Peace: Classics for Every Mood

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The booklet for this release appears to contain quite a few errors (eg. disc 2, track 13 listing the wrong movement number, very strange/wrong translation for disc 3, track 9). Some relationships may appear slightly inconsistent as a result.

Annotation last modified on 2026-03-24 07:00 UTC.

Tracklist

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1▼CD: Soothing Serenades
#TitleArtistRatingLength
1In a Monastery Garden (Characteristic Intermezzo)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
In a Monastery Garden
composer:
Albert Ketèlbey (English composer) (in 1915)
Ketèlbey5:51
2Second Movement, Adagio, from Symphony in C
orchestra:
Royal Philharmonic Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Bizet8:44
3The Swan from 'Carnival of the Animals'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Vernon Handley (conductor)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Saint‐Saëns3:32
4Vocalise, op. 34 no. 14
orchestra:
RCA Symphony Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for orchestra)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1919)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Rachmaninov4:27
5Danse sacrée from 'Two Pieces for Harp and Strings'
harp:
Fabrice Pierre (harpist and conductor) (in 1981)
orchestra:
La Follia (French classical music ensemble) (in 1981)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée (in 1981)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Debussy4:54
6Consolation no. 3 in D-flat
piano:
Robert Szidon
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Liszt6:10
7Allegretto tranquillo from 'Songs Without Words' (Vol. I, Book 2), op. 30
piano:
Dana Protopopescu (Romanian/Belgian classical pianist)
recording of:
Lied ohne Worte fis-Moll, op. 30 Nr. 6 (Song Without Words in F-sharp minor, Op. 30 No. 6, Venetianisches Gondellied)
composer:
Felix Mendelssohn (composer) (from 1833 until 1834)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 110)
part of:
Lieder ohne Worte, op. 30 (Songs Without Words, op. 30)
Mendelssohn3:07
8Kammenïy-Ostrov (Rocky Island), op. 10
piano:
Earl Wild (pianist, composer and conductor)
Rubinstein8:26
9Romance in D-flat for Flute and Orchestra, op. 37
flute:
Edward Beckett (Classical flautist)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Romance in D-flat major, op. 37
composer:
Camille Saint‐Saëns (composer) (in 1871)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 37)
Saint‐Saëns5:42
10Andante cantabile from String Quartet no. 1 in D, op. 11
orchestra:
Philharmonic Symphony Orchestra (formed for Carlos Païta)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
Tchaikovsky5:11
11Humming Chorus from 'Madame Butterfly', Act III
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
phonographic copyright (℗) by:
Naxos International
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacosa, Illica, Puccini2:49
12Third Movement, Allegretto, from 'Four Scottish Dances', op. 59
orchestra:
Philharmonic Pops Orchestra
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Four Scottish Dances, op. 59: III. Allegretto (for orchestra)
composer:
Malcolm Arnold (composer)
was commissioned by:
BBC Radio 3
part of:
Four Scottish Dances, op. 59 (for orchestra)
Arnold4:08
13Venus, the Bringer of Peace from 'The Planets' Suite, op. 32
orchestra:
The Philharmonic Symphony Orchestra of London
conductor:
Charles Gerhardt (conductor, producer, arranger)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1996)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst8:52
2▼CD: Rest and Relief
#TitleArtistRatingLength
1Ave maria, Motet for Eight Voices
choir vocals:
Choir of New College Oxford and Maîtrise Nationale de Versailles
chorus master:
Edward Higginbottom (keyboardist, organist)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
de Victoria5:03
2Vadam et circuibo civitatem, Motet for 6 Voices
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Vadam et circuibo civitatem (from 1993-04-19 until 1993-04-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
de Victoria11:20
3Little Suite from 'The Little Music Book for Annna Magdalena Bach'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
Bach3:04
4Third Movement (Allegro moderato) from Concerto for Harp and Orchestra in B-flat major, op. 4, no. 6
harp:
Skaila Kanga (harpist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Handel2:48
5Adagio from Concerto for Oboe and Orchestra in B-flat, op. 9, no. 11
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1992-10-11 until 1992-10-12)
producer:
Murray Khouri (clarinettist and producer) and Judy Lieber (producer)
solo oboe:
Anthony Camden (oboist) (from 1992-10-11 until 1992-10-12)
orchestra:
London Virtuosi (from 1992-10-11 until 1992-10-12)
conductor:
John Georgiadis (from 1992-10-11 until 1992-10-12)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-10-11 until 1992-10-12)
recording of:
Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo) (from 1992-10-11 until 1992-10-12)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in B-flat major, op. 9 no. 11
Albinoni3:29
6Salve regina, Motet for 8 Voices
choir vocals:
Choir of New College, Oxford and Maîtrise Nationale de Versailles
chorus master:
Edward Higginbottom (keyboardist, organist)
recording of:
Salve Regina À 8
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xxi/18)
de Lassus4:14
7Crux fidelis, Motet
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Crux fidelis (from 1993-04-19 until 1993-04-20)
composer:
King João IV of Portugal
King João IV of Portugal2:18
8Ombra Mai Fu (Largo) from 'Xerxes'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eric Robinson (conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Handel3:50
9Largo from Triple Concerto for Violin, Cello and Piano in C, op. 56
cello:
France Springuel (Belgian cellist)
piano:
Daniel Blumenthal (German-born, Belgium based pianist)
violin:
Philippe Koch (violinist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Beethoven5:25
10Second Movement (Andantino) from Concerto for Flute, Harp and Orchestra in C, K299
flute:
Robert Dohn (flautist)
harp:
Margit-Anna Süß (harpist)
orchestra:
Orchestra der Ludwigsburger Festspiele (Orchestra of the Ludwigsburg Festival)
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Mozart7:57
11Soave sia il vento from 'Cosi fan tutte', K588
producer:
Hubert Geschwandtner (producer/engineer) (from 1990-02 until 1990-04) and Karol Kopernický (producer) (from 1990-02 until 1990-04)
bass vocals:
Peter Mikuláš (operatic bass) (from 1990-02 until 1990-04)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-02 until 1990-04)
mezzo-soprano vocals:
Rohangiz Yachmi (mezzo-soprano) (from 1990-02 until 1990-04)
soprano vocals:
Joanna Borowska (soprano) (from 1990-02 until 1990-04)
orchestra:
Capella Istropolitana (from 1990-02 until 1990-04)
conductor:
Johannes Wildner (conductor) (from 1990-02 until 1990-04)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1990, in 1994)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-02 until 1990-04)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1990-02 until 1990-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Mozart3:14
12Second Movement (Andante) from Concerto for Bassoon and Strings in E minor
producer:
Hubert Geschwandtner (producer/engineer) and Karol Kopernický (producer)
bassoon:
František Herman (bassoonist)
orchestra:
Capella Istropolitana (from 1989-02 until 1989-03)
conductor:
Jaroslav Krček (Jaroslav Krcek) (from 1989-02 until 1989-03)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-02 until 1989-03)
recording of:
Bassoon Concerto in E minor, RV 484: II. Andante (from 1989-02 until 1989-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Bassoon Concerto in E minor, RV 484
Vivaldi3:37
13Third Movement, Largo, from Concerto grosso no. 5, op. 6
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
Handel2:57
14Agnus dei from 'Mass in B minor', for Soloists, Chorus and Orchestra
countertenor vocals:
Alfred Deller (countertenor)
orchestra:
Leonhardt Baroque Ensemble (Vienna 1954)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Bach5:31
3▼CD: Finding Sanctuary
#TitleArtistRatingLength
1Pie Jesu from 'Requiem'
engineer:
Eleanor Thomason (engineer) (in 2002-07)
producer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
instruments:
Members of the City of London Sinfonia (chamber orchestra) (in 2002-07)
choir vocals:
Choir of Clare College, Cambridge (in 2002-07)
soprano vocals:
Elin Manahan Thomas (soprano) (in 2002-07)
conductor:
Timothy Brown (English classical choral conductor) (in 2002-07)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 2003)
recorded at:
Douai Abbey in Reading, England, United Kingdom (in 2002-07)
recording of:
Requiem: III. Pie Jesu (in 2002-07)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
part of:
Requiem
Rutter3:37
2Lux aeterna from 'Requiem'
engineer:
Eleanor Thomason (engineer) (in 2002-07)
producer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
instruments:
Members of the City of London Sinfonia (chamber orchestra) (in 2002-07)
choir vocals:
Choir of Clare College, Cambridge (in 2002-07)
soprano vocals:
Elin Manahan Thomas (soprano) (in 2002-07)
conductor:
Timothy Brown (English classical choral conductor) (in 2002-07)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 2003)
recorded at:
Douai Abbey in Reading, England, United Kingdom (in 2002-07)
recording of:
Requiem: VII. Lux æterna (in 2002-07)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
part of:
Requiem
Rutter6:37
3Pie Jesu from 'Requiem', op. 48
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Fauré3:33
4In paradisum from 'Requiem', op. 48
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Fauré3:21
5Blessed Are They That Mourn (Opening Chorus) from 'German Requiem', op. 45
producer:
Martin Sauer (engineer/producer) (in 1992-06)
choir vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-06-14 until 1992-06-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-06-14 until 1992-06-18)
recorded at:
Concert Hall of the Czecho-Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-06-14 until 1992-06-18)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1992-06-14 until 1992-06-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms9:16
6Laudate dominum (Praise the Lord) from 'Solemn Vespers' in C, for Soloists, Chorus and Orchestra, K339
soprano vocals:
Kate Hurney (soprano)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Mozart5:30
7Comfort Ye, My People from 'Messiah'
tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel3:37
8Wie lieblich sind deine Wohlungen (How Lovely Are Thy Dwelling Places) from 'German Requiem', op. 45
producer:
Martin Sauer (engineer/producer) (in 1992-06)
choir vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-06-14 until 1992-06-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-06-14 until 1992-06-18)
recorded at:
Concert Hall of the Czecho-Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-06-14 until 1992-06-18)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1992-06-14 until 1992-06-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Brahms4:47
9O Joyful Night from 'Vespers' (All Night Vigil), op. 37
choir vocals:
Prague Chamber Choir (Prague Chamber Choir)
chorus master:
Josef Pancik
recording of:
Всенощное бдение, op. 37: 4. Свете тихий (All-Night Vigil, op. 37: IV. O Gentle Light)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Rachmaninov3:10
10Requiem asternum (I) from 'Requiem asternum'
vocals:
Vasari Singers (UK chamber choir)
conductor:
Jeremy Backhouse (choral conductor)
recording of:
Requiem: III. Requiem aeternam I
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1932)
part of:
Requiem
Howells4:01
11Hymn to the Mother of God from 'Two Hymns to the Mother of God'
engineer:
Tony Faulkner (recording engineer) (from 2000-07-11 until 2000-07-13)
producer:
Andrew Walton (producer)
choir vocals:
Choir of St John’s College, Cambridge (from 2000-07-11 until 2000-07-13)
conductor:
Christopher Robinson (British conductor & organist) (from 2000-07-11 until 2000-07-13)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2000-07-11 until 2000-07-13)
recording of:
Two Hymns to the Mother of God: I. A Hymn to the Mother of God (from 2000-07-11 until 2000-07-13)
composer:
John Tavener (20th century composer) (in 1985)
publisher:
Chester Music Ltd.
part of:
Two Hymns to the Mother of God
Tavener2:35
12As One Who Has Slept
engineer:
Tony Faulkner (recording engineer) (from 2000-07-11 until 2000-07-13)
producer:
Andrew Walton (producer)
choir vocals:
Choir of St John’s College, Cambridge (from 2000-07-11 until 2000-07-13)
conductor:
Christopher Robinson (British conductor & organist) (from 2000-07-11 until 2000-07-13)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2000-07-11 until 2000-07-13)
recording of:
As one who has slept (for voices a cappella) (from 2000-07-11 until 2000-07-13)
composer:
John Tavener (20th century composer) (in 1996)
Tavener4:20
13Ave maria in F-sharp minor
choir vocals:
Riga Radio Chorus
chorus master:
Ilmar Lapinsch (Chorus Master, Conductor)
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Bruckner3:23
14O salutaris hostia from 'Petite messe solennelle'
choir vocals:
Prague Chamber Choir (Prague Chamber Choir)
chorus master:
Josef Pancik
recording of:
Petite Messe solennelle: VI. O salutaris hostia (S - soprano solo)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Rossini2:44
15Heilig! Heilig! Heilig! (Sanctus) from 'German Mass'
choir vocals:
Carl Maria von Weber Choir
chorus master:
Andreas Wiedermann
recording of:
Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Schubert3:54
16Cantique de Jean Racine, op. 11
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1993-05-17 until 1993-05-18)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Fauré6:23

Credits

Release

liner notes:Matthew Boyden
miscellaneous support:Jon Archer (task: technical manager)
Claudette Bramble (task: production and print)
Graham Butt (credited under "production and print" for some Australian Reader's Digest releases) (task: production and print)
Richard Pankhurst (task: production and print)
assistant editor:Daniel Sankey
compiler:Andrew Humphries (compiler)
design:Jon Budd (designer)
booklet editor:Bronwyn Denicker
Richard Lutterloch
Angelo McCluskey
Daniel Sankey
copyrighted (©) by:Reader’s Digest (Australia) Pty Limited (in 2008)