Good Morning Vietnam

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Individual CDs have different catalog numbers from the one on the case:
CD1: BX 876242
CD2: BX 876252
CD3: BX 876262

Matrix

CD 1

  • EMI UDEN DC 863822 @ 1 (Mastering SID: IFPI L046 , Mould SID: IFPI 15C9 , Stamped: 1-3-29‐NL)

CD 2

  • EMI UDEN 863832 @ 1 (Mastering SID: IFPI L046 , Mould SID: IFPI 15BA , 'Stamped: 1-2-4‐NL)

CD 3

  • EMI UDEN DC 863842 @ 1 (Mastering SID: IFPI L046 , Mould SID: IFPI 15D2, Stamped: 1-3-5‐NL)
Annotation last modified on 2026-02-15 01:43 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:59
2California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.42:37
3On the Road Again
engineer:
Dino (US Music engineer) and Lanky (US recording engineer)
producer:
Calvin Carter and Dallas Smith (producer)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968), Liberty (a division of UMG Recordings, Inc.) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
Liberty Studios in Hollywood, Los Angeles, California, United States (on 1967-09-06)
recording of:
On the Road Again (on 1967-09-06)
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) and United Partnership Ltd.
Canned Heat45:01
4Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:25
5Games People Play
vocals:
Joe South (in 1968)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:34
6Time of the Season
engineer:
Geoff Emerick (British recording engineer) and Peter Vince (engineer, producer)
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass guitar:
Chris White (UK bassist for The Zombies) (in 1967-08)
drums (drum set):
Hugh Grundy (in 1967-08)
guitar:
Paul Atkinson (in 1967-08)
mellotron, organ and piano:
Rod Argent (in 1967-08)
background vocals:
Rod Argent (in 1967-08) and Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 349)
recording of:
Time of the Season (in 1967-08)
lyricist and composer:
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. and Mainstay Music, Inc. (in 1968)
The Zombies4.53:29
7Mellow Yellow
recorded in:
London (Greater London), England, United Kingdom (in 1966)
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
drums (drum set):
Bobby Orr (in 1966)
horn [horns]:
Danny Moss (in 1966) and Ronnie Ross (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:39
8Aquarius / Let the Sunshine In
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Arista (American label owned by Sony Music Entertainment) (in 1969)
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension (1960’s group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 435)
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar and Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. and United Artists Music Co., Inc.
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The 5th Dimension4.154:48
9Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.352:55
10He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:16
11The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:52
12River Deep, Mountain High
recording of:
River Deep – Mountain High
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3:29
13In the Year 2525
producer:
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Zager & Evans43:16
14Tell It Like It Is
producer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Alvin “Red” Tyler (American jazz saxophonist)
recorded at:
Jazz City Studios in New Orleans, Louisiana, United States (in 1966)
recording of:
Tell It Like It Is (in 1966)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville4.352:40
15Drift Away
recording engineer:
Gene Eichelberger
producer:
Mentor Williams (songwriter & producer)
acoustic guitar and electric guitar [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
bass:
Mike Leech
drums (drum set), handclaps and tambourine:
Kenny Malone (session drummer/percussion)
electric guitar [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
piano:
David Briggs (US producer and musician)
strings arranger:
Mike Leech
orchestrator:
Mike Leech
recorded at and mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, United States
cover recording of:
Drift Away
lyricist and composer:
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:54
16Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:27
17Five O’Clock World
recording of:
Five O’Clock World
lyricist and composer:
Allen Reynolds
The Vogues2:19
18Bring It on Home to Me
producer:
Mickie Most (English record producer)
cover recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
The Animals2.752:44
19God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys4.152:49
20Give Up Your Guns
recording of:
Give Up Your Guns (epic narrative about escaped bank robber)
writer:
Holmes and Jordan (co-writer of Give Up Your Guns for The Buoys)
The Buoys4:16
2CD
#TitleArtistRatingLength
1White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:34
2Monday Monday
cover recording of:
Monday, Monday
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
recording of:
Monday, Monday
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas3:16
3Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:41
4Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:29
5Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flowerpot Men53:34
6She’s Not There
producer:
Ken Jones (British conductor & composer Kenneth Evan Jones)
recorded at:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1964-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 37), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 291)
recording of:
She’s Not There (on 1964-06-12)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies4.152:23
7Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:34
8The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:36
9Judy in Disguise
phonographic copyright (℗) by:
Pye International (in 1968)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & the Playboys3.852:56
10Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:01
11Universal Soldier
producer:
Peter Eden (British record producer, jazz/rock), Terry Kennedy and Geoff Stephens
acoustic guitar and harp:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1964)
cover recording of:
The Universal Soldier (in 1964)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
Donovan4.52:13
12Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:17
13Bad Bad Leroy Brown
vocals:
Jim Croce (on 1972-06-02)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
recording of:
Bad, Bad Leroy Brown (on 1972-06-02)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:01
14Heroes and Villains
engineer:
Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band), Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
lead vocals:
Brian Wilson (Beach Boys co‐founder)
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3.253:39
15Tossin’ and Turnin’
recording of:
Tossing and Turning
composer:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:27
16I Fought the Law
phonographic copyright (℗) by:
Chess (US label) (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 175)
cover recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:19
17Incense & Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
18Sunny Afternoon
recording engineer:
Shel Talmy (on 1966-05-13)
assistant engineer:
Alan O’Duffy
engineer:
Alan McKenzie (engineer)
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1966-05-13)
drums (drum set):
Mick Avory (on 1966-05-13)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1966-05-13) and Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
harpsichord and keyboard:
Nicky Hopkins (pianist and organist) (on 1966-05-13)
background vocals:
Rasa Didzpetris-Davies (on 1966-05-13) and Pete Quaife (Kinks' bass guitarist) (on 1966-05-13)
vocals:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1966-05-13) and Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
performer:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
instruments arranger:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) and Ray Davies (UK singer/songwriter, member of The Kinks)
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1966) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1966)
produced for:
Shel Talmy Productions
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (on 1966-05-13)
recording of:
Sunny Afternoon (on 1966-05-13)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) and Davray (publisher) (in 1984)
The Kinks4.53:33
19Sympathy
recording of:
Sympathy
writer:
Mark Ashton (songwriter?), Graham Field, Steve Gould (English singer, bassist and guitarist) and Dave Kaffinetti
publisher:
Bienstock Publishing Company (ASCAP affiliated), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Intro (publisher), Meisel (publisher), Quartet Music Inc. and R & M Music Productions, Inc.
Steve Rowland & Family Dogg33:20
20I’m the Urban Spaceman
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
I’m the Urban Spaceman
lyricist and composer:
Neil Innes
publisher:
J. Albert & Son Pty. Ltd.
Bonzo Dog Doo-Dah Band4.52:23
3CD
#TitleArtistRatingLength
1Ball of Confusion (That’s What the World Is Today)
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks and Paul Williams (member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Agate Music
The Temptations54:07
2Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:50
3(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Oyster Cult4.555:08
4I Get Around
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Al Jardine (on 1964-04-02)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1964-04-02)
electric bass guitar [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (on 1964-04-02) and Ray Pohlman (on 1964-04-02)
electric guitar:
Carl Wilson (Beach Boys) (on 1964-04-02)
Hammond organ [Hammond B3 organ], harpsichord, piano and background vocals and lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1964-04-02)
percussion [rim with thin stick] and timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (on 1964-04-02)
background vocals:
Al Jardine (on 1964-04-02), Carl Wilson (Beach Boys) (on 1964-04-02) and Dennis Wilson (Beach Boys) (on 1964-04-02)
bass vocals and lead vocals:
Mike Love (Beach Boys) (on 1964-04-02)
lead vocals:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (on 1964-04-02)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys4.62:14
5Spooky
producer:
Buddy Buie
recording of:
Spooky (in 1975)
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Classics IV52:49
6Brother Louie
performer:
Ian Lloyd (of Stories)
phonographic copyright (℗) by:
Kama Sutra (in 1973) and Kama Sutra Records (in 1973)
cover recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Stories4.353:57
7Honky Tonk Women
cover recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
Mick Jagger (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Ike & Tina Turner43:09
8Fireball
engineer:
Louis Austin (engineering), Martin Birch and Alan O’Duffy
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1970-09 until 1971-06)
electric bass guitar:
Roger Glover (from 1970-09 until 1971-06)
electric guitar:
Ritchie Blackmore (from 1970-09 until 1971-06)
Hammond organ:
Jon Lord (from 1970-09 until 1971-06)
lead vocals:
Ian Gillan (from 1970-09 until 1971-06)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1971)
recording of:
Fireball (from 1970-09 until 1971-06)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
Deep Purple4.23:22
9Up on Cripple Creek
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
recording of:
Up on Cripple Creek
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner/Chappell Music, Inc.
The Band4.64:30
10ElenoreThe Turtles52:29
11Soldier Boy
recording of:
Soldier Boy
writer:
Luther Dixon, Bob Elgin, Florence Greenberg and Kay Rogers
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
12San Francisco NightsEric Burdon3:51
13Jenny Take a Ride!
arranger:
Bob Crewe
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
medley including a recording of:
C. C. Rider (Jerry Lee Lewis version)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
See See Rider Blues
recording of:
Jenny Take a Ride
writer:
Bob Crewe and Enotris Johnson
composer:
Richard Wayne Penniman
medley including a recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Mitch Ryder & The Detroit Wheels3:23
14It’s a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band4:12
15Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:48
16Hooked on a Feeling
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1968)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
B.J. Thomas52:47
17Long Tall Glasses (I Can Dance)
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
phonographic copyright (℗) by:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer3:04
18Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.4.54:09
19Who Do You Love
bass:
David Freiberg
guitar:
John Cipollina and Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live partial cover recording of:
Who Do You Love? (in 1968)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Quicksilver Messenger Service43:33
20Louie Louie
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 3), New York Post: 100 Greatest Covers (2007) (number: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 156) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 169)
cover recording of:
Louie Louie (in 1963)
lyricist and composer:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. and World Wide Music
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:44