Ultimate Sinatra: The Centennial Collection

~ Release by Frank Sinatra (see all versions of this release, 16 available)

Tracklist

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1Digital Media
#TitleRatingLength
1All or Nothing at All (78 RPM version)
recorded in:
New York, United States (on 1939-08-31)
alto saxophone:
Claude Lakey (on 1939-08-31) and Dave Matthews (jazz saxophonist) (on 1939-08-31)
double bass:
Thurman Teague (Jazz bassist) (on 1939-08-31)
drums (drum set):
Ralph Hawkins (jazz drummer) (on 1939-08-31)
guitar:
Red Kent (on 1939-08-31)
piano:
Jack Gardner (piano) (on 1939-08-31)
tenor saxophone:
Bill Luther (Jazz saxophonist) (on 1939-08-31) and Drew Page (on 1939-08-31)
trombone:
Russell Brown (Swing trombonist) (on 1939-08-31), Truett Jones (Jazz trombonist) (on 1939-08-31) and Dalton Rizzotto (Jazz trombonist) (on 1939-08-31)
trumpet:
Claude Bowen (on 1939-08-31), Harry James (US big band leader, trumpeter & actor) (on 1939-08-31), Jack Palmer (jazz trumpeter and singer) (on 1939-08-31) and Jack Schaeffer (on 1939-08-31)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1939-08-31)
orchestra:
Harry James and His Orchestra (on 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (on 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (on 1939-08-31)
recording of:
All or Nothing at All (on 1939-08-31)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:58
2I’ll Never Smile Again
double bass:
Sid Weiss (on 1940-05-23)
drums (drum set):
Buddy Rich (on 1940-05-23)
guitar:
Clark Yocum (on 1940-05-23)
piano:
Joe Bushkin (on 1940-05-23)
saxophone:
Don Lodice (on 1940-05-23), Paul Mason (jazz saxophonist) (on 1940-05-23), Johnny Mince (on 1940-05-23), Hymie Shertzer (on 1940-05-23) and Fred Stulce (on 1940-05-23)
trombone:
George Arus (on 1940-05-23), Les Jenkins (on 1940-05-23) and Lowell Martin (jazz trombonist) (on 1940-05-23)
trumpet:
Bunny Berigan (on 1940-05-23), Jimmy Blake (jazz trumpeter) (on 1940-05-23), Leon Dubrow (on 1940-05-23) and Ray Linn (on 1940-05-23)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1940-05-23)
orchestra:
Tommy Dorsey and His Orchestra (on 1940-05-23)
conductor:
Tommy Dorsey (swing trombone player & band leader) (on 1940-05-23)
arranger:
Fred Stulce
recorded at:
RCA Studio 2 in New York, New York, United States (on 1940-05-23)
recording of:
I’ll Never Smile Again (on 1940-05-23)
lyricist and composer:
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
23:10
3Street of Dreams
alto saxophone:
Fred Stulce (on 1942-05-18)
bass:
Phil Stevens (country bass player) (on 1942-05-18)
cello:
Harold Bemko (on 1942-05-18)
drums (drum set):
Buddy Rich (on 1942-05-18)
guitar:
Clark Yocum (on 1942-05-18)
harp:
Ruth Hill (harpist) (on 1942-05-18)
piano:
Milt Raskin (Milton Raskin) (on 1942-05-18)
saxophone:
Harry Schuchman (on 1942-05-18)
tenor saxophone:
Heinie Beau (on 1942-05-18), Don Lodice (on 1942-05-18) and Bruce Snyder (on 1942-05-18)
trombone:
George Arus (on 1942-05-18), Dave Jacobs (jazz trombonist) (on 1942-05-18) and Jimmy Skiles (on 1942-05-18)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1942-05-18), Ziggy Elman (on 1942-05-18), Chuck Peterson (trumpet) (on 1942-05-18) and Jimmy Zito (on 1942-05-18)
viola:
Leonard Atkins (on 1942-05-18) and Sam Ross (violin) (on 1942-05-18)
violin:
Alex Beller (on 1942-05-18), William Ehrenkrantz (on 1942-05-18), Leonard Posner (on 1942-05-18), Irving Raymond (on 1942-05-18) and Bernie Tinterow (on 1942-05-18)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1942-05-18)
vocals:
John Huddleston (vocalist) (on 1942-05-18), Chuck Lowry (on 1942-05-18), The Pied Pipers (American vocal group, active 1930s-50s) (on 1942-05-18), Jo Stafford (on 1942-05-18) and Clark Yocum (on 1942-05-18)
conductor:
Tommy Dorsey (swing trombone player & band leader) (on 1942-05-18)
arranger:
Axel Stordahl
recorded at:
RCA Studio 2 in New York, New York, United States (on 1942-05-18)
recording of:
Street of Dreams (on 1942-05-18)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
32:41
4You’ll Never Know (78 RPM version)
recorded in:
New York, New York, United States (on 1943-06-07)
background vocals:
The Bobby Tucker Singers (on 1943-06-07)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1943-06-07)
vocals:
Bobby Tucker (on 1943-06-07)
arranger:
Alec Wilder (American composer)
cover recording of:
You’ll Never Know (on 1943-06-07)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
3:01
5If You Are but a Dream
recorded in:
New York, New York, United States (on 1944-11-14)
bass:
Ward Lay (on 1944-11-14)
cello:
Emmerick Gara (cellist) (on 1944-11-14), George Poliakin (on 1944-11-14) and Avron Twerdowky (cellist) (on 1944-11-14)
drums (drum set):
Johnny Blowers (on 1944-11-14)
French horn:
Karl Chlupsa (on 1944-11-14)
guitar:
Matty Golizio (on 1944-11-14)
harp:
Ruth Hill (harpist) (on 1944-11-14)
trombone:
John D'Agostino (trombonist) (on 1944-11-14), Andy Russo (Jazz trombonist) (on 1944-11-14) and Charlie Small (trombone) (on 1944-11-14)
trumpet:
Carl Poole (on 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (on 1944-11-14) and Melvin "Red" Solomon (on 1944-11-14)
viola:
Morris Kahan (violist) (on 1944-11-14), Sol Pfaeff (on 1944-11-14) and Sol Rumberg (on 1944-11-14)
violin:
Julius Brand (on 1944-11-14), Frederick Buldrini (on 1944-11-14), Sid Harris (on 1944-11-14), Leonard Kanter (violinist) (on 1944-11-14), Murray Kellner (on 1944-11-14), Bernard Kundell (on 1944-11-14), William Lockwood (violinist) (on 1944-11-14), Arthur Loesserman (violinist) (on 1944-11-14), Harold Micklin (violinist) (on 1944-11-14), Seymour Miroff (on 1944-11-14), Gene Orloff (on 1944-11-14) and Raoul Polikian (on 1944-11-14)
woodwind:
Artie Baker (saxophonist, flutist and clarinetist) (on 1944-11-14), Harry Feldman (on 1944-11-14), Bernie Kaufman (on 1944-11-14), Pete Pumiglio (on 1944-11-14) and Hank Ross (on 1944-11-14)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-11-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Axel Stordahl and His Orchestra (on 1944-11-14)
conductor:
Axel Stordahl (on 1944-11-14)
arranger:
Axel Stordahl
part of:
V Disc (by matrix number) (number: VP 1030 (1))
cover recording of:
If You Are But a Dream (on 1944-11-14)
lyricist and composer:
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) and Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
recording of:
If You Are But a Dream (on 1944-11-14)
lyricist and composer:
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) and Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
3:04
6Saturday Night (Is the Lonliest Night of the Week) (78 RPM version)
bass:
Ward Lay (on 1944-11-14)
cello:
E. Gara (on 1944-11-14), George Polikian (on 1944-11-14) and Avron Twerdowsky (on 1944-11-14)
clarinet:
Arthur Baker (saxophonist, flutist and clarinetist)
drums (drum set):
Johnny Blowers (on 1944-11-14)
French horn:
Karl Chlupse (French horn player) (on 1944-11-14)
guitar:
Matty Golizio (on 1944-11-14)
harp:
Ruth Hill (harpist) (on 1944-11-14)
piano:
Billy Rowland (on 1944-11-14)
saxophone:
Arthur Baker (saxophonist, flutist and clarinetist) (on 1944-11-14), Harold Feldman (woodwind player) (on 1944-11-14), Bernard Kaufman (on 1944-11-14), Peter Pumiglio (on 1944-11-14) and Henry Ross (on 1944-11-14)
trombone:
Charles Small (trombone) (on 1944-11-14), John D'Agostino (trombonist) (on 1944-11-14) and Andy Russo (Jazz trombonist) (on 1944-11-14)
trumpet:
Carl Poole (on 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (on 1944-11-14) and Melvin "Red" Solomon (on 1944-11-14)
viola:
Morris Kahn (on 1944-11-14), Sol Paeff (on 1944-11-14) and Sol Rumberg (on 1944-11-14)
violin:
Julius Brand (on 1944-11-14), Fred Buldrini (on 1944-11-14), Sid Harris (on 1944-11-14), L. Kanter (on 1944-11-14), Murray Kellner (on 1944-11-14), Bernard Kundell (on 1944-11-14), William Lockwood (violinist) (on 1944-11-14), Arthur Loesserman (violinist) (on 1944-11-14), Harold Micklin (violinist) (on 1944-11-14), Seymour Miroff (on 1944-11-14), Gene Orloff (on 1944-11-14) and Raoul Polikian (on 1944-11-14)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-11-14)
conductor:
Axel Stordahl (on 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (on 1944-11-14)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:44
7Nancy (With the Laughing Face) (78 RPM version)
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-08-22)
bass:
Jack Ryan (jazz bassist) (on 1945-08-22)
cello:
Cy Bernard (on 1945-08-22), Arthur Kafton (on 1945-08-22) and Jack Sewell (on 1945-08-22)
drums (drum set):
Ray Hagan (on 1945-08-22)
French horn:
James Stagliano (on 1945-08-22)
guitar:
Perry Botkin (on 1945-08-22)
harp:
Ann Mason Stockton (American harpist) (on 1945-08-22)
piano:
Frank Leithner (on 1945-08-22)
trombone:
Peter Beilman (trombonist) (on 1945-08-22), Carl Loeffler (on 1945-08-22) and Elmer Smithers (on 1945-08-22)
trumpet:
Bruce Hudson (on 1945-08-22), Leonard Mach (on 1945-08-22) and Uan Rasey (on 1945-08-22)
viola:
Allan Harshman (violist) (on 1945-08-22), Maurice Perlmutter (on 1945-08-22) and Dave Sterkin (on 1945-08-22)
violin:
William Bloom (violinist, worked with Frank Sinatra) (on 1945-08-22), Walter Edelstein (on 1945-08-22), Peter Ellis (1940s violinist) (on 1945-08-22), Sam Freed, Jr. (Violinist) (on 1945-08-22), David Frisina (on 1945-08-22), Howard Halbert (on 1945-08-22), Gerald Joyce (on 1945-08-22), Sol Kindler (on 1945-08-22), Samuel Levine (violinist) (on 1945-08-22), Anthony Perrotti (on 1945-08-22), Nicholas Pisani (on 1945-08-22) and Mischa Russell (violinist) (on 1945-08-22)
woodwind:
Heinie Beau (on 1945-08-22), Leonard Hartman (on 1945-08-22), Harold Lawson (on 1945-08-22), Don Lodice (on 1945-08-22) and Fred Stulce (on 1945-08-22)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-08-22)
conductor:
Axel Stordahl (on 1945-08-22)
arranger:
Axel Stordahl
recording of:
Nancy (With the Laughing Face) (on 1945-08-22)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Nancy
writer:
Phil Silvers (actor) and Jimmy Van Heusen
publisher:
Barton Music Corp.
33:13
8Oh, What It Seemed to Be
recorded in:
New York, New York, United States (on 1945-11-30)
bass:
Sam Shoobe (bassist) (on 1945-11-30)
drums (drum set):
Nat Polen (on 1945-11-30)
French horn:
Karl Chlupsa (on 1945-11-30)
guitar:
Matty Golizio (on 1945-11-30)
harp:
Elaine Vito Ricci (on 1945-11-30)
instruments:
Bill Clifton (jazz pianist) (on 1945-11-30)
trombone:
William Pritchard (on 1945-11-30), Seymour Shaffer (trombonist) (on 1945-11-30) and Herbert Winfield (trombonist) (on 1945-11-30)
trumpet:
Melvin "Red" Solomon (on 1945-11-30), Lyman Vunk (on 1945-11-30) and Bart Wallace (on 1945-11-30)
viola:
Theodore Adoff (violist) (on 1945-11-30), Sidney Brecher (on 1945-11-30) and Hyman Dickler (violist) (on 1945-11-30)
violin:
Benjamin Altman (violinist) (on 1945-11-30), Harry Azen (on 1945-11-30), Milton Bornstein (violinist) (on 1945-11-30), Sam Caplan (on 1945-11-30), Samuel Finkel (violinist) (on 1945-11-30), Walter Hagen (violinist) (on 1945-11-30), Sid Harris (on 1945-11-30), Harold Micklin (violinist) (on 1945-11-30), Felix Orlewitz (on 1945-11-30), Raoul Polikian (on 1945-11-30), Leonard Posner (on 1945-11-30) and Eugene Powers (violinist) (on 1945-11-30)
woodwind:
Artie Baker (saxophonist, flutist and clarinetist) (on 1945-11-30), Harry Feldman (on 1945-11-30), Bernie Kaufman (on 1945-11-30), Wolffe Taninbaum (on 1945-11-30) and Milt Yaner (on 1945-11-30)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-11-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-11-30)
conductor:
Axel Stordahl (on 1945-11-30)
arranger:
Axel Stordahl
recording of:
Oh, What It Seemed to Be (on 1945-11-30)
writer:
Bennie Benjamin, Frankie Carle and George David Weiss
publisher:
Anne-Rachel Music Corp., Santly-Joy, Inc. and The Songwriters Guild
2:59
9Five Minutes More
recording of:
Five Minutes More
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Melrose Music Corp.
2:35
10Time After Time
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1946-10-24)
conductor:
Axel Stordahl (on 1946-10-24)
arranger:
Axel Stordahl
recording of:
Time After Time (on 1946-10-24)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:10
11Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1961-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
53:39
12The Song Is You
recording of:
The Song Is You
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:15
13I’m a Fool to Want You (78 RPM version)
recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:56
14The Birth of the Blues (78 RPM version)
recording of:
Birth of the Blues
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
3:28
15Why Try to Change Me Now (78 RPM version)
recording of:
Why Try to Change Me Now
lyricist:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
composer:
Cy Coleman
publisher:
Notable Music Co., Inc.
2:48
16I’ve Got the World on a String
recorded in:
Los Angeles, California, United States (on 1953-04-30)
bass:
Philip Stephens (bass and tuba player) (on 1953-04-30)
drums (drum set):
Alvin Stoller (on 1953-04-30)
guitar:
Al Hendrickson (on 1953-04-30)
piano:
Bill Miller (pianist) (on 1953-04-30)
reeds:
Jack Dumont (on 1953-04-30), Skeets Herfurt (on 1953-04-30), Plas Johnson (on 1953-04-30), Joe Koch (on 1953-04-30), Ernest Romersa (on 1953-04-30) and Theodore Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-30)
trombone:
Milt Bernhart (on 1953-04-30), Francis Howard (trombone) (on 1953-04-30), Jimmy Priddy (on 1953-04-30) and Si Zentner (on 1953-04-30)
trumpet:
Harry “Sweets” Edison (on 1953-04-30), Conrad Gozzo (on 1953-04-30), Vito "Mickey" Mangano (on 1953-04-30) and Rubin "Zeke" Zarchy (on 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (on 1953-04-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
42:10
17Don’t Worry ’Bout Me
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
conductor:
Nelson Riddle
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-04-30)
recording of:
Don’t Worry ’Bout Me
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
3:07
18My Funny Valentine
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
32:31
19They Can’t Take That Away From Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.51:57
20I Get a Kick Out of You
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
42:53
21Young at Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1953-12-09)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:49
22Last Night When We Were Young
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort and Ed Gilbert
drums (drum set):
Frankie Carlson
guitar:
Bobby Gibbons
harp:
Kathryn Julye and Ann Mason Stockton (American harpist)
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bart Caldarelli (saxophone), Mahlon Clark, Mort Friedman, Harry Klee, Champ Webb and James Williamson (Saxophone player)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-03-01)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1954-03-01)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-03-01)
cover recording of:
Last Night When We Were Young (on 1954-03-01)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
3:16
23Three Coins in the Fountain
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1954 winner)
3:04
24Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:13
25All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
22:08
26Someone to Watch Over Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and Vincent DeRosa
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee and Champ Webb
trombone:
Milt Bernhart
viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-09-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-09-23)
conductor:
Nelson Riddle (on 1954-09-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1954-09-23)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:55
27I Get Along Without You Very Well
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:42
2Digital Media
#TitleRatingLength
1This Love of Mine
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
cover recording of:
This Love of Mine (on 1955-02-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:35
2In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:59
3Learnin’ the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:01
4Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
3.52:38
5(Love Is) The Tender Trap42:56
6Love Is Here to Stay
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
42:38
7You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
42:55
8Memories of You
recording of:
Memories of You
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
32:52
9I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:42
10Too Marvelous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:27
11(How Little It Matters) How Little We Know32:38
12I Couldn’t Sleep a Wink Last Night
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
I Couldn’t Sleep a Wink Last Night (on 1956-11-01)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
33:23
13I Wish I Were in Love Again
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
32:28
14The Lady Is a Tramp
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-26)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-26)
conductor:
Nelson Riddle (on 1956-11-26)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-11-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
53:14
15From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
33:50
16Laura23:26
17Where Are You?3:28
18Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Co., Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:52
19Bewitched
3:38
20All the Way
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (on 1957-08-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
42:52
21Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:32
22Come Fly With Me
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4.53:18
23Put Your Dreams Away
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-12-11)
arranger:
Nelson Riddle
cover recording of:
Put Your Dreams Away (for Another Day) (on 1957-12-11)
lyricist:
Ruth Lowe and Paul Mann (German/American pianist and composer)
composer:
Stephan Weiss
publisher:
Anne-Rachel Music, Barton Music Corp., BMG Firefly, Cromwell Music, Inc., Tro-Cromwell Music, Inc. and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:11
24Angel Eyes
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
High Hopes (1959 song popularized by Frank Sinatra)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
part of:
The 32nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1959 winner)
3:42
25Guess I’ll Hang My Tears Out to Dry4:00
3Digital Media
#TitleRatingLength
1Only the Lonely4:08
2One for My Baby (and One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (American violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
34:23
3Something’s Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
42:38
4Come Dance With Me
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
Come Dance With Me (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
42:30
5Here’s That Rainy Day
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Allan Harshman (violist), Lou Kievman (violist) and Paul Robyn
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Paul McLarand and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-25)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-25) and The Nelson Riddle Orchestra (on 1959-03-25)
conductor:
Gordon Jenkins (on 1959-03-25)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-25)
cover recording of:
Here’s That Rainy Day (on 1959-03-25)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:33
6A Cottage for Sale
producer:
Dave Cavanaugh
cello:
Armand Kaproff and Ray Kramer
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
John Cave (french horn), Vincent DeRosa and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
oboe:
Bert Gassman (woodwinds)
piano:
Bill Miller (pianist)
viola:
William Baffa, Lou Kievman (violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harry Bluestone, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz and Wayne Songer (clarinetist and saxophonist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1959-03-26)
orchestra:
Gordon Jenkins & His Orchestra (on 1959-03-26)
conductor:
Gordon Jenkins (on 1959-03-26)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1959-03-26)
cover recording of:
A Cottage for Sale (on 1959-03-26)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
3:15
7High Hopes
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
High Hopes (1959 song popularized by Frank Sinatra)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
part of:
The 32nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1959 winner)
2:41
8The Nearness of You
recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
2:42
9I’ve Got a Crush on You
recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:16
10Nice ’n’ Easy
producer:
Dave Cavanaugh (on 1960-04-13)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-13)
cello:
James Arkatov (American cellist and photographer) (on 1960-04-13), Victor Gottlieb (on 1960-04-13) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-04-13)
double bass:
Joe Comfort (on 1960-04-13)
drums (drum set):
Irv Cottler (on 1960-04-13)
French horn:
William Hinshaw (American horn player) (on 1960-04-13) and James McGee (on 1960-04-13)
guitar:
Al Viola (on 1960-04-13)
harp:
Kathryn Julye (on 1960-04-13)
piano:
Bill Miller (pianist) (on 1960-04-13)
reeds:
Plas Johnson (on 1960-04-13), Joe Koch (on 1960-04-13), Abe Most (on 1960-04-13), Harry Schuchman (on 1960-04-13) and Wilbur Schwartz (on 1960-04-13)
trombone:
Tommy Shepard (trombonist) (on 1960-04-13) and Ken Shroyer (trombonist) (on 1960-04-13)
trumpet:
Carroll Lewis (trumpeter) (on 1960-04-13)
viola:
Lou Kievman (violist) (on 1960-04-13), Alexander Neiman (violist) (on 1960-04-13) and Barbara Simons (on 1960-04-13)
violin:
Victor Arno (on 1960-04-13), Victor Bay (on 1960-04-13), Alex Beller (on 1960-04-13), Jacques Gasselin (on 1960-04-13), Dan Lube (on 1960-04-13), Erno Neufeld (on 1960-04-13), Nathan Ross (on 1960-04-13), Felix Slatkin (on 1960-04-13) and Marshall Sosson (on 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-04-13)
orchestra:
Nelson Riddle and His Orchestra (on 1960-04-13)
conductor:
Nelson Riddle (on 1960-04-13)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-13)
recording of:
Nice ’n’ Easy (on 1960-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
2:45
11When the World Was Young
recording of:
When the World Was Young
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
3:47
12In the Still of the Night
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (on 1960-12-19)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
3:26
13The Second Time Around3:00
14Without a Song3:38
15Love Walked In
recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:20
16Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
2:48
17Come Rain or Come Shine4:05
18The Girl Next Door3:18
19At Long Last Love (1962 version)
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2:14
20The Very Thought of You
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
3:31
21Pennies From Heaven
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (baritone saxophonist) (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (jazz trombonist) (on 1962-10-03) and Benny Powell (jazz trombonist) (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (on 1962-10-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
3:27
22Ol’ Man River
recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
4:25
23I Have Dreamed
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
2:58
24Luck Be a Lady
recorded in:
Los Angeles, California, United States (on 1963-07-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-07-25)
orchestra:
Morris Stoloff and His Orchestra (on 1963-07-25)
conductor:
Morris Stoloff (on 1963-07-25)
arranger:
Billy May (on 1963-07-25)
cover recording of:
Luck Be a Lady (from “Guys and Dolls”) (on 1963-07-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
recording of:
Luck Be a Lady (from “Guys and Dolls”) (on 1963-07-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
55:14
4Digital Media

Credits

Release

phonographic copyright (℗) by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2015)
purchase for download and streaming page:https://music.apple.com/us/album/1440948281 [info]