100 Hits: 80s Weekender

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Saturday Love
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle with Alexander O’Neal43:40
2Taste of Bitter LoveGladys Knight & the Pips4:38
3Can You Feel It (single edit)
producer:
The Jacksons (formerly “The Jackson 5”)
bass:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone [vibes]:
Gary L. Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons4.353:43
4Who’s Zoomin’ Who?Aretha Franklin4:07
5Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.654:04
6Hold Me Tighter in the Rain
recording of:
Hold Me Tighter in the Rain
writer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Billy Griffin, D. Griffin (songwriter) and Donald Griffin (soul/funk/disco guitarist)
publisher:
Billy Griffin Music, Bubo Music, Donocaster Music, Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Billy Griffin3:56
7Let’s Go Round Again
Average White Band4:00
8I Can’t Go for That (No Can Do)
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hall & Oates4.53:44
9Walking on the Chinese Wall
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Walking on the Chinese Wall
composer:
Billie Hughes (soft rock/AOR vocalist) and Roxanne Seeman (American songwriter and lyricist)
publisher:
Glass Sea Music, Inc. (from 1984 to present) and Noa Noa Music (from 1984 to present)
Philip Bailey5:08
10Use It Up and Wear It OutOdyssey43:52
11Tribute (Right On)
recording of:
Tribute (Right On)
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas3:36
12Phone Home
Johnny Chingas4:01
13Just a Groove
Glen Adams Affair3:07
14I’m in Love (radio edit)
recording of:
I’m in Love
writer:
Michael Jones (Michael Jones, B.T. Express)
publisher:
Songs of Universal, Inc. (BMI)
Evelyn “Champagne” King3:30
15Lovely Day (’88 remix)
producer:
Clarence McDonald and Bill Withers
remixer:
Ben Liebrand
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988)
remix of:
Lovely Day by Bill Withers
recording of:
Lovely Day
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers46:33
16How ’Bout Us
producer:
Leo Graham (producer / composer / lyricist)
solo alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
edit of:
How ’Bout Us by Champaign
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:19
17Dreaming
Glen Goldsmith4:11
18Mule (Chant #2)
recording of:
Mule (Chant No 2)
writer:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist), Neville McKrieth and Kenny Wellington
Beggar & Co13:53
19Encore
recording of:
Encore
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cheryl Lynn3:26
20Loco in Acapulco
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Phil Collins (of Genesis) and Lamont Dozier
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops3:30
2CD
#TitleArtistRatingLength
1Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:46
2Rockit
Moog [mini-moog] programming:
Michael Beinhorn
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer)
Batá drum [Bata]:
Daniel Ponce
drum machine [Dr Click Rhythm Controller], keyboard [E-mu 4060 Digital Keyboard], Moog [Mini-Moog], synthesizer [Fairlight CMI], synthesizer [Rhodes Chroma] and voice synthesizer [Sennheiser Vocoder]:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
electronic drum set [Synare] and other instruments [DMX]:
Michael Beinhorn
turntable:
Grand Mixer DST (US hip hop/electro DJ Derek Howells/Showard)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
samples:
Change the Beat (French Rap) by Beside
recording of:
Rockit
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock2.653:40
3Between the SheetsThe Isley Brothers4.355:37
4Alice, I Want You Just for Me!
recording of:
Alice, I Want You Just for Me
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) and Howie Tee
Full Force3:44
5Jump Back (Set Me Free)
recording of:
Jump Back (Set Me Free)
lyricist and composer:
Jhon Fair (NYC based Composer / Dj/Producer)
Dhar Braxton13:44
6Gangsters of the Groove
recording of:
Gangsters of the Groove
lyricist and composer:
Rod Temperton
Heatwave4:00
7Sanctified Lady
Marvin Gaye4:05
8Come Hell or Waters High
cover recording of:
Come Hell or Waters High
writer:
Paul Muggleton
Dee C. Lee4:06
9Let’s GrooveEarth, Wind & Fire43:30
10Roses
recording of:
Roses
writer:
Michael Leeson and Peter Vale (writer/arranger)
Haywoode3:42
11Are You Ready
recording of:
Are You Ready
writer:
Ken Gold and Billy Ocean
publisher:
EMI Blackwood Music Inc., Imagem London Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Billy Ocean3:29
12This Is the Right Time
producer:
Coldcut (Matt Black & Jonathan More)
vocals:
Lisa Stansfield
recording of:
This Is the Right Time
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Big Life Music and Universal Music Publishing BL Limited
Lisa Stansfield4:28
13Caravan of Love
recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Isley Jasper Isley4:17
14Spend the Night
The Cool Notes3:01
15Crazy
The Manhattans4:03
16One on OneHall & Oates43:52
17Risin’ to the TopKeni Burke3:46
18Serious
Billy Griffin3:58
19Rhythm Is Gonna Get You
recording engineer and mixer:
Eric C. Schilling
producer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist) and Rafael Vigil
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Joe Galdo (US drummer & percussionist)
recorded at and mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Rhythm Is Gonna Get You (At night when you turn off all the lights... There's no place that you can hide...)
writer:
Enrique Garcia (Miami Sound Machine) and Gloria M. Estefan
Gloria Estefan and Miami Sound Machine4.153:55
209 AM (The Comfort Zone)
recording of:
9 A.M. (The Comfort Zone)
writer:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) and William Henshall (Londonbeat)
Londonbeat4:17
3CD
#TitleArtistRatingLength
1Walk Right Now
The Jacksons3:33
2Jitterbuggin’
recording of:
Jitterbuggin’
writer:
Rod Temperton
publisher:
Rodsongs (publisher)
Heatwave4:01
3Oh Yeah!
engineer:
Larry Carlton, Mick Guzauski, Hal Sacs, Larry Hirsch (Producer & Engineer) and Keith Seppanen (Engineer)
co-producer:
Denny Diante
producer:
Larry Carlton and Bill Withers
drums (drum set):
John Robinson (session drummer)
electric bass guitar [intro Fender bass]:
Nathan East
electronic drum set [Simmons toms] and synthesizer [Yamaha DX-7]:
Bill Withers
guitar [rhythm guitar]:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
David Foster (Canadian music producer, arranger and composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Denise DeCaro, Myrna Matthews and Marty McCall (CCM singer/songwriter/worship leader)
vocals:
Bill Withers
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Room 335 in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Yamaha R&D Recording Studios
recording of:
Oh Yeah!
lyricist:
Bill Withers
composer:
Larry Carlton, David Foster (Canadian music producer, arranger and composer) and Bill Withers
publisher:
Peermusic III, Ltd. (BMI), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック (Fujipacific Music, Inc.), Bleunig Music (from 1985 to present), Foster Frees Music Inc. (from 1985 to present) and Pal‐Dog Music (from 1985 to present)
Bill Withers4:02
4Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:03
5Love Come Down
recording of:
Love Come Down
lyricist and composer:
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King4.53:18
6All Around the World
producer and mixer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield3.754:28
7Juicy Fruit
recording of:
Juicy Fruit
composer:
James Mtume (jazz/funk musician)
Mtume4:34
8A Time Like This
Haywoode4:00
9Sugar Free
Juicy4:29
10Shining Star
recording of:
Shining Star
writer:
Leo Graham Jr. (producer / composer / lyricist) and Paul Richmond (producer - songwriter - bassist)
The Manhattans4:38
11Automatic
edit of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:00
12Lifetime LoveJoyce Sims4:50
13No More Tomorrows
Paul Johnson3:57
14Shake You Down
producer:
Gregory Abbott
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
background vocals:
Gregory Abbott, Robert Deadmon and Aida Foreman
lead vocals:
Gregory Abbott
arranger:
Gregory Abbott
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
part of:
The Downloader’s Music Source Book (number: 69)
recording of:
Shake You Down
lyricist and composer:
Gregory Abbott
publisher:
EMI Songs Ltd. and Grabbitt Music (publisher)
Gregory Abbott3.254:04
15Just the Way You Like It
recording of:
Just the Way You Like It
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band44:00
16Wishing Well
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
baritone saxophone, keyboard and percussion and background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
bass:
Phil Spalding
drums (drum set):
Preston Heyman
guitar:
Pete Glenister
hi-hat [Wicked Hi-Hat]:
Clive Mngaza
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. and Young Terence Music (Publisher)
Terence Trent D’Arby3.153:31
17You Know How to Love Me
recording of:
You Know How to Love Me
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
Phyllis Hyman4:41
18Main Thing
Shot3:20
19Wait
recording of:
Wait
lyricist and composer:
Robert Howard (pop songwriter)
Robert Howard & Kym Mazelle33:11
20Girl You Know It’s True
phonographic copyright (℗) by:
Hansa (in 1988) and BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1994)
cover recording of:
Girl You Know It's True
writer:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) and Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Milli Vanilli3:19
4CD
#TitleArtistRatingLength
1Theme From S‐Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:56
2You Sure Look Good to Me
producer and mixer:
Chuck Jackson (songwriter/producer)
Phyllis Hyman4:20
3Ooo La La La
recording of:
Ooo La La La
writer:
Teena Marie and Allen McGrier
Teena Marie5:18
4Give Me the Reason
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Wayne Warnecke
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Minot Sound in White Plains, New York, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Give Me the Reason
writer:
Nat Adderley and Luther Vandross
publisher:
April Music Inc. (, in 1986), CBS Songs, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music (, in 1986), EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher) and Uncle Ronnie's Music Co. Inc. (in 1986)
Luther Vandross44:44
5Do What You Do
recording of:
Do What You Do
writer:
Ralph Dino and Larry Di Tomaso
publisher:
MCA Music Ltd.
Jermaine Jackson4:10
6CriticizeAlexander O’Neal44:02
7Riding on a TrainThe Pasadenas4:17
8Just Got Paid
Johnny Kemp3:29
9When Love Comes Calling
Paul Johnson3:51
10All and AllJoyce Sims4:27
11Share the Night
World Premiere3:09
12Funkin’ for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
lyricist:
Toni Smith
composer:
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne43:28
13Happy
producer:
David “Pic” Conley (soul musician), Bernard Jackson and David Townsend
background vocals:
David Conley (soul musician), Bernard Jackson and David Townsend
lead vocals:
Bernard Jackson
arranger:
David “Pic” Conley (soul musician), Bernard Jackson and David Townsend
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
arranged for and produced for:
Surface Productions
recording of:
Happy
writer:
David Conley (soul musician), Bernard Jackson and David Townsend
publisher:
Below the Surface Music
Surface3:58
14Don’t Give Your Love Away
Steve Shelto3:21
15A Little Bit Further Away
Kokomo3:31
16I Wonder If I Take You Home
producer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
recording of:
I Wonder If I Take You Home
writer:
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George and Paul George (American)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Careers-BMG Music, Mokojumbi Music and Zomba Songs Inc.
Lisa Lisa & Cult Jam3:23
17Girls Are More Fun
Ray Parker Jr.54:22
18Music Is the Answer
Colonel Abrams23:35
19Love Magic
John Davis and the Monster Orchestra4:13
20Good Thing Going (We’ve Got a Good Thing Going)
recording of:
We’ve Got a Good Thing Going
writer:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music (UK) Ltd.
Sugar Minott33:35
5CD
#TitleArtistRatingLength
1Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
electronic drum set programming:
Reek Havoc (in 1983)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
phonographic copyright (℗) by:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters3.354:27
2Bourgie’, Bourgie’Gladys Knight & the Pips53:31
3Jump to It
recording engineer and mixer:
Michael Brauer (engineer)
producer:
Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Crusher Bennett
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
background vocals:
Tawatha Agee, Phillip Ballou, Michelle Cobbs, Cissy Houston, Fonzi Thornton, Luther Vandross and Brenda White (Brenda Kutz White)
instruments arranger:
Marcus Miller (jazz musician)
synthesizer arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Jump to It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. and Uncle Ronnie's Music Co. Inc.
Aretha Franklin4:15
4Body Work
Hot Streak4:13
5Lovey Dovey
Tony Terry53:33
6Just Be Good to Me
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band44:09
7The Groove
recording of:
The Groove
composer:
Rodney Franklin
Rodney Franklin33:24
8Let Me Talk
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Let Me Talk
writer:
Philip Bailey, Larry Dunn, Ralph Johnson (Earth, Wind & Fire drummer), Al McKay, Maurice White (Earth, Wind & Fire) and Verdine White
Earth, Wind & Fire4:07
9Weekend
cover recording of:
Weekend
composer:
Leroy Burgess and James Calloway
Class Action3:37
10Never Knew Love Like This
recording of:
Never Knew Love Like This
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alexander O’Neal feat. Cherrelle43:31
11Let Somebody Love You
Keni Burke3:55
12Dreamin’
Greg Henderson3:02
13This Beat Is Mine
Vicky D3:18
14Friends
Amii Stewart4:46
15Say Yeah
recording of:
Say Yeah
writer:
Van Gibbs, Bernard Oattes and Rob van Schaik (songwriter, member of The Limit/Oattes van Schaik)
publisher:
Lady Bird Music Editions, Lami‐Lam Music Co., PRI Music, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Limit54:25
16In Your Car
recording of:
In Your Car
writer:
Stephen McIntosh (UK keyboardist/songwriter/production music)
The Cool Notes3:46
17Don’t Take It Personal
Jermaine Jackson4:28
18Use Me, Lose Me
The Paul Simpson Connection3:43
19Good Lovin’
Regina Belle5:44
20I Didn’t Mean to Turn You On
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
produced for:
Flyte Tyme Productions
recording of:
I Didn’t Mean to Turn You On
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing (in 1985) and Flyte Tyme Tunes (in 1985)
Cherrelle4:01

Credits

Release

ASIN:UK: B00FE9QSGM [info]

Release group

part of:100 Hits (UK Demon Music Group) (order: 11)
Allmusic:https://www.allmusic.com/album/mw0002585326 [info]