Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings III

~ Release by Claudio Abbado (see all versions of this release, 4 available)

Tracklist

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41▼CD: Rossini: L'italiana in Algeri (Act I)
#TitleArtistRatingLength
1L'italiana in Algeri: Sinfonia (Ouverture)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L’italiana in Algeri: Sinfonia (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri
Gioachino Rossini7:52
2L'italiana in Algeri: Atto I. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 1. No. 1. Introduzione “Serenate il mesto ciglio” / “Delle donne l'arroganza” (Coro, Elvira, Zulma, Haly, Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini6:54
3L'italiana in Algeri: Atto I. Recitativo: “Ritiratevi tutti” (Mustafà, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 1. Recitativo: “Ritiratevi tutti” / “Il mio schiavo” (Mustafà, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:21
4L'italiana in Algeri: Atto I. N. 2 Cavatina: “Languir per una bella” (Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
partial recording of:
L’italiana in Algeri: Atto I, scena 3. No. 2. Cavatina “Languir per una bella” … “Contenta quest’alma” (Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini6:41
5L'italiana in Algeri: Atto I. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
partial recording of:
L’italiana in Algeri: Atto I, scena 3. No. 2. Cavatina “Languir per una bella” … “Contenta quest’alma” (Lindoro)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini0:42
6L'italiana in Algeri: Atto I. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 3. No. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:10
7L'italiana in Algeri: Atto I. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, Taddeo, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 4. No. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (Coro, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
recording of:
L’italiana in Algeri: Atto I, scena 4. Cavatina “Cruda sorte! Amor tiranno!” … “Contenta quest’alma” (Isabella, Taddeo, Haly)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:47
8L'italiana in Algeri: Atto I. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 4. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:03
9L'italiana in Algeri: Atto I. Recitativo: “Ah! Isabella... siam giunti a mal partito” (Taddeo, Isabella)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 5. Recitativo: “Ah! Isabella... siam giunti a mal partito” (Taddeo, Isabella) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini0:56
10L'italiana in Algeri: Atto I. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 5. No. 5. Duetto: “Ai capricci della sorte” (Isabella, Taddeo) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini7:18
11L'italiana in Algeri: Atto I. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 7. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini0:40
12L'italiana in Algeri: Atto I. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 8. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini0:44
13L'italiana in Algeri: Atto I. N. 6 Aria: “Già d'insolito ardore” (Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 8. No. 6. Aria: “Già d'insolito ardore” (Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini3:23
14L'italiana in Algeri: Atto I. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 9. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini1:02
15L'italiana in Algeri: Atto I. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 10. No. 7. Finale I “Viva, viva il flagel delle donne” (Coro, Haly, Mustafà, Isabella, Taddeo) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini8:25
16L'italiana in Algeri: Atto I. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto I, scena 13. “Pria di dividerci da voi, Signore, veniamo a esprimervi il nostro core …” / “Dite chi è quella femmina?” / “Nella testa ho un campanello“ (Elvira, Zulma, Lindoro, Taddeo, Haly, Mustafà, Isabella) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini9:12
42▼CD: Rossini: L'italiana in Algeri (Act II)
#TitleArtistRatingLength
1L'italiana in Algeri: Atto II. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 1. No. 8. Introduzione: “Uno stupido, uno stolto” (Coro, Elvira, Zulma, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:37
2L'italiana in Algeri: Atto II. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 2. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:42
3L'italiana in Algeri: Atto II. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 3. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:15
4L'italiana in Algeri: Atto II. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 3. No. 9. Cavatina: “Oh, come il cor di giubilo” (Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:12
5L'italiana in Algeri: Atto II. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 4. Recitativo: “Ah! signor Mustafà - Che cosa è stato?” (Taddeo, Mustafà)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:53
6L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Viva il grande Kaimakan” (Coro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:02
7L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:21
8L'italiana in Algeri: Atto II. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 4. No. 10. Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, Coro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini3:55
9L'italiana in Algeri: Atto II. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 5. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:26
10L'italiana in Algeri: Atto II. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 5. No. 11. Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini5:14
11L'italiana in Algeri: Atto II. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 6. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:32
12L'italiana in Algeri: Atto II. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 6. No. 12. Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini9:03
13L'italiana in Algeri: Atto II. Recitativo: “Con tutta la sua boria” (Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 7. Recitativo: “Con tutta la sua boria questa volta il Bey perde la testa” (Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:25
14L'italiana in Algeri: Atto II. N. 13 Aria: “La femmine d'Italia” (Haly)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 7. No. 13. Aria: “Le femmine d'Italia son disinvolte e scaltre” (Haly) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:25
15L'italiana in Algeri: Atto II. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 8. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:17
16L'italiana in Algeri: Atto II. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 9. No. 14. Terzetto: “Pappataci! Che mai sento!” / “Fra gli amori e le bellezze” (Mustafà, Lindoro, Taddeo) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini5:27
17L'italiana in Algeri: Atto II. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 11. Recitativo: “Tutti i nostri italiani ottener dal Bey spera Isabella” (Taddeo, Lindoro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:35
18L'italiana in Algeri: Atto II. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento ... Pensa alla patria” (Isabella, coro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini8:32
19L'italiana in Algeri: Atto II. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 12. Recitativo: “Che bel core ha costei!” / “Kaimakan… Signor?” (Taddeo, Mustafà)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini0:38
20L'italiana in Algeri: Atto II. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 13. No. 16. Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, Coro, Taddeo, Mustafà, Isabella) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini9:00
21L'italiana in Algeri: Atto II. N. 16 Finale II: “Son l'aure seconde, son placide, l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 15. No. 16. Finale II: “Son l'aure seconde, son placide, l'onde” (Coro, Lindoro, Isabella, Taddeo, Mustafà) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini1:49
22L'italiana in Algeri: Atto II. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro)
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Haly, capitano de' corsari algerini]:
Alessandro Corbelli (baritone) (from 1987-09 until 1987-10)
baritone vocals [Taddeo, compagno d'Isabella]:
Enzo Dara (operatic bass) (from 1987-09 until 1987-10)
bass vocals [Mustafà, bey d'Algeri]:
Ruggero Raimondi (bass-baritone) (from 1987-09 until 1987-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1987-09 until 1987-10)
mezzo-soprano vocals [Isabella, signora italiana]:
Agnes Baltsa (mezzo-soprano) (from 1987-09 until 1987-10)
soprano vocals [Elvira, sua moglie]:
Patrizia Pace (soprano) (from 1987-09 until 1987-10)
soprano vocals [Zulma, schiava e confidente d'Elvira]:
Anna Gonda (from 1987-09 until 1987-10)
tenor vocals [Lindoro, giovine italiano, amante d'Isabella]:
Frank Lopardo (tenor) (from 1987-09 until 1987-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1987-09 until 1987-10)
conductor:
Claudio Abbado (conductor) (from 1987-09 until 1987-10)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1987-09 until 1987-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1987-09 until 1987-10)
recording of:
L'italiana in Algeri: Atto II, scena 16. No. 16. Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, Coro) (from 1987-09 until 1987-10)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini2:26
43▼CD: Schoenberg: Gurre-Lieder (Part I)
#TitleArtistRatingLength
1Gurre-Lieder: Erster Teil. Orchestervorspiel
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I. Orchestral prelude (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg6:50
2Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Waldemar: "Nun dämpft die Dämmrung jeden Ton" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg4:01
3Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Tove]:
Sharon Sweet (soprano) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Tove: "O, wenn des Mondes Strahlen leise gleiten" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg2:45
4Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Waldemar: "Ross! Mein Ross! Was schleichst du so träg!" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg3:35
5Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Tove]:
Sharon Sweet (soprano) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Tove: "Sterne jubeln, das Meer, es leuchtet" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg2:23
6Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Waldemar: "So tanzen die Engel vor Gottes Thron nicht" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg2:24
7Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Tove]:
Sharon Sweet (soprano) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Tove: "Nun sag' ich dir zum ersten Mal" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg4:07
8Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Waldemar: "Es ist Mitternachtzeit" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg6:09
9Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Tove]:
Sharon Sweet (soprano) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Tove: "Du sendest mir einem Liebesblick" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg5:31
10Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Waldemar: "Du wunderliche Tove!" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg4:21
11Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Orchestral interlude (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg5:49
12Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
contralto vocals [Waldtaube]:
Marjana Lipovšek (mezzo soprano) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part I: Voice of the Wood Dove: "Tauben von Gurre! Sorge quält mich" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg11:55
44▼CD: Schoenberg: Gurre-Lieder (Parts II & III)
#TitleArtistRatingLength
1Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part II: Orchestral Prelude - Waldemar: "Herrgott, weisst du, was du tatest" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg5:10
2Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals and tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Orchestral Prelude - Waldemar: "Erwacht, König Waldemars Mannen Wert!" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg2:52
3Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Bauer]:
Hartmut Welker (baritone) (in 1992-05)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1992-05), Arnold Schoenberg Chor (in 1992-05) and Slovenský filharmonický zbor (Slovak Philharmonic Choir) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
chorus master:
Dietrich Gerpheide (in 1992-05), Erwin Ortner (in 1992-05) and Jan Rozehnal (choir master) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Peasant: "Deckel des Sarges klappert" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg3:06
4Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1992-05), Arnold Schoenberg Chor (in 1992-05) and Slovenský filharmonický zbor (Slovak Philharmonic Choir) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
chorus master:
Dietrich Gerpheide (in 1992-05), Erwin Ortner (in 1992-05) and Jan Rozehnal (choir master) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Chorus: Waldemar's Men: "Gegrüsst, O König" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg5:48
5Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Waldemar: "Mit Toves Stimme flüstert der Wald" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg3:14
6Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Klaus-Narr]:
Philip Langridge (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Klaus-Narr: "Ein seltsamer Vogel ist so'n Aal" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg6:45
7Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Waldemar]:
Siegfried Jerusalem (tenor) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Waldemar: "Du strenger Richter droben" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg2:25
8Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1992-05), Arnold Schoenberg Chor (in 1992-05) and Slovenský filharmonický zbor (Slovak Philharmonic Choir) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
chorus master:
Dietrich Gerpheide (in 1992-05), Erwin Ortner (in 1992-05) and Jan Rozehnal (choir master) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Waldemar's Men: "Der Hahn erhebt den Kopf zur Kraht" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg4:13
9Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel]
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III. Orchestral Prelude (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg3:51
10Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
spoken vocals [Sprecherin]:
Barbara Sukowa (German actress & singer) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III. "Herr Gänsefuß, Frau Gänsekraut" (Speaker) (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg5:14
11Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor)
miscellaneous support:
Pedro Alcalde (task: musical assistant)
associate producer:
Ewald Markl and Pål Christian Moe
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1992-05), Arnold Schoenberg Chor (in 1992-05) and Slovenský filharmonický zbor (Slovak Philharmonic Choir) (in 1992-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-05)
conductor:
Claudio Abbado (conductor) (in 1992-05)
chorus master:
Dietrich Gerpheide (in 1992-05), Erwin Ortner (in 1992-05) and Jan Rozehnal (choir master) (in 1992-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-05)
live recording of:
Gurre-Lieder: Part III: Chorus: "Seht die Sonne" (in 1992-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Gurre-Lieder
Arnold Schönberg4:32
45▼CD: Schubert: Symphonies no. 5 & no. 8 “Unfinished”
#TitleArtistRatingLength
1Symphony no. 8 in B minor “Unfinished”, D 759: 1. Allegro moderato
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert12:48
2Symphony no. 8 in B minor “Unfinished”, D 759: 2. Andante con moto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert12:40
3Symphony no. 5 in B-flat major, D 485: 1. Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 5 in B-flat major, D. 485: I. Allegro (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert7:19
4Symphony no. 5 in B-flat major, D 485: 2. Andante con moto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert11:02
5Symphony no. 5 in B-flat major, D 485: 3. Menuetto. Allegro molto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:27
6Symphony no. 5 in B-flat major, D 485: 4. Allegro vivace
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1971-05-31)
conductor:
Claudio Abbado (conductor) (on 1971-05-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1971-05-31)
live recording of:
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace (on 1971-05-31)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:59
46▼CD: Schubert: Mass no. 6
#TitleArtistRatingLength
1Mass no. 6 in E-flat major, D 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live recording of:
Mass no. 6 in E-flat major, D. 950: I. Kyrie (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert6:22
2Mass no. 6 in E-flat major, D 950: Gloria. “Gloria in excelsis Deo”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: II. Gloria (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert5:00
3Mass no. 6 in E-flat major, D 950: Gloria. “Domine Deus”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: II. Gloria (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert4:22
4Mass no. 6 in E-flat major, D 950: Gloria. “Quoniam tu solus sanctus”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: II. Gloria (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert1:03
5Mass no. 6 in E-flat major, D 950: Gloria. “Cum Sancto spiritu”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: II. Gloria (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert4:14
6Mass no. 6 in E-flat major, D 950: Credo. “Credo in unum Deum”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: III. Credo (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert2:58
7Mass no. 6 in E-flat major, D 950: Credo. “Et incarnatus est”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: III. Credo (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert6:05
8Mass no. 6 in E-flat major, D 950: Credo. “Et resurrexit”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: III. Credo (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert6:47
9Mass no. 6 in E-flat major, D 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: IV. Sanctus (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert2:09
10Mass no. 6 in E-flat major, D 950: Sanctus. “Osanna in excelsis”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: IV. Sanctus (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert1:15
11Mass no. 6 in E-flat major, D 950: Benedictus. “Benedictus, qui venit”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: V. Benedictus (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert5:00
12Mass no. 6 in E-flat major, D 950: Benedictus. “Osanna in excelsis”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: V. Benedictus (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert1:12
13Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: VI. Agnus Dei (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert3:57
14Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: VI. Agnus Dei (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert3:31
15Mass no. 6 in E-flat major, D 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: VI. Agnus Dei (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert0:54
16Mass no. 6 in E-flat major, D 950: Agnus Dei. “Dona nobis pacem”
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1986-11-01)
solo alto vocals:
Marjana Lipovšek (mezzo soprano) (on 1986-11-01)
solo bass vocals:
Robert Holl (bass‐baritone) (on 1986-11-01)
solo soprano vocals:
Karita Mattila (soprano) (on 1986-11-01)
solo tenor vocals [tenor I]:
Jerry Hadley (operatic tenor) (on 1986-11-01)
solo tenor vocals [tenor II]:
Jorge Antonio Pita (tenor) (on 1986-11-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1986-11-01)
conductor:
Claudio Abbado (conductor) (on 1986-11-01)
chorus master:
Walter Hagen-Groll (chorus master) (on 1986-11-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1986-11-01)
live partial recording of:
Mass no. 6 in E-flat major, D. 950: VI. Agnus Dei (on 1986-11-01)
composer:
Franz Schubert (composer) (in 1828)
part of:
Mass no. 6 in E-flat major, D. 950
Franz Schubert2:08
47▼CD: New Year's Concert 1988
#TitleArtistRatingLength
1“Donna Diana”: Overture
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Donna Diana: Overture (in 1988-01)
composer:
Emil Nikolaus von Reznicek (Austrian composer)
part of:
Donna Diana
Emil Nikolaus von Reznicek4:02
2Brennende Liebe, op. 129 (Polka mazur)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Brennende Liebe, op. 129 (in 1988-01)
composer:
Josef Strauss (Austrian composer)
part of:
Works of Josef Strauss by opus number (number: op. 129)
Josef Strauss4:28
3Auf Ferienreisen, op. 133 (Polka schnell)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Auf Ferienreisen, op. 133 (in 1988-01)
composer:
Josef Strauss (Austrian composer) (in 1863)
part of:
Works of Josef Strauss by opus number (number: op. 133)
Josef Strauss2:29
4Auf der Jagd, op. 373 (Polka schnell)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
recording of:
Auf der Jagd, op. 373: Polka schnell (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 373)
Johann Strauss2:26
5Wo die Zitronen blüh'n, op. 364 (Walzer)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
recording of:
Wo die Citronen blüh’n, op. 364 (Where the Citrons Bloom, op. 364)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 364)
Johann Strauss9:03
6Die Fledermaus: Overture
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss8:17
7Neue Pizzicato-Polka, op. 449
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Neue Pizzicato-Polka, op. 449 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 449)
Johann Strauss3:40
8Freut euch des Lebens, op. 340 (Walzer)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Freuet Euch des Lebens, op. 340 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 340)
Johann Strauss8:20
9Un ballo in maschera, op. 272: No. 1 Le Pantalon / No. 3 La Poule / No. 4 La Trénis / No. 6 Finale
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Un ballo in maschera Quadrille, op. 272 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 272)
Johann Strauss4:35
10Tritsch-Tratsch-Polka, op. 214
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1988-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
chorus master:
Peter Marschik (chorus master) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Tritsch–Tratsch Polka, op. 214 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss2:59
11Leichtes Blut, op. 319 (Polka schnell)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1988-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
chorus master:
Peter Marschik (chorus master) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Leichtes Blut Galop, op. 319 (Light of Heart) (in 1988-01)
premiered in:
Wien (Vienna), Austria (in 1867-03)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 319)
Johann Strauss2:43
12Seid umschlungen, Millionen, op. 443 (Walzer)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Seid umschlungen, Millionen, op. 443 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 443)
Johann Strauss9:37
13Perpetuum mobile, op. 257 (Walzer)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Perpetuum mobile, op. 257 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1861)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 257)
Johann Strauss2:58
14Im Fluge, op. 230 (Polka schnell)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Im Fluge, op. 230 (in 1988-01)
composer:
Josef Strauss (Austrian composer)
part of:
Works of Josef Strauss by opus number (number: op. 230)
Josef Strauss2:00
15Banditen-Galopp, op. 378 (Polka schnell)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Banditen-Galopp, op. 378 (in 1988-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 378)
Johann Strauss2:44
16An der schönen blauen Donau, op. 314 (Walzer)
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (in 1988-01)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss9:43
17Radetzky-Marsch, op. 228
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-01)
conductor:
Claudio Abbado (conductor) (in 1988-01)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1988-01)
live recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1988-01)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss3:24
48▶CD: New Year's Concert 1991
49▶CD: Tchaikovsky: Symphony no. 4
50▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
51▶CD: Tchaikovsky / Mendelssohn: Violin Concertos
52▶CD: Verdi: Messa da Requiem (beg.)
53▶CD: Messa da Requiem (cont.) / Quattro pezzi sacri
54▶CD: Wagner: Lohengrin (Acts I & II beg.)
55▶CD: Wagner: Lohengrin (Act II cont.)
56▶CD: Wagner: Lohengrin (Act III)
57▶CD: Schoenberg: A Survivor from Warsaw / Webern: Orchestral Works
58▶CD: Wien Modern

Credits

Release group

includes:L’italiana in Algeri (1987 studio cast) by Gioachino Rossini (composer); Agnes Baltsa (mezzo-soprano), Ruggero Raimondi (bass-baritone), Enzo Dara (operatic bass), Frank Lopardo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)