The Essential Kiri

~ Release by Kiri Te Kanawa (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Samson, HWV 57: Act III. "Let the bright seraphim"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel6:02
2Ave Maria
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Utah Symphony
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1984)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod2:53
3Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
soprano vocals:
Kiri Te Kanawa (soprano)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:46
4Casanova: Nuns' Chorus
producer:
Paul Myers (classical record producer)
choir vocals:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (conductor) (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
partial recording of:
Casanova: Nuns’ Chorus & Laura’s Song
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
Johann Strauss II3:40
5Le nozze di Figaro, K. 492: Act III, Scene VIII. no. 20 Aria "Dove sono i bei momenti" (La Contessa)
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:03
6Vier letzte Liede no. 3: Beim Schlafengehen
soprano vocals:
Kiri Te Kanawa (soprano)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:58
7Vocalise, op. 43 no. 14
piano:
Roger Vignoles (pianist)
soprano vocals:
Kiri Te Kanawa (soprano)
recording of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
publisher:
Belwin-Mills Publishing Corp.
part of:
14 Romances, op. 34
Сергей Васильевич Рахманинов5:12
8You'll Never Walk Alone
producer:
Paul Myers (classical record producer)
choir vocals:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (conductor) (from 1989-02-24 until 1989-02-25)
arranger:
Chris Hazell
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
You’ll Never Walk Alone (Carousel) (on 1989-02-24)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Richard Rodgers3:45
9Messiah, HWV 56: Part III. "I know that my Redeemer liveth"
producer:
Ray Minshull (record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1984-10)
orchestra:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1984-10) and James Lock (James Locke, engineer) (in 1984-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-10)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:55
10Le nozze di Figaro, K. 492: Act II, Scene I. no. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa)
producer:
Christopher Raeburn (producer)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1981-06)
vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:40
11Tosca: Act II. Aria "Vissi d'arte" (Tosca)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (in 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1984-05)
conductor:
Sir Georg Solti (conductor) (in 1984-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:26
12Requiem in D minor, op. 48: IV. Pie Jesu
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-10)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:51
13Carmen: Act III. Aria "Je dis que rien ne m'épouvante" (Micaëla)
soprano vocals [Micaëla]:
Kiri Te Kanawa (soprano) (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:53
14Manon Lescaut: Act II. Aria "In quelle trine morbide" (Manon)
engineer:
Simon Eadon (classical music engineer) and James Lock (James Locke, engineer)
producer:
Chris Hazell and Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1987-05 until 1987-06)
orchestra:
Orchestra del Teatro Comunale di Bologna (from 1987-05 until 1987-06)
conductor:
Riccardo Chailly (conductor) (from 1987-05 until 1987-06)
recorded at:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (from 1987-05 until 1987-06)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (from 1987-05 until 1987-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:24
15Otello: Act IV. Aria "Mia madre aveva" - "Piangea cantando" - "Ave Maria" (Desdemona)
soprano vocals:
Kiri Te Kanawa (soprano)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi12:22