The Queen of Soul

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Tracklist

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1Digital Media
#TitleRatingLength
1Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
2:27
2Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
4.252:43
3Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3.652:19
4Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
3.753:14
5Baby, I Love You
recording of:
Baby I Love You
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:39
6I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.353:32
7Son of a Preacher Man
engineer:
Tom Dowd and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
The Sweet Inspirations (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Son of a Preacher Man (on 1969-10-03)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4.53:17
8Dr. Feelgood (Love Is Serious Business)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-16)
bass:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Dewey "Spooner" Oldham (on 1967-02-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-16) and King Curtis (saxophonist) (on 1967-02-16)
trumpet:
Melvin Lastie (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1967-02-16)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
3:19
9(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:40
10You Send Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (on 1968-04-16)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
organ:
Spooner Oldham (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
You Send Me (on 1968-04-16)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:27
11The Weight
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (on 1969-01-08)
electric piano:
Barry Beckett (on 1969-01-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
slide guitar:
Duane Allman (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
background vocals:
Cissy Houston (on 1969-01-08), Sylvia Shemwell (on 1969-01-08) and Dee Dee Warwick (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
conductor:
Arif Mardin
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
The Weight (on 1969-01-08)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:52
12Bridge Over Troubled Water
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
drums (drum set):
Ray Lucas (on 1970-08-13)
electric bass guitar:
Chuck Rainey (American bassist) (on 1970-08-13)
guitar:
Cornell Dupree (on 1970-08-13)
organ:
Billy Preston (on 1970-08-13)
piano:
Aretha Franklin (on 1970-08-13)
tenor saxophone:
King Curtis (saxophonist) (on 1970-08-13)
background vocals:
Cissy Houston (on 1970-08-13), The Sweet Inspirations (on 1970-08-13) and The Sweethearts of Soul (on 1970-08-13)
vocals:
Aretha Franklin (on 1970-08-13)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
Bridge Over Troubled Water (on 1970-08-13)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:31
13Until You Come Back to Me (That’s What I’m Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
4.353:26
14Don’t Play That Song
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
43:02
15Do Right Woman, Do Right Man
recording engineer:
Arif Mardin
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
background vocals:
Carolyn Franklin (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
Do Right Woman, Do Right Man (on 1967-01-24)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
3:17
16I Never Loved a Man (The Way I Love You)
recording engineer:
Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-01-24)
bass:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
electric piano:
Dewey "Spooner" Oldham (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24) and King Curtis (saxophonist) (on 1967-01-24)
trumpet:
Melvin Lastie (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-01-24)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
2:45
17Spanish Harlem
recording engineer:
Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
electric piano and organ:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano:
Aretha Franklin (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
flute arranger, horn arranger, strings arranger and background vocals arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
cover recording of:
Spanish Harlem (on 1971-02-16)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
23:31
18Ain’t No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:14
19Christmas Ain’t Christmas (without the One You Love)
recording engineer:
Les Cooper (US doo wop singer)
producer:
Tena Clark
mixer:
Al Schmitt
bass:
Nathan East
drums (drum set):
Ricky Lawson
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
James “Big Jim” Wright (US producer, musician, singer and songwriter aka Big Jim)
percussion:
Luis Conte (percussionist) and Michito Sanchez
saxophone:
Brandon Fields
background vocals:
Lisa Fischer (American vocalist), Vaneese Thomas, Fonzi Thornton and Brenda White‐King
instruments arranger:
James “Big Jim” Wright (US producer, musician, singer and songwriter aka Big Jim)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Christmas Ain’t Christmas, New Year’s Ain’t New Years Without the One You Love
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:53
20Silent Night (solo piano version)
recording engineer:
Les Cooper (engineer)
producer:
Tena Clark
piano:
Aretha Franklin
vocals:
Aretha Franklin
cover recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
3:50
2Digital Media
#TitleArtistRatingLength
1Think
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Willie Bridges, Floyd Newman and Martin Williams (reeds)
bass:
Jerry Jemmott and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Tommy Cogbill, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Dewey "Spooner" Oldham
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Andrew Love and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
Think
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin with the Royal Philharmonic Orchestra2:55
2Don’t Play That Song (You Lied)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
additional keyboard:
Jim Dickinson and Mike Utley
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Tommy McClure and Steve Pearce (UK bassist)
drums (drum set):
Sammy Creason and Ralph Salmins
guitar:
Charlie Freeman, Howard "Buzz" Feiten and Timothy Cansfield
piano:
Aretha Franklin and Graham Harvey
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Margaret Branch, Brenda Bryant, Almeda Lattimore, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Don’t Play That Song (You Lied)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Aretha Franklin with the Royal Philharmonic Orchestra2:56
3I Say a Little Prayer
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Jerry Jemmott and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Tommy Cogbill and Timothy Cansfield
piano:
Aretha Franklin and Graham Harvey
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin with the Royal Philharmonic Orchestra4:18
4Until You Come Back to Me (That’s What I’m Gonna Do)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Steve Pearce (UK bassist) and Chuck Rainey (American bassist)
drums (drum set):
Bernard Purdie and Ralph Salmins
electric piano:
Donny Hathaway and Pete Murray (pianist and keyboardist)
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Richard Tee
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
solo flute:
Joe Farrell
synthesizer:
Kenneth Bichel (keyboardist)
background vocals:
Patti Austin, Margaret Branch, Ann S. Clark, Ledisi, Lynn Fiddmont, Valerie Pinkston and Pat Smith (soul vocalist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin with the Royal Philharmonic Orchestra3:30
5A Brand New Me
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Graham Harvey
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Brand New Me
writer:
Theresa Bell, Jerry Butler (soul singer) and Kenneth Gamble (songwriter for Philadelphia International)
Aretha Franklin with the Royal Philharmonic Orchestra4:19
6(You Make Me Feel Like) A Natural Woman
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
drums (drum set):
Gene Chrisman and Ralph Salmins
guitar:
Timothy Cansfield
piano:
Dewey "Spooner" Oldham and Pete Murray (pianist and keyboardist)
background vocals:
Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
orchestrator:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
(You Make Me Feel Like) A Natural Woman
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin with the Royal Philharmonic Orchestra3:36
7Angel
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Ben Castle
baritone saxophone:
Claire McInerney
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
Timothy Cansfield
piano:
Pete Murray (pianist and keyboardist)
solo alto saxophone:
Phil Woods (US jazz woodwind player)
solo tenor saxophone:
Joe Farrell
tenor saxophone:
Chris White (UK jazz saxophonist)
trombone:
Neil Sidwell
trumpet:
Matt Holland (trumpet, keyboard, vocals) and Adam Linsley
background vocals:
Patti Austin, Andy Caine, Ledisi, Lynn Fiddmont, Mirriam Grey, Valerie Pinkston and Shena Winchester
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Richard Cottle
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer) and Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Angel
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
Aretha Franklin with the Royal Philharmonic Orchestra4:42
8Border Song (Holy Moses)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Steve Pearce (UK bassist) and Chuck Rainey (American bassist)
drums (drum set):
Ray Lucas and Ralph Salmins
guitar:
Cornell Dupree and Timothy Cansfield
organ:
Pete Murray (pianist and keyboardist) and Billy Preston
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ronnie Bright, J.R. Bailey, Ledisi, Lynn Fiddmont, Valerie Pinkston, The Sweet Inspirations and Sammy Turner
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Border Song
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Aretha Franklin with the Royal Philharmonic Orchestra3:24
9Let It Be
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Eddie Hinton, Jerry Weaver, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Barry Beckett
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Let It Be
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin with the Royal Philharmonic Orchestra3:34
10People Get Ready
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Haywood Henry (US jazz saxophonist) and Martin Williams (reeds)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
bass trombone:
Tony Studd
drums (drum set):
Roger Hawkins and Ralph Salmins
flute:
Frank Wess
guitar:
Timothy Cansfield and Bobby Womack
organ:
Dewey "Spooner" Oldham
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, King Curtis (saxophonist), Seldon Powell, Jamie Talbot (English jazz alto saxophonist) and Frank Wess
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Bernie Glow, Melvin Lastie, Joe Newman (US jazz trumpeter), Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Carolyn Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin with the Royal Philharmonic Orchestra4:04
11Oh Me Oh My (I’m a Fool for You Baby)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Oh Me Oh My (I’m a Fool for You Baby)
lyricist and composer:
Jim Doris (in 1969)
publisher:
Abesongs Ltd (PRS), Noo Trac Ltd. and Origin Network Pty Ltd
Aretha Franklin with the Royal Philharmonic Orchestra4:18
12You’re All I Need to Get By
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin with the Royal Philharmonic Orchestra3:59
13Son of a Preacher Man
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Eddie Hinton, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Barry Beckett
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Son of a Preacher Man
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Aretha Franklin with the Royal Philharmonic Orchestra3:29
14Respect
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Willie Bridges and Martin Williams (reeds)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
cornet:
Melvin Lastie
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Dewey "Spooner" Oldham
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), King Curtis (saxophonist) and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Respect
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin with the Royal Philharmonic Orchestra2:37

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2018)
purchase for download:https://itunes.apple.com/fr/album/id1439641194 [info]
stream for free:https://open.spotify.com/album/4P2iSPFsY3SZy2dXz4GYOy [info]
https://www.deezer.com/album/79334112 [info]