Adagios for After Hours - The Relaxing Way to End Your Day

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1En Bateau (Petite Suite)
orchestra:
Detroit Symphony Orchestra
conductor:
Paul Paray (French conductor and composer)
recording of:
Petite Suite, L. 65, CD 71b : I. En bateau (for orchestra)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
Claude Debussy3:07
2Gymnopédia No.1
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie4:43
3Clair de Lune
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1955-10)
conductor:
Ernest Ansermet (conductor) (in 1955-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1955-10)
recording of:
Clair de lune from Suite bergamasque (orch. Stokowski) (in 1955-10)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:17
4Intermezzo (Cavalleria Rusticana)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1960-07)
conductor:
Tullio Serafin (conductor) (in 1960-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1960-07)
recording of:
Cavalleria rusticana: Intermezzo (in 1960-07)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:58
5Reverie
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Kocsis Zoltán (pianist, conductor) (in 1988-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Rêverie, L. 68, CD 76 (for piano) (in 1988-10)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy3:52
6Pavane for a Dead Princess
orchestra:
Royal Concertgebouw Orchestra
conductor:
Bernard Haitink (conductor)
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:45
7Pavane Op.50
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1981-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:47
8Guitar Concerto in D Major - Largo
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi3:57
9Concerto for Oboe, Strings & Continuo in D minor, BWV 1059R: Siciliano
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05)
orchestra:
Academy of St Martin in the Fields (in 1982-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
Johann Sebastian Bach3:13
10Canon in D Major
orchestra:
Academy of St Martin in the Fields (in 1984-11)
conductor:
Sir Neville Marriner (conductor) (in 1984-11)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1984-11)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:54
11Piano Concerto No. 21 in C major, K. 467: II. Andante
piano:
Mitsuko Uchida (pianist) (from 1985-10-07 until 1985-10-10)
orchestra:
English Chamber Orchestra (from 1985-10-07 until 1985-10-10)
conductor:
Jeffrey Tate (conductor) (from 1985-10-07 until 1985-10-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1985-10-07 until 1985-10-10)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1985-10-07 until 1985-10-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:03
12Adagio in G Minor
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:58
13Orchestral Suite No.3 in D Major: Air
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:34
14Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto
piano:
Claudio Arrau (pianist) (in 1962-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1962-06)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1962-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:51
15Clarinet Concerto in A major, K. 622: II. Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:43

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Release

ASIN:US: B00004YX36 [info]