This Is Astrud Gilberto

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
3.655:22
2How Insensitive
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:49
3Beach Samba
producer:
Creed Taylor
vocals:
Astrud Gilberto
2:49
4Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:20
5Without Him
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
Without Her
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Beechwood Music Corp., BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Golden Syrup Music and Maureen Music Inc.
4:35
6The Face I Love
recorded in:
New York, New York, United States (in 1967-06)
recording engineer:
Brooks Arthur
double bass [bass]:
Ron Carter (US jazz double-bassist) (in 1967-06) and Julio Ruggiero (in 1967-06)
drums (drum set) [drums]:
Bobby Rosengarden (in 1967-06), Claudio Slon (in 1967-06) and Grady Tate (in 1967-06)
French horn:
Ray Alonge (french horn) (in 1967-06), Earl Chapin (in 1967-06), Jimmy Buffington (US jazz, studio and classical hornist) (in 1967-06) and Tony Miranda (US French hornist) (in 1967-06)
guitar:
Barry Galbraith (in 1967-06), Toots Thielemans (in 1967-06) and Marcos Valle (in 1967-06)
percussion:
Alan Douglas (American record producer) (in 1967-06), Jack Jennings (in 1967-06) and Dom Um Romão (in 1967-06)
piano:
Ben Aronov (in 1967-06) and Warren Bernhardt (in 1967-06)
strings:
Eumir Deodato (in 1967-06)
trombone:
Wayne Andre (in 1967-06), Warren Covington (in 1967-06), Urbie Green (in 1967-06) and Tony Studd (in 1967-06)
trumpet:
Bernie Glow (in 1967-06), Jimmy Nottingham (in 1967-06), Ernie Royal (in 1967-06) and Marvin Stamm (in 1967-06)
tuba:
John Barber (Jazz tuba player) (in 1967-06)
vibraphone:
George Devens (in 1967-06)
woodwind:
Phil Bodner (Woodwind player) (in 1967-06), Bill Hammond (flautist) (in 1967-06), Hubert Laws (in 1967-06), Seldon Powell (in 1967-06) and Stan Webb (US jazz saxophone, flute) (in 1967-06)
vocals:
Astrud Gilberto (in 1967-06)
conductor:
Eumir Deodato (in 1967-06)
arranger:
Eumir Deodato
recording of:
The Face I Love (in 1967-06)
lyricist:
Carlos Pingarhilo, Ray Gilbert and Paulo Sérgio Valle
composer:
Ray Gilbert, Carlos Pingarilho and Marcos Valle
2:05
7It’s a Lovely Day Today
recording engineer and engineer:
Rudy van Gelder
producer:
Creed Taylor (task: Reissue)
vocals:
Astrud Gilberto
orchestra:
The Walter Wanderley Trio
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
2:40
8Parade
2:05
9Bim Bom
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Bim bom
lyricist and composer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer)
1:52
10The Shadow of Your Smile
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (on 1965-06-03)
conductor:
Don Sebesky (on 1965-06-03)
arranger:
Don Sebesky
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-06-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
32:31
11I Haven’t Got Anything Better to Do
engineer and producer:
Brooks Arthur
assistant co-producer:
Barbara Norris
vocals:
Astrud Gilberto
conductor:
Al Gorgoni
arranger:
Al Gorgoni
cover recording of:
I Haven’t Got Anything Better to Do
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
2:57
12Look to the Rainbow
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Look to the Rainbow (from “Finian’s Rainbow”)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Finian’s Rainbow (1947 Broadway musical)
3:29
13Agua de Beber
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:20
14(Take Me To) Aruanda
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (on 1965-06-03)
conductor:
João Donato (on 1965-06-03)
arranger:
João Donato
recording of:
(Take Me to) Aruanda (on 1965-06-03)
lyricist:
Norman Gimbel
writer:
Carlos Lyra and Geraldo Vandré
version of:
Aruanda
2:29