Meditation: Classics for Dreaming

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Violinkonzert Nr. 1 g-Moll, Op. 26: II. Satz Adagio
registrazione di:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
compositore:
Max Bruch (composer and conductor) (dal 1866 al 1867)
parte di:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:12
2Klavierkonzert Nr. 21 C-Dur, K. 467 „Elvira Madigan“: II. Andante
registrazione di:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1785 al 1785-03-09)
parte di:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:36
3Schwanensee: 1. Szene
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) e Symphonic Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
registrazione di:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1876)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:12
4Klarinettenkonzert A-Dur, KV 622: II. Adagio
registrazione di:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1791-09-28 al 1791-10-07)
parte di:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:24
5Symphonie No. 9 e-Moll, Op. 95 „Aus der neuen Welt“: Largo
registrazione di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositore:
Antonín Dvořák (composer) (dal 1893-01-10 al 1893-05-24)
parte di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonia No. 9 "Dal nuovo mondo")
Antonín Dvořák12:27
6Symphonie No. 6 h-Moll, Op. 74 "Pathétique": Finale, Adagio lamentoso
registrazione di:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Sinfonia No. 6 in Si minore, Op. 74 "Patetica": IV. Finale. Adagio lamentoso - Andante)
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1893-02 al 1893-08)
parte di:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский9:59
7Suite Bergamasque: Clair de lune
registrazione di:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
compositore:
Claude Debussy (French composer) (dal 1890 al 1905)
parte di:
Classic 100: Piano (2004) (numero: 3)
parte di:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:20
8Violinkonzert No. 1 d-Moll: II. GraveGiuseppe Tartini4:52
9Symphonie No. 8 h-Moll „Die Unvollendete“: I. Allegro moderatoFranz Schubert13:37
2CD
#TitoloArtistaValutazioneDurata
1Violinkonzert e-Moll, Op. 64: Andante
registrazione di:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
compositore:
Felix Mendelssohn (composer) (dal 1838 al 1844-09-16)
rivista da:
Felix Mendelssohn (composer) (nel 1845)
parte di:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn8:10
2Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
violino :
Otto Büchner (violinist) e J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:11
3Nußknacker, Op. 71a: Valse des fleurs
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:07
4Klavierkonzert No. 20 d-Moll, K. 466: II. RomanzaWolfgang Amadeus Mozart8:45
5Symphonie No. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile
registrazione di:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (Sinfonia No. 41 in Do maggiore, K. 551 "Jupiter": II. Andante cantabile)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1788 al 1788-08-10)
parte di:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:29
6Concerto D-Dur No.3 op.10,3 R428 „Il Gardellino“: CantabileAntonio Vivaldi2:23
7Symphonie No. 3 Es-Dur, Op. 55: AdagioLudwig van Beethoven16:30
8Symphonie No. 8 F-Dur, Op. 93: III. Tempo di menuetto
registrazione di:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto
compositore:
Ludwig van Beethoven (German composer) (nel 1812)
parte di:
Symphony no. 8 in F major, op. 93 (Sinfonia No. 8 in Fa maggiore, Op. 93)
Ludwig van Beethoven5:05
9Peer Gynt Suite No. 1, Op. 46: I. Morgenstemning
registrazione di:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:40
3CD
#TitoloArtistaValutazioneDurata
1Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: II. Andante
violino :
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) e Gabor Ötvös
registrazione di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:28
2Symphonie No. 40 g-Moll, K. 550: II. Andante
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Mozart Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Richard Edlinger (conductor and composer) e Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1788 al 1788-07-25)
parte di:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart12:09
3Symphonie No. 1 C-Dur, Op. 21: II. Andante cantabile
registrazione di:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (Sinfonia No. 1 in Do maggiore, Op. 21: II. Andante cantabile con moto)
compositore:
Ludwig van Beethoven (German composer) (dal 1799 al 1800)
parte di:
Symphony no. 1 in C major, op. 21 (Sinfonia No. 1 in Do maggiore, Op. 21)
Ludwig van Beethoven8:04
4Symphonie No. 7 h-Moll, D. 759: Andante con motoFranz Schubert10:22
5Symphonie No. 4 A-Dur, Op. 90: Andante con motoFelix Mendelssohn6:40
6Dornröschen, Op. 66a: Die Fliederfee
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty, op. 66: Introduction
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Пётр Ильич Чайковский3:30
7Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) e Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
compositore:
Ludwig van Beethoven (German composer) (dal 1822 al 1824)
parte di:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:40
8Der Frühling: Largo e pianissimo sempre
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:15
9Mondscheinsonate, Op. 27 No. 2: I. Adagio sostenutoLudwig van Beethoven6:01

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parte di:Meditation Classics (ordine: 1)