Evergreens & Superhits

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

according to OP sourced from freedb but no links, probably these d1 d2 - if those links are reliable this is a DE UMG release, here is a possible ASIN with no data stating Austria / Polydor

Annotation last modified on 2026-02-11 10:55 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:19
2The Candy Man
cover recording of:
The Candy Man
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Downtown DMP Songs, Taradam Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Charlie and the Chocolate Factory (2017 stage musical)
part of:
Willy Wonka & the Chocolate Factory (1971 American musical fantasy film adaptation of Roald Dahl's 1964 novel)
Sammy Davis Jr.3:10
3I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:59
4What’s New Pussycat
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
What’s New Pussycat? (in 1965)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
part of:
The 38th Academy Award for Best Original Song (number: 2)
Tom Jones3.52:05
5Rum and Coca Cola
vocals:
The Andrews Sisters (on 1944-10-18)
recording of:
Rum and Coca‐Cola (calypso) (on 1944-10-18)
additional lyricist:
Morey Amsterdam
lyricist:
Lord Invader (calypso vocalist and songwriter)
additional composer:
Paul Baron (conductor) and Jeri Sullivan
composer:
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
publisher:
EMI Feist Catalog Inc. and EMI Partnership Musikverlag GmbH
The Andrews Sisters3:10
6My Baby Just Cares for MeNina Simone3.853:37
7My Girl
recording of:
My Girl
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations2:56
8Wishin’ and Hopin’
Dusty Springfield2:55
9Blue Velvet
Bobby Vinton2:49
10When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
11All Alone Am I
recording of:
All Alone Am I
lyricist:
Arthur Altman
composer:
Μάνος Χατζιδάκις (Manos Hatzidakis, Greek composer)
publisher:
Seed Point Music Publishing, Ltd. and Songs of Universal, Inc. (BMI)
translated version of:
Μη τον ρωτάς τον ουρανό
Brenda Lee2:45
12Only You
recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:39
13Stuck on You
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
lyricist and composer:
Lionel Richie
publisher:
Brockman Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
14Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:37
15Ain’t She Sweet
Tony Sheridan2:11
16Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:22
17L’Accordéoniste
recorded in:
Paris, Île-de-France, France (on 1940-05-27)
accordion:
Gus Viseur (Belgian/French 1930s-70s accordionist) (on 1940-05-27)
vocals:
Édith Piaf (on 1940-05-27)
orchestra:
Guy Luypaert and His Orchestra and Orchestre Wal-Berg (on 1940-05-27)
conductor:
Guy Luypaerts
phonographic copyright (℗) by:
[no label] (Special purpose label – white labels, self-published releases and other “no label” releases) (in 1941)
recording of:
L’Accordéoniste (on 1940-05-27)
lyricist and composer:
Michel Emer
Édith Piaf43:13
18Max
Paolo Conte3:44
19Strangers in the Night
sound engineer:
Peter Klemt
phonographic copyright (℗) by:
Polydor
instrumental recording of:
Strangers in the Night (on 1966-04-04)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bert Kaempfert3:20
2CD
#TitleArtistRatingLength
1Mr. Bojangles
producer:
Don Costa (US pop music arranger & producer) and Mike Curb
recorded at:
Bell Sound Studios in New York, New York, United States (in 1971)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:45
2Für Dich soll’s rote Rosen regnen
recording of:
Für mich soll’s rote Rosen regnen (in 1979)
lyricist:
Hildegard Knef (German singer)
composer:
Hans Hammerschmid
recording of:
Für mich soll’s rote Rosen regnen
lyricist:
Hildegard Knef (German singer)
composer:
Hans Hammerschmid
Hildegard Knef3:22
3Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong3:06
4FeverPeggy Lee2:27
5Over the Rainbow
recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:50
6At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:00
7Cheek to Cheek
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Alvin Stoller
guitar:
Barney Kessel
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Flip Phillips
trumpet:
Charlie Shavers
vocals:
Adele Astaire and Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire5:40
8Bei mir bist Du schön
vocals:
The Andrews Sisters (on 1937-11-24)
recording of:
Bei mir bist du schön (English version) (on 1937-11-24)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:08
9Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan2:52
10I’ve Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California, United States (on 1938-07-11)
vocals:
Bing Crosby (on 1938-07-11)
orchestra:
John Scott Trotter and His Orchestra (on 1938-07-11)
conductor:
John Scott Trotter
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (on 1938-07-11)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
publisher:
Santly Joy Select, Inc. (on 1938-05-07)
Bing Crosby2:39
11Lili Marlene
recording of:
Lili Marlene (English lyrics by Tommie Connor)
lyricist:
Hans Leip (from 1915-04-03 until 1937)
composer:
Norbert Schultze (in 1937)
translator:
Tommie Connor (English songwriter)
publisher:
Peter Maurice Music Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
translated version of:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Marlene Dietrich3:25
12Release Me
recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:20
13The Great Pretender
The Platters2:40
14Running BearJohnny Preston2:38
15Puttin’ on the Ritz
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Alvin Stoller
guitar:
Barney Kessel
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Flip Phillips
trumpet:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
Puttin’ On the Ritz (in 1952-12)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Fred Astaire2:53
16Kisses Sweeter Than Wine
Frankie Vaughan2:17
17Sugar Baby
vocals:
Peter Kraus (German singer/actor)
orchestra:
Orchester Werner Scharfenberger
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recording of:
Sugar Baby (in 1958)
lyricist:
Fini Busch (lyricist) and Aldo von Pinelli (songwriter, screenwriter and film producer)
composer:
Werner Scharfenberger
Peter Kraus2:32
18Boogie Woogie Bugle Boy
recording engineer:
Lew Hahn (on 1972-03-10)
producer:
Joel Dorn
double bass [bass]:
Milton Hinton (on 1972-03-10)
drums (drum set):
Ted Sommer (on 1972-03-10)
guitar:
Don Arnone (on 1972-03-10)
piano:
Dick Hyman (jazz pianist) (on 1972-03-10)
vocals:
Bette Midler (on 1972-03-10)
conductor:
Barry Manilow (on 1972-03-10)
remixer:
Bob Liftin
arranger:
Arif Mardin
vocals arranger:
Marty Nelson
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1972-03-10)
remixed at:
Regent Sound Studios in New York, New York, United States
recording of:
Boogie Woogie Bugle Boy (on 1972-03-10)
writer:
Hughie Prince and Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Bette Midler52:19
19Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Billie Holiday3.354:31
20Onkel Satchmo’s Lullaby
Louis Armstrong2:25