Cantatas BWV 26, 36 & 140

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 2 available)

Annotation

Copyright: ℗ 2009, 2016 Sony Music Entertainment

Annotation last modified on 2025-01-13 13:59 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ach wie flüchtig, ach wie nichtig, BWV 26: I. Ach wie flüchtig, ach wie nichtig (Chorale)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:07
2Ach wie flüchtig, ach wie nichtig, BWV 26: II. So schnell ein rauschend Wasser fließt (Aria)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach7:02
3Ach wie flüchtig, ach wie nichtig, BWV 26: III. Die Freude wird zur Traurigkeit (Recitativo)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:53
4Ach wie flüchtig, ach wie nichtig, BWV 26: IV. An irdische Schätze das Herze zu hängen (Aria)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:30
5Ach wie flüchtig, ach wie nichtig, BWV 26: V. Die höchste Herrlichkeit und Pracht (Recitativo)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:46
6Ach wie flüchtig, ach wie nichtig, BWV 26: VI. Ach wie flüchtig, ach wie nichtig (Chorale)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:50
7Schwingt freudig euch empor, BWV 36: Prima Pars - Chorus "Schwingt freudig euch empor"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: I. Coro “Schwingt freudig euch empor” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:00
8Schwingt freudig euch empor, BWV 36: Prima Pars - Choral "Nun komm, der Heiden Heiland"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:49
9Schwingt freudig euch empor, BWV 36: Prima Pars - Aria "Die Liebe zieht mit sanften Schritten"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: III. Aria (Tenore) “Die Liebe zieht mit sanften Schritten” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach5:54
10Schwingt freudig euch empor, BWV 36: Prima Pars - Chorale "Zwingt die Saiten in Cythara"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: IV. Choral “Zwingt die Saiten in Cythara” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:30
11Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria: "Willkommen, werter Schatz"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: V. Aria (Basso) “Willkommen, werter Schatz!” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach3:24
12Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Der du bist dem Vater gleich"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VI. Choral (Tenore) “Der du bist dem Vater gleich” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:57
13Schwingt freudig euch empor, BWV 36: Secunda Pars - Aria "Auch mit gedämpften, schwachen Stimmen"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach7:26
14Schwingt freudig euch empor, BWV 36: Secunda Pars - Chorale "Lob sei Gott dem Vater Ton"
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VIII. Choral “Lob sei Gott, dem Vater g’ton” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach0:36
15Cantata BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro: Wachet auf, ruft uns die Stimme
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:56
16Cantata BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo: Er kommt, er kommt
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:59
17Cantata BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto): Wann kömmst du, mein Heil?
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:52
18Cantata BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral: Zion hört die Wächter singen
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:57
19Cantata BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo: So geh herein zu mir
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:29
20Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto): Mein Freund ist mein
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:34
21Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral: Gloria sei dir gesungen
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:55