Méér dan het beste van 1972–1986

~ Release by Lou Reed (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1I Can’t Stand It
recording of:
I Can’t Stand It
lyricist and composer:
Lou Reed
42:35
2Lisa Says
engineer:
Mike Bobak (Engineer, guitarist, songwriter)
co-producer:
Lou Reed and Richard Robinson (producer)
producer:
Lou Reed and Richard Robinson (producer)
arranger:
Lou Reed
phonographic copyright (℗) by:
BMG Entertainment (in 1972)
recording of:
Lisa Says
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music
45:34
3Vicious
co-producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
bass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Vicious (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.452:58
4Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
4.33:46
5Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
4.254:15
6Satellite of Love
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
drums (drum set):
John Halsey (in 1972-08)
electric bass guitar:
Klaus Voormann (in 1972-08)
electric guitar and lead vocals:
Lou Reed (in 1972-08)
piano and recorder:
Mick Ronson (British guitarist) (in 1972-08)
trumpet:
Trevor Bolder (British bassist) (in 1972-08)
tuba:
Herbie Flowers (in 1972-08)
background vocals:
David Bowie (English singer‐songwriter) (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Satellite of Love (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
4.153:41
7Men of Good Fortune
recording of:
Men of Good Fortune
lyricist and composer:
Lou Reed
44:38
8Caroline Says I
recording of:
Caroline Says I
composer:
Lou Reed
publisher:
Dunbar Music, Inc.
43:57
9How Do You Think It Feels
additional recording engineer:
Robin Black (engineer) and Peter Flanagan
producer:
Bob Ezrin
arranger:
Bob Ezrin and Allan MacMillan
recording of:
How Do You Think It Feels
lyricist and composer:
Lou Reed
3.53:44
10Intro + Sweet Jane (live)
live recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
7:49
11Heroin (live)
live recording of:
Heroin
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music
13:09
12Kill Your Sons
recording engineer:
Ralph Moss (engineer), Mike Stone (producer and engineer, 1960s–80s) and Dave Wittman
additional engineer:
Ralph Moss (engineer)
producer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Lou Reed
horn arranger:
Michael Fonfara, Prakash John, Steve Katz (guitarist for Blood, Sweat & Tears), Lou Reed, Lew Soloff and Danny Weis
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Kill Your Sons
lyricist and composer:
Lou Reed
43:40
13Sally Can’t Dance
recording engineer:
Ralph Moss (engineer) and Mike Stone (producer and engineer, 1960s–80s)
producer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Lou Reed
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Sally Can’t Dance
lyricist and composer:
Lou Reed
54:12
14Nowhere at All
producer:
Godfrey Diamond and Lou Reed
guitar and lead vocals:
Lou Reed
recording of:
Nowhere at All (from 1975-11-18 until 1975-11-21)
lyricist and composer:
Lou Reed
33:13
15Kicks
recording of:
Kicks
composer:
Lou Reed
6:01
2▼CD
#TitleRatingLength
1Charley’s Girl
co-producer:
Godfrey Diamond and Lou Reed
lead vocals:
Lou Reed
recording of:
Charley’s Girl
lyricist and composer:
Lou Reed
42:36
2Coney Island Baby
producer:
Godfrey Diamond and Lou Reed
lead vocals:
Lou Reed
recording of:
Coney Island Baby
lyricist and composer:
Lou Reed
3.56:39
3Rock and Roll Heart
assistant engineer:
Jay Krugman
engineer:
Corky Stasiak
producer:
Lou Reed
mixer:
Jay Krugman, Lou Reed and Corky Stasiak
recording of:
Rock and Roll Heart
lyricist and composer:
Lou Reed
43:06
4Vicious Circle
recording of:
Vicious Circle
lyricist and composer:
Lou Reed
2:55
5Street Hassle
producer:
Lou Reed and Richard Robinson (producer)
guest spoken vocals:
Bruce Springsteen (in 1977-10)
recorded at:
1977‐10: The Record Plant, New York City, NY, USA (1977-10) (Lou Reed studio session)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1977-10)
recording of:
Street Hassle (in 1977-10)
lyricist and composer:
Lou Reed
311:02
6Leave Me Alone
recording of:
Leave Me Alone
lyricist and composer:
Lou Reed
34:50
7I Want to Boogie With You
engineer:
René Tinner
executive producer:
Michael Fonfara
producer:
Lou Reed
mixer:
Lou Reed, Manfred Schunke and René Tinner
horn arranger:
Marty Fogel and Lou Reed
recorded at:
Delta Studio (Wilster) in Wilster, Schleswig-Holstein, Germany
recording of:
I Want to Boogie With You
writer:
Michael Fonfara and Lou Reed
43:55
8Teach the Gifted Children
assistant engineer:
Steve Catania and Tony George
engineer:
Corky Stasiak
producer:
Michael Fonfara and Lou Reed
mixer:
Michael Fonfara, Lou Reed and Corky Stasiak
recording of:
Teach the Gifted Children
writer:
Michael Fonfara and Lou Reed
43:22
9The Blue Mask
engineer:
Sean Fullan
producer:
Sean Fullan and Lou Reed
lead vocals:
Lou Reed
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1981-10)
recording of:
The Blue Mask
lyricist and composer:
Lou Reed
45:05
10Waves of Fear
engineer:
Sean Fullan
producer:
Sean Fullan and Lou Reed
lead vocals:
Lou Reed
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1981-10)
recording of:
Waves of Fear
lyricist and composer:
Lou Reed
44:13
11Legendary Hearts
engineer:
Corky Stasiak
producer:
Lou Reed
recording of:
Legendary Hearts
lyricist and composer:
Lou Reed
43:24
12The Last Shot
engineer:
Corky Stasiak
producer:
Lou Reed
recording of:
The Last Shot
composer:
Lou Reed
4.53:22
13New Sensations
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
New Sensations
lyricist and composer:
Lou Reed
4.55:42
14Doin’ the Things That We Want To
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Doin’ the Things That We Want To
lyricist and composer:
Lou Reed
43:55
15Video Violence
recording engineer:
David Greenberg (Rockin’ Reel Studios engineer)
drum machine programming:
Fernando Saunders
mixer:
Bruce Lampcov
bass guitar:
Fernando Saunders
guitar and lead vocals:
Lou Reed
percussion:
Sammy Merendino
background vocals:
Jim Carroll (author/poet/punk musician)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Video Violence
lyricist and composer:
Lou Reed
55:36
16The Original Wrapper
recording of:
The Original Wrapper
lyricist and composer:
Lou Reed
3:37