The Caruso Edition, Volume III: 1912–1916

~ Release by Enrico Caruso (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Lombardi: Act III. “Qual voluttà trascorrere”
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-07)
recording of:
I Lombardi: Atto III. N°14 Finale. Terzetto "Qual voluttà trascorrere" (Oronte, Pagano, Giselda) (on 1912-01-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto III (La conversione)
Giuseppe Verdi4:14
2Crucifix
recorded in:
New York, New York, United States (on 1912-01-07)
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-07)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-07)
recording of:
Le Crucifix (on 1912-01-07)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Jean‐Baptiste Faure (in 1873)
publisher:
Heugel (in 1873)
Gabriel Fauré3:48
3Lucia di Lammermoor: Act II. “Chi mi frena in tal momento?”
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1912-01-19) and Angelo Badà (tenor) (on 1912-01-19)
bass vocals:
Marcel Journet (French operatic bass) (on 1912-01-19)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano) (on 1912-01-19)
soprano vocals:
Luisa Tetrazzini (soprano) (on 1912-01-19)
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-19)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-19)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1912-01-19)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:07
4Tarantella sincera
tenor vocals:
Enrico Caruso (tenor) (on 1912-01-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-01-19)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-01-19)
recording of:
Tarantella sincera (on 1912-01-19)
lyricist:
Eduardo Migliaccio
composer:
Vincenzo De Crescenzo (Neapolitan songwriter, 1875–1964)
Vincenzo De Crescenzo3:41
5Rigoletto: Act IV. “Bella figlia dell’amore”
baritone vocals:
Pasquale Amato (Italian operatic baritone) (on 1912-02-13)
mezzo-soprano vocals:
Josephine Jacoby (mezzo-soprano) (on 1912-02-13)
soprano vocals:
Luisa Tetrazzini (soprano) (on 1912-02-13)
tenor vocals:
Enrico Caruso (tenor) (on 1912-02-13)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-02-13)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-02-13)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1912-02-13)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:41
6La danza
tenor vocals:
Enrico Caruso (tenor) (on 1912-02-13)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-02-13)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-02-13)
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (on 1912-02-13)
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:15
7Dreams of Long Ago
tenor vocals:
Enrico Caruso (tenor) (on 1912-04-18)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-04-18)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1912-04-18)
recording of:
Dreams of Long Ago (on 1912-04-18)
lyricist:
Earl Carroll
composer:
Enrico Caruso (tenor)
Enrico Caruso4:00
8The Lost Chord
tenor vocals:
Enrico Caruso (tenor) (on 1912-04-29)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-04-29)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-04-29)
recording of:
The Lost Chord (on 1912-04-29)
lyricist:
Adelaide Anne Procter (until 1860)
composer:
Sir Arthur Sullivan (composer) (until 1877-01-13)
Arthur Sullivan4:06
9Because
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-07)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-07)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1912-12-07)
recording of:
Because (on 1912-12-07)
lyricist:
Edward F. Lockton and Frank Teschemacher
composer:
Guy d’Hardelot
publisher:
Warner/Chappell Music (Warner/Chappell Music, Inc.)
Guy d’Hardelot2:31
10Hosanna
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-07)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-07)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1912-12-07)
recording of:
Hosanna (on 1912-12-07)
lyricist:
Julien Didiée
composer:
Jules Granier
Jules Granier4:20
11Manon: Act II. “Manon! On l’appelle Manon”
soprano vocals:
Geraldine Farrar (American soprano) (on 1912-12-30)
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-30)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-30)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-30)
recording of:
Manon : Acte II. « On l’appelle Manon » (Manon, des Grieux) (on 1912-12-30)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet4:15
12La bohème: Act I. “O soave fanciulla”
soprano vocals:
Geraldine Farrar (American soprano) (on 1912-12-30)
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-30)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-30)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-30)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (on 1912-12-30)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:45
13Don Carlo: Act II. “Domanda al ciel; Dio, che nell’alma infondere”
baritone vocals:
Antonio Scotti (Italian baritone) (on 1912-12-30)
tenor vocals:
Enrico Caruso (tenor) (on 1912-12-30)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1912-12-30)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1912-12-30)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1912-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:22
14Il trovatore: Act IV. “Se m’ami ancor; Ai nostri monti”
mezzo-soprano vocals:
Ernestine Schumann‐Heink (contralto) (on 1913-01-17)
tenor vocals:
Enrico Caruso (tenor) (on 1913-01-17)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-01-17)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1913-01-17)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (on 1913-01-17)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:27
15Pimpinella (Florentine Air, op. 38 no. 6)
piano:
Gaetano Scognamiglio (conductor) (on 1913-01-17)
tenor vocals:
Enrico Caruso (tenor) (on 1913-01-17)
recording of:
Pimpinella, Florentine Song, op. 38 no. 6 (on 1913-01-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
Pyotr Tchaikovsky3:00
16Rigoletto: Act III. “Ella mi fu rapita!; Parmi verder le lagrime”
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-02-24)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1913-02-24)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (on 1913-02-24)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi4:44
17Agnus Dei
piano:
Gaetano Scognamiglio (conductor) (on 1913-02-24)
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
recording of:
Agnus Dei (on 1913-02-24)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:58
18Manon Lescaut: Act I. “Donna non vidi mai”
tenor vocals:
Enrico Caruso (tenor) (on 1913-02-24)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-02-24)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1913-02-24)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (on 1913-02-24)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:54
19Ave Maria
piano:
Percy B. Kahn (composer and pianist) (on 1913-03-20)
violin:
Mischa Elman (Russian-American violinist) (on 1913-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1913-03-20)
recording of:
Ave Maria (on 1913-03-20)
writer:
[traditional] (special purpose artist) and Percy B. Kahn (composer and pianist)
Percy B. Kahn4:09
20Elégie (Song of Mourning)
piano:
Percy B. Kahn (composer and pianist) (on 1913-03-20)
violin:
Mischa Elman (Russian-American violinist) (on 1913-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1913-03-20)
recording of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano) (on 1913-03-20)
lyricist:
Louis Gallet
composer:
Jules Massenet (French Romantic composer) (in 1873)
is based on:
Dix pièces de genre, op. 10: No. 5. Élégie jouée par les Erinnyes
Jules Massenet4:03
2▼CD
#TitleArtistRatingLength
1Lasciar amar
recorded in:
New York, New York, United States (on 1913-04-10)
tenor vocals:
Enrico Caruso (tenor) (on 1913-04-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-04-10)
recording of:
Lasciati amar (on 1913-04-10)
composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo3:02
2Guardann’a luna
recorded in:
New York, New York, United States (on 1913-04-10)
harp:
Francis J. Lapitino (harpist) (on 1913-04-10)
tenor vocals:
Enrico Caruso (tenor) (on 1913-04-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-04-10)
recording of:
Guardanno 'a luna (on 1913-04-10)
writer:
Gianni Camerlingo and Vincenzo De Crescenzo (Neapolitan songwriter, 1875–1964)
Vincenzo De Crescenzo3:31
3Your Eyes Have Told Me What I Did Not Know
recorded in:
New York, New York, United States (on 1913-04-10)
tenor vocals:
Enrico Caruso (tenor) (on 1913-04-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-04-10)
recording of:
Your Eyes Have Told Me What I Did Not Know (on 1913-04-10)
writer:
Fred G. Bowles and Geoffrey O’Hara
Geoffrey O’Hara2:11
4Fenesta che lucive
recorded in:
New York, New York, United States (on 1913-04-10)
tenor vocals:
Enrico Caruso (tenor) (on 1913-04-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-04-10)
recording of:
Fenesta ca lucive (on 1913-04-10)
lyricist:
Giulio Genoino
composer:
Vincenzo Bellini (Sicilian opera composer) and Guglielmo Cottrau
publisher:
PD (refers to works that are in the public domain)
Teodoro Cottrau3:47
5Stabat mater: Cuius Animam
recorded in:
New York, New York, United States (on 1913-12-15)
tenor vocals:
Enrico Caruso (tenor) (on 1913-12-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-12-15)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (on 1913-12-15)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini4:44
6Les Rameaux (The Palms)
recorded in:
New York, New York, United States (on 1914-03-09)
tenor vocals:
Enrico Caruso (tenor) (on 1914-03-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-03-09)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-03-09)
recording of:
Les Rameaux (on 1914-03-09)
lyricist:
Jules Bertrand
composer:
Jean‐Baptiste Faure
Jean‐Baptiste Faure4:05
7Cavalleria rusticana: Addio alla madre
recorded in:
New York, New York, United States (on 1913-12-15)
tenor vocals:
Enrico Caruso (tenor) (on 1913-12-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1913-12-15)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (on 1913-12-15)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Giuseppe Verdi4:06
8Otello: Act II. “Oh! mostruosa colpa! Si, pel ciel”
recorded in:
New York, New York, United States (on 1914-01-08)
baritone vocals [Iago]:
Titta Ruffo (baritone) (on 1914-01-08)
tenor vocals [Otello]:
Enrico Caruso (tenor) (on 1914-01-08)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-01-08)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago) (on 1914-01-08)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago) (on 1914-01-08)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:49
9Sérénade de Don Juan
recorded in:
New York, New York, United States (on 1914-01-21)
tenor vocals:
Enrico Caruso (tenor) (on 1914-01-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-01-21)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1914-01-21)
recording of:
6 Romances, op. 38: No. 1. Don Juan's Serenade (Серенада Дон-Жуана) (on 1914-01-21)
lyricist:
Алексей К. Толстой (Aleksey Tolstoy, Russian 19th century writer)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 246)
part of:
6 Romances, op. 38
Pyotr Tchaikovsky3:09
10Amor mio
recorded in:
New York, New York, United States (on 1914-01-21)
tenor vocals:
Enrico Caruso (tenor) (on 1914-01-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-01-21)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1914-01-21)
recording of:
Amor mio (on 1914-01-21)
lyricist:
Giovanni Gaeta
composer:
Vincenzo Ricciardi
Vincenzo Ricciardi3:35
11Manella mia
recorded in:
New York, New York, United States (on 1914-01-21)
tenor vocals:
Enrico Caruso (tenor) (on 1914-01-21)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-01-21)
recording of:
Manella mia (on 1914-01-21)
composer:
Vincenzo Valente
Vincenzo Valente4:31
12Les Rameaux (The Palms)
recorded in:
New York, New York, United States (on 1914-03-09)
tenor vocals:
Enrico Caruso (tenor) (on 1914-03-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-03-09)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-03-09)
recording of:
Les Rameaux (on 1914-03-09)
lyricist:
Jules Bertrand
composer:
Jean‐Baptiste Faure
Jean‐Baptiste Faure4:11
13Trusting Eyes
recorded in:
New York, New York, United States (on 1914-03-09)
tenor vocals:
Enrico Caruso (tenor) (on 1914-03-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-03-09)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-03-09)
recording of:
Trusting Eyes (on 1914-03-09)
composer:
Clarence G. Gartner
Clarence G. Gartner2:42
14Sérénade espagnole
recorded in:
New York, New York, United States (on 1914-03-09)
tenor vocals:
Enrico Caruso (tenor) (on 1914-03-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-03-09)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-03-09)
recording of:
Sérénade espagnole (on 1914-03-09)
composer:
Sir Landon Ronald (pianist, conductor and composer)
Sir Landon Ronald2:21
15Parted
recorded in:
New York, New York, United States (on 1914-03-09)
tenor vocals:
Enrico Caruso (tenor) (on 1914-03-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-03-09)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-03-09)
recording of:
Parted (on 1914-03-09)
lyricist:
Frederick Edward Weatherly
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
Francesco Paolo Tosti2:50
16Un ballo in maschera: Act I. La rivedrà nell’estasi
recorded in:
New York, New York, United States (on 1914-04-03)
bass vocals:
Andrés de Segurola (Spanish operatic bass) (on 1914-04-03) and Léon Rothier (French musician, predominantly an opera singer in the bass range) (on 1914-04-03)
choir vocals:
Metropolitan Opera Chorus (on 1914-04-03)
soprano vocals:
Frieda Hempel (German soprano singer) (on 1914-04-03)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-03)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-04-03)
chorus master:
Giulio Setti (conductor) (on 1914-04-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (on 1914-04-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:52
17Un ballo in maschera: Act I. E scherzo od è follia
recorded in:
New York, New York, United States (on 1914-04-03)
bass vocals:
Andrés de Segurola (Spanish operatic bass) (on 1914-04-03) and Léon Rothier (French musician, predominantly an opera singer in the bass range) (on 1914-04-03)
choir vocals:
Metropolitan Opera Chorus (on 1914-04-03)
mezzo-soprano vocals:
Maria Duchêne (French contralto) (on 1914-04-03)
soprano vocals:
Frieda Hempel (German soprano singer) (on 1914-04-03)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-03)
conductor:
Gaetano Scognamiglio (conductor) (on 1914-04-03)
chorus master:
Giulio Setti (conductor) (on 1914-04-03)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (on 1914-04-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:53
18La partida
recorded in:
New York, New York, United States (on 1914-04-03)
piano:
Gaetano Scognamiglio (conductor) (on 1914-04-03)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-03)
recording of:
La partida (on 1914-04-03)
lyricist:
Eusebio Blasco Soler
composer:
Fermín María Álvarez (composer)
Fermín María Álvarez4:44
19El milagro de la Virgen: Flores purísimas
recorded in:
New York, New York, United States (on 1914-04-03)
piano:
Gaetano Scognamiglio (conductor) (on 1914-04-03)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-03)
recording of:
El milagro de la Virgen: Flores purísimas (on 1914-04-03)
composer:
Ruperto Chapí (composer)
part of:
El milagro de la Virgen
Ruperto Chapí4:28
3▼CD
#TitleArtistRatingLength
1La traviata: Act I. Brindisi: “Libiamo, libiamo”
choir vocals:
Metropolitan Opera Chorus (on 1914-04-20)
soprano vocals:
Alma Gluck (soprano) (on 1914-04-20)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-20)
conductor:
Giulio Setti (conductor) (on 1914-04-20)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (on 1914-04-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:12
2Il guaranay: Act I. “Sento una forza indomita”
choir vocals:
Metropolitan Opera Chorus (on 1914-04-20)
soprano vocals:
Emmy Destinn (soprano) (on 1914-04-20)
tenor vocals:
Enrico Caruso (tenor) (on 1914-04-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-04-20)
conductor:
Giulio Setti (conductor) (on 1914-04-20)
recording of:
Il Guarany: Atto I. Scena e duetto "Sento una forza indomita" (Pery, Cecilia) (on 1914-04-20)
composer:
Antônio Carlos Gomes (composer)
librettist:
Carlo D'Ormeville and Antonio Scalvini
part of:
Il Guarany: Atto I
Antônio Carlos Gomes4:32
3Hantise d’amour
tenor vocals:
Enrico Caruso (tenor) (on 1914-12-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-12-10)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1914-12-10)
recording of:
Hantise d'amour (on 1914-12-10)
lyricist:
Henry Rey-Roise
composer:
Josef Szulc
Josef Szulc3:04
4Carmen: Act I. “Parle‐moi de ma mère”
soprano vocals:
Frances Alda (New Zealand-born, Australian-raised operatic soprano)
tenor vocals:
Enrico Caruso (tenor) (on 1914-12-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1914-12-10)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1914-12-10)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (on 1914-12-10)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:47
5La mia canzone
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1915-01-07)
recording of:
La mia canzone (on 1915-01-07)
lyricist:
Francesco Cimmino
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
Francesco Paolo Tosti2:42
6Pecchè?
mandolin:
Bianculli
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1915-01-07)
recording of:
Pecchè? (on 1915-01-07)
lyricist:
Carlo de Flavis
composer:
Gaetano Pennino (in 1913)
Gaetano Pennino4:31
7Cielo turchino
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1915-01-07)
recording of:
Cielo turchino (on 1915-01-07)
lyricist:
Giuseppe Capaldo
composer:
Michele Salvatore Ciociano
Michele Salvatore Ciociano2:39
8Requiem: Ingemisco
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1915-01-07)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (on 1915-01-07)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:18
9Il duca d’Alba: Act IV. “Angelo casto e bel”
tenor vocals:
Enrico Caruso (tenor) (on 1915-01-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1915-01-07)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1915-01-07)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (on 1915-01-07)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
Gaetano Donizetti3:47
10Si vous l’aviez compris
piano:
Gaetano Scognamiglio (conductor) (on 1915-02-06)
violin:
Mischa Elman (Russian-American violinist) (on 1915-02-06)
tenor vocals:
Enrico Caruso (tenor) (on 1915-02-06)
recording of:
Si vous l’aviez compris (on 1915-02-06)
composer:
Luigi Denza (composer)
Luigi Denza4:27
11Les Deux Sérénades
piano:
Gaetano Scognamiglio (conductor) (on 1915-02-06)
violin:
Mischa Elman (Russian-American violinist) (on 1915-02-06)
tenor vocals:
Enrico Caruso (tenor) (on 1915-02-06)
recording of:
Sérénade française "Au clair de la lune, mon gentil Pierrot" (on 1915-02-06)
composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo3:01
12La Procession
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-05)
recording of:
La Procession, FWV 88 (on 1916-02-05)
lyricist:
Auguste Brizeux (French poet)
composer:
César Franck (Belgian‐born French composer) (from 1888 until 1889)
dedicated to:
Charlotte Danner
publisher:
Éditions Alphonse Leduc (in 1892) and The Boston Music Company (in 1914)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1889-04-27)
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 160) and Franck Werke Verzeichnis (number: 88)
César Franck4:30
13Le Cid: Act III. “Ah! tout est bien fini!; Ô souverain, ô juge, ô père"
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-05)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel) (on 1916-02-05)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
Jules Massenet4:10
14Luna d’estate
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-05)
recording of:
Luna d’estate! (on 1916-02-05)
lyricist:
Riccardo Mazzola
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
Francesco Paolo Tosti2:18
15’O sole mio
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-05)
recording of:
’O sole mio (on 1916-02-05)
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Eduardo Di Capua3:26
16La Reine de Saba: Act II. “Faiblesse de la race humaine!; Inspirez‐moi, race divine”
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-05)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-05)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-05)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1916-02-05)
recording of:
La Reine de Saba : Acte II. « Faiblesse de la race humaine ! » … « Inspirez-moi, race divine » (Adoniram) (on 1916-02-05)
composer:
Charles Gounod (French composer)
part of:
La Reine de Saba
Charles Gounod4:31
17Mia sposa sarà la mia bandiera
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-23)
recording of:
Mia sposa sarà la mia bandiera (on 1916-02-23)
composer:
Augusto Rotoli
Augusto Rotoli4:14
18Macbeth: Act IV. “Ah, la paterna mano”
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-23)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (on 1916-02-23)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi3:26
19La bohème: Act IV. “Vecchia zimarra”
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-23)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (on 1916-02-23)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini2:08
20Cantique de Nöel
tenor vocals:
Enrico Caruso (tenor) (on 1916-02-23)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-02-23)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-02-23)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (on 1916-02-23)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (French composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
Adolphe Adam4:10

Credits

Release

ASIN:US: B000000WLT [info]

Release group

part of:The Caruso Edition (Pearl) (number: 3) (order: 2)