SuperBass 2

~ Release by Ray Brown & John Clayton & Christian McBride (see all versions of this release, 4 available)

Tracklist

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1Hybrid SACD (CD layer)
#TitleRatingLength
1SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
0:47
2Get Happy
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Get Happy (from 2000-12-15 until 2000-12-17)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:59
3Mysterioso
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Misterioso (from 2000-12-15 until 2000-12-17)
composer:
Thelonious Monk
8:17
4Papa Was a Rolling Stone
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Papa Was a Rollin’ Stone (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
6:34
5Summertime
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:19
6I Loves You, Porgy
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:12
7It Ain't Necessarily So
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
6:37
8Birk's Works
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Birk's Works (from 2000-12-15 until 2000-12-17)
composer:
Dizzy Gillespie
6:05
9My Funny Valentine
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:07
10Three by Four
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Three by Four (from 2000-12-15 until 2000-12-17)
composer:
John Clayton (US jazz and classical double bassist)
publisher:
Ginger Kids Music
6:17
11Taco With a Pork Chop
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17) and Larry Fuller (jazz pianist, composer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Taco With a Pork Chop (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Ray Brown (jazz bassist)
4:06
12SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
1:23
2Hybrid SACD (SACD layer)
#TitleRatingLength
1SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
0:47
2Get Happy
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Get Happy (from 2000-12-15 until 2000-12-17)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:59
3Mysterioso
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Misterioso (from 2000-12-15 until 2000-12-17)
composer:
Thelonious Monk
8:17
4Papa Was a Rolling Stone
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Papa Was a Rollin’ Stone (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
6:34
5Summertime
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:19
6I Loves You, Porgy
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:12
7It Ain't Necessarily So
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 2000-12-15 until 2000-12-17)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
6:37
8Birk's Works
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Birk's Works (from 2000-12-15 until 2000-12-17)
composer:
Dizzy Gillespie
6:05
9My Funny Valentine
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:07
10Three by Four
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Three by Four (from 2000-12-15 until 2000-12-17)
composer:
John Clayton (US jazz and classical double bassist)
publisher:
Ginger Kids Music
6:17
11Taco With a Pork Chop
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
percussion:
George Fludas (jazz drummer) (from 2000-12-15 until 2000-12-17) and Larry Fuller (jazz pianist, composer) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
Taco With a Pork Chop (from 2000-12-15 until 2000-12-17)
lyricist and composer:
Ray Brown (jazz bassist)
4:06
12SuperBass Theme
engineer:
Michael Bishop (Telarc engineer/producer) (from 2000-12-15 until 2000-12-17)
producer:
Ray Brown (jazz bassist)
mixer:
Ken Feldman
editor:
Todd Brown
double bass:
Ray Brown (jazz bassist) (from 2000-12-15 until 2000-12-17), John Clayton (US jazz and classical double bassist) (from 2000-12-15 until 2000-12-17) and Christian McBride (American jazz bassist) (from 2000-12-15 until 2000-12-17)
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 2000-12-15 until 2000-12-17)
live recording of:
SuperBass Theme (from 2000-12-15 until 2000-12-17)
composer:
Ray Brown (jazz bassist)
1:23

Credits

Release

bass:Ray Brown (jazz bassist)
John Clayton (US jazz and classical double bassist)
Christian McBride (American jazz bassist)
ASIN:US: B00005NSWI [info]
purchase for mail-order:http://www.telarc.com/gscripts/title.asp?gsku=3483&mscssid=SFDK9KEWJMCC9P90GFT83DS8EKPQ3GUC [info]