Steve B” Baughman (mix/recording engineer)
zusätzliche Programmierung:
Ché Pope
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Dr. Dre (Andre Young, rap producer) und Mike Elizondo
Mix:
Dr. Dre (Andre Young, rap producer)
Keyboard:
Mike Elizondo
zusätzlich Keyboard:
Lionel “LJ” Holoman
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
Set It Off von Strafe (Steve Standard, key track ‘Set It Off’)
recording of:
Outta Control
Verfasser(in):
A. Young (Andre Young, rap producer), C. Jackson (50 Cent), C. Pope, M. Elizondo und S. Standard (composer)
publisher:
50 Cent Music, Ain’t Nothin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Alien Status Music, Bat Future Music (BMI), Blotter, Blotter Music, BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Elvis Mambo Music, Hardworkin' Black Folks, Jenelle Rene Music, Jenellerene, Juvenile Hell Publishing, Kobalt Music Copyrights SARL, Music of Windswept, Reach Global Inc., S.T.D. Music Publishing Co., STD Music Publishing, Universal Music Publishing (use ONLY if no country‐specific information is available), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
50 Cent43:21
B3Get in My Car
recording engineer:
Steve Baughman (mix/recording engineer) und Jared Lopez
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Hi‐Tek (US rapper & producer)
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
RMP Studios in Orlando, Florida, Vereinigte Staaten und TransContinental Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Get in My Car
Verfasser(in):
Curtis Jackson (50 Cent) und Tony Cottrell (Hi‐Tek, US rapper & producer)
publisher:
50 Cent Music, DJ Hi Tek Music Publishing, Songs of Windswept Pacific und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.654:05
B4Ski Mask Way
recording engineer:
Tony Campana (engineer), Adam Hawkins (US mix engineer) und Mike Strange (engineer)
Produzent(in):
Disco D (American hip hop producer)
zusätzliche(r) Produzent(in):
Eminem (US rapper) und Luis Resto
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
zusätzlich Keyboard:
Luis Resto
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
54 Sound in Ferndale, Michigan, Vereinigte Staaten und Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
Samples:
What Am I Waiting For von The O’Jays
recording of:
Ski Mask Way
Verfasser(in):
Sleepy Brown, Cameron Gipp, Curtis Jackson (50 Cent), Marshall Mathers (Eminem, US rapper), Ray Murray (American producer, songwriter & multi-instrumentalist), Luis Resto, Robert Barnett (US rapper Robert Barnett, member of the Goodie Mob), Dave Shayman, Bunny Sigler, Thomas Burton, Ron Tyson, Rico Wade und Willie Knighton
publisher:
50 Cent Music, Brown Branches & Green Bottles, F MQ2, God Give Music, Hitco Music, Monkey Pants Music, Mutant Mindframe Music, Organized Noize Music, Resto World Music, Shroom Shady Music, Songs of Koch, Songs of Windswept, Universal Music Publishing (use ONLY if no country‐specific information is available) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
50 Cent3.353:05
B5A Baltimore Love Thing
recording engineer:
Mauricio “Veto” Iragorri und Steve “Steve B” Baughman (mix/recording engineer)
assistierende(r) Techniker(in):
Rouble Kapoor und Brad Winslow
Produzent(in):
Cue Beats (US-American Hip-Hop producer)
Mix:
Steve Baughman (mix/recording engineer)
zusätzlich Bass und Keyboard:
Mike Elizondo
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
I'll Be Waiting There for You von The Dells
recording of:
A Baltimore Love Thing
Verfasser(in):
Curtis Jackson (50 Cent), Quentin Staples (US-American Hip-Hop producer) und Norma Toney
publisher:
50 Cent Music, EMI Longitude Music, Q. Staples Publishing Designee und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.654:17
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1Ryder Music
recording engineer:
Mauricio “Veto” Iragorri und Steve “Steve B” Baughman (mix/recording engineer)
assistierende(r) Techniker(in):
Rouble Kapoor und Scott Guitierrez
Produzent(in):
Hi‐Tek (US rapper & producer)
Mix:
Dr. Dre (Andre Young, rap producer)
Hintergrundgesang:
Conesha Monet Owens, Dion (US rapper Dion Jenkins) und Ruben Cruz (Dr. Dre-affiliated singer Ruben Cruz of P.B.L., aka Crimson Monroe)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ryder Music
Verfasser(in):
Curtis Jackson (50 Cent) und Tony Cottrell (Hi‐Tek, US rapper & producer)
publisher:
50 Cent Music, DJ Hi Tek Music Publishing, Songs of Windswept Pacific und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.753:51
C2Disco Inferno
recording engineer:
Kameron Houff und Mauricio “Veto” Iragorri
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Bang Out und C. Styles
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
zusätzlich Keyboard:
Mike Elizondo
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound Villa in Miami, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Disco Inferno
Verfasser(in):
Curtis Jackson (50 Cent), Phillip Pitts und Teraike Crawford
publisher:
50 Cent Music, 700 Music, Club 700 Music, Kobalt Music Copyrights SARL, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.53:34
C3Just a Lil Bit
recording engineer:
Kameron Houff und Steve “Steve B” Baughman (mix/recording engineer)
assistierende(r) Techniker(in):
Robert “Roomio” Reyes und Rouble Kapoor
Produzent(in):
Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
Sitar:
Mike Elizondo
zusätzlich Keyboard:
Mike Elizondo
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound Villa in Miami, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Just a Lil Bit (music video, explicit) von 50 Cent
recording of:
Just a Lil Bit
Verfasser(in):
Curtis Jackson (50 Cent) und Scott Storch (producer)
publisher:
50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent4.153:57
C4Gunz Come Out
recording engineer:
Jared Lopez, Mauricio “Veto” Iragorri und Steve “Steve B” Baughman (mix/recording engineer)
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Dr. Dre (Andre Young, rap producer) und Mike Elizondo
Mix:
Dr. Dre (Andre Young, rap producer)
Keyboard:
Mike Elizondo
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten und RMP Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Gunz Come Out
Verfasser(in):
Andre Young (Andre Young, rap producer), Curtis Jackson (50 Cent) und Mike Elizondo
publisher:
50 Cent Music, Ain’t Nothin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Blotter, Elvismambo Music, Music of Windswept, Universal Music Publishing (use ONLY if no country‐specific information is available) und WB Music Corp. (1929–2019)
50 Cent3.654:24
C5My Toy Soldier
recording engineer:
Tony Campana (engineer) und Mike Strange (engineer)
Produzent(in):
Eminem (US rapper)
zusätzliche(r) Produzent(in):
Luis Resto
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Gast vocals:
Tony Yayo (American rapper)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei und mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
My Toy Soldier
Verfasser(in):
Curtis Jackson (50 Cent), Steve King (US engineer, mixer, producer, musician and songwriter from Detroit), Marshall Mathers (Eminem, US rapper), Marvin Bernard (American rapper) und Luis Resto
publisher:
50 Cent Music, Dirty Steve's Music, Resto World Music, Shroom Shady Music, Universal Music Publishing (use ONLY if no country‐specific information is available) und Yayo Music Publishing
50 Cent feat. Tony Yayo3.43:44
D1Position of Power
recording engineer:
Chuck Reed (engineer) und Adam Hawkins (US mix engineer)
assistierende(r) Techniker(in):
Jeff Burns (US composer of electronic and orchestral music/recording engineer) und Brad Winslow
Produzent(in):
Jonathan “J.R.” Rotem
Mix:
Steve “Steve B” Baughman (mix/recording engineer)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Rock Central Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Position of Power
Verfasser(in):
Curtis Jackson (50 Cent) und Jonathan Rotem
publisher:
50 Cent Music, Jonathan Rotem Music, Southside Independent Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.353:12
D2Build You Up
recording engineer:
Kameron Houff
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
Gast vocals:
Jamie Foxx (actor, comedian, and singer)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Sound Villa in Miami, Florida, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Build You Up
Verfasser(in):
Curtis Jackson (50 Cent) und Scott Storch (producer)
publisher:
50 Cent Music, Scott Storch Music, TVT Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent feat. Jamie Foxx3.92:55
D3God Gave Me Style
recording engineer:
Adam Hawkins (US mix engineer)
Produzent(in):
Needlz (hip hop producer)
Mix:
Pat “Pat ’Em Down” Viala
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Samples:
Each Day I Cry a Little von Eddie Kendricks
recording of:
God Gave Me Style
Verfasser(in):
Leonard Caston (father of Leonard "Lenny" Caston jr.), Curtis Jackson (50 Cent), Khari Cain (hip hop producer) und Terri McFaddin
publisher:
50 Cent Music, Dry Rain Entertainment, Jobete Music Co., Inc., Stone Diamond Music Corporation und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.253:01
D4So Amazing
recording engineer:
Adam Hawkins (US mix engineer)
assistierende(r) Techniker(in):
Jeff Burns (US composer of electronic and orchestral music/recording engineer)
Produzent(in):
Jonathan “J.R.” Rotem
Mix:
Steve “Steve B” Baughman (mix/recording engineer)
Gast vocals:
Olivia (US R&B & hip‐hop artist)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
Larrabee Sound North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
So Amazing
Verfasser(in):
Curtis Jackson (50 Cent), Jonathan Rotem und Jasmin Lopez
publisher:
50 Cent Music, Blotter Music, BMG Songs, Inc., Jonathan Rotem Music, Pencess Publishing, Songs of Windswept, Southside Independent Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent feat. Olivia43:16
D5I Don’t Need ’em
recording engineer:
Ky Miller und Ed Scratch
assistierende(r) Techniker(in):
Rouble Kapoor
Produzent(in):
BuckWild (US hip-hop producer Anthony Best)
Mix:
Dr. Dre (Andre Young, rap producer) und Mauricio “Veto” Iragorri
Bass:
Mike Elizondo und Eric Hudson (producer, songwriter)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
The Big House in Farmington, Connecticut, Vereinigte Staaten und The Stash House in The Bronx, New York, New York, Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
Nobody Knows von The SCLC Operation Breadbasket Orchestra and Choir feat. Ben Branch
recording of:
I Don’t Need ’Em
Verfasser(in):
Anthony Best (US hip-hop producer Anthony Best) und Curtis Jackson (50 Cent)
publisher:
50 Cent Music, Still Diggin’ Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
50 Cent3.653:20
D6Hate It or Love It (G-Unit remix)
recording engineer:
Mauricio “Veto” Iragorri, Ky Miller und Steve “Steve B” Baughman (mix/recording engineer)
assistierende(r) Techniker(in):
Rouble Kapoor und Steve Lininger
Produzent(in):
Cool & Dre
Mix:
Dr. Dre (Andre Young, rap producer), Mauricio “Veto” Iragorri und Steve “Steve B” Baughman (mix/recording engineer)
Bass und zusätzlich Keyboard:
Mike Elizondo
Keyboard:
Dave Cabrera
Gast vocals:
Lloyd Banks (US rapper), The Game (US rapper, aka Game), Tony Yayo (American rapper) und Young Buck (American rapper)
Sologesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Entertainment (US rap) (in 2005), Interscope Records (part of UMG Recordings, Inc.) (in 2005) und Shady Records (Eminem's US rap label) (in 2005)
aufgenommen bei:
G Unit Studios in New York, New York, Vereinigte Staaten und Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
Rubber Band von The Trammps (US disco/soul band)
recording of:
Hate It or Love It (G-Unit remix)
Verfasser(in):
A. Felder, A. Lyon (US producer Andre Christopher Lyon, one half of "Cool & Dre"), C. Lloyd (Lloyd Banks, US rapper), C. Taylor (50 Cent), D. Brown (American rapper), J. Taylor (US rapper, aka Game), M. Bernard (American rapper), M. Valenzano (hip hop producer Marcello Valenzano), N. Harris (American Philly Soul guitarist, producer, and songwriter) und R. Baker (record producer, bassist, arranger and songwriter)
publisher:
50 Cent Music, BlackWallStreet, Dade Co. Project Music, Inc., Each1Teach1, Golden Fleece Music, Lloyd Banks Music, Mouth Full O’ Gold Music (ASCAP), Mured Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Yayo Music Publishing, Zomba Songs und Zomba Songs Inc.
basiert auf:
Hate It or Love It
50 Cent feat. The Game, Tony Yayo, Young Buck & Lloyd Banks4.94:23