| # | Title | Artist | Rating | Length |
|---|
| 1 | Out of Reach (“Bridget Jones’s Diary”) | Gabrielle | 3.75 | 3:19 |
| 2 | Now We Are Free (“Gladiator”) | Lisa Gerrard, The Lyndhurst Orchestra, Gavin Greenaway | 5 | 4:17 |
| 3 | One Day I’ll Fly Away (“Moulin Rouge”) | Nicole Kidman | 4 | 3:19 |
| 4 | When You Say Nothing at All (“Notting Hill”) | Ronan Keating | 2.75 | 4:15 |
| 5 | Dead Already (“American Beauty”) | Thomas Newman | 4 | 3:19 |
| 6 | For the Love of a Princess (“Braveheart”) | London Symphony Orchestra, James Horner | 4.5 | 4:08 |
| 7 | You’re the First, the Last, My Everything (“Four Weddings and a Funeral”)- spoken vocals:
- Hugh Grant
- vocals:
- Barry White
- phonographic copyright (℗) by:
- Phonogram Ltd. (London) (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | | 3:36 |
| 8 | Down to the River to Pray (“O Brother, Where Art Thou?”)- recording engineer and mixer:
- Mike Piersante
- assistant engineer:
- Matt Andrews and Rail Rogut
- producer:
- T‐Bone Burnett
- assistant mixer:
- Ok Hee Kim
- additional vocals:
- Norman Blake , Dub Cornett, Pat Enright, Porter McClister, Tim O’Brien , Maura O’Connell, Sam Phillips , David Rawlings and Gillian Welch
- choir vocals:
- The First Baptist Choir of White House, Tennessee
- lead vocals:
- Alison Krauss
- phonographic copyright (℗) by:
- Mercury Records (in 2000)
- recorded at:
- Sound Emporium Studios in Nashville, Tennessee, United States
- recording of:
- The Good Old Way
- writer:
- [traditional]
| Alison Krauss | 4 | 2:57 |
| 9 | Vide cor meum (“Hannibal”) | The Lyndhurst Orchestra, Gavin Greenaway | | 3:57 |
| 10 | The Marriage of Figaro: “Sull’aria… che soave zeffiretto” (“The Shawshank Redemption”) | Edith Mathis, Gundula Janowitz, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Karl Böhm | | 3:33 |
| 11 | Windmills of Your Mind (“The Thomas Crown Affair”) | Sting | | 4:18 |
| 12 | Adagio for Strings (“Platoon”) | Academy of St Martin in the Fields, Sir Neville Marriner | 3 | 7:27 |
| 13 | Unchained Melody (“Ghost”) | Hollywood Bowl Orchestra, John Mauceri | | 3:28 |
| 14 | The Sorcerer’s Apprentice (excerpt) (“Fantasia”) | Montreal Symphony Orchestra, Charles Dutoit | | 2:20 |
| 15 | Just Dropped In (“The Big Lebowski”) | Kenny Rogers | 4.35 | 3:21 |
| 16 | Andrea Chénier: “La mamma morta” (“Philadelphia”) | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | | 5:33 |
| 17 | Hernando’s Hideaway (“Snatch”) | The Johnston Brothers | | 2:32 |
| 18 | Eighteen With a Bullet (“Lock, Stock and Two Smoking Barrels”) | Lewis Taylor & Carleen Anderson | | 3:31 |
| 19 | O mio babbino caro (“A Room With a View”) | Sylvia McNair, Hollywood Bowl Orchestra, John Mauceri | | 2:37 |
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