Klassik für Kinder

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Have the CDs at hand; found some additional info

Annotation last modified on 2021-05-14 11:12 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Die vier Jahreszeiten Frühling - Vivaldi / Allegro
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:13
2Die vier Jahreszeiten Frühling - Vivaldi / Largo e pianissimo sempre
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:37
3Die vier Jahreszeiten Frühling - Vivaldi / Danza pastorale: Allegro
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:54
4Die vier Jahreszeiten Sommer - Vivaldi / Allegro non molto
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:07
5Die vier Jahreszeiten Sommer - Vivaldi / Adagio
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:19
6Die vier Jahreszeiten Sommer - Vivaldi / Presto
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:38
7Die vier Jahreszeiten Herbst - Vivaldi / Allegro
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
compilation of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: Ia. Allegro (the beginning of the movement, before the slow part) by Royal Philharmonic Orchestra, Jonathan Carney (violinist, conductor and concertmaster) and Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: Ib. Allegro (L’ubriaco che dorme) (the end of the movement, starting at the slow part) by Royal Philharmonic Orchestra, Jonathan Carney (violinist, conductor and concertmaster)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:23
8Die vier Jahreszeiten Herbst - Vivaldi / Adagio
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:39
9Die vier Jahreszeiten Herbst - Vivaldi / Allegro
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:14
10Die vier Jahreszeiten Winter - Vivaldi / Allegro non molto
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:18
11Die vier Jahreszeiten Winter - Vivaldi / Largo
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:03
12Die vier Jahreszeiten Winter - Vivaldi / Allegro
violin:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1993-10)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (in 1993-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:14
13Eine kleine Nachtmusik - Mozart / Allegro
orchestra:
Royal Philharmonic Orchestra (in 1994-09)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-09)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:05
14Eine kleine Nachtmusik - Mozart / Romanze: Andante
orchestra:
Royal Philharmonic Orchestra (in 1994-09)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-09)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:21
15Eine kleine Nachtmusik - Mozart / Menuetto: Allegretto
orchestra:
Royal Philharmonic Orchestra (in 1994-09)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-09)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:03
16Eine kleine Nachtmusik - Mozart / Rondo: Allegro
orchestra:
Royal Philharmonic Orchestra (in 1994-09)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-09)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:15
2▼CD
#TitleArtistRatingLength
1Promenade
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:40
2Der Gnom
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:34
3Promenade
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:57
4Das alte Schloss
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:22
5Promenade
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:34
6Die Tullerien (Spielende Kinder im Streit)
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:03
7Bydlo (Der Ochsenkarren)
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:00
8Promenade
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:42
9Ballerr der Küchlein in ihren Eierschalen
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:19
10Samuel Goldenberg und Schmuyle
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:01
11Der Marktplatz in Limoges
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:18
12Die Hütte des Baba Yaga
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:36
13Das große Tor von Kiew
orchestra:
Royal Philharmonic Orchestra (in 1994-07)
conductor:
Jean‐Claude Casadesus (conductor) (in 1994-07)
phonographic copyright (℗) by:
Tring International PLC (not for release label use – for copyrights only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-07)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1994-07)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky5:30
14Hummelflug
violin:
Isaac Stern (violinist) (on 1946-08-16)
orchestra:
Columbia Symphony Orchestra (on 1946-08-16)
conductor:
Franz Waxman (on 1946-08-16)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (on 1946-08-16)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolaj Rimsky-Korsakov1:13
15III. Merkur, der geflügelte Bote
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:52
16IV. Jupiter, der Bringer der Fröhlichkeit
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:58
17O Fortuna
vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:31
3▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:02
2Die Zauberflöte: Der Vogelfänger bin ich ja (Papageno)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:37
3Die Zauberflöte: Pa-pa-gena! … Pa-pa-geno! (Papageno, Papagena)
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:24
4Die Zauberflöte: Die Strahlen der Sonne (Sarastro, Chor)
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1950) and Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
vocals:
Ludwig Weber (operatic bass) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
5Hänsel und Gretel: Suse, liebe Suse, was raschelt im Stroh? (Gretel, Hänsel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Suse, liebe Suse, was raschelt im Stroh?” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:45
6Hänsel und Gretel: So recht!
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “So recht! und willst du nun nicht mehr klagen” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:59
7Hänsel und Gretel: Brüderchen, komm tanz mit mir
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:40
8Hänsel und Gretel: Wenn sie sich verirrten im Walde dort (Vater, Mutter)
producer:
Walter Legge (British classical producer)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Wenn sie sich verirrten im Walde dort” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:27
9Hänsel und Gretel: Eine Hex', steinalt haust tief im Wald
producer:
Walter Legge (British classical producer)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Eine Hex', steinalt haust tief im Wald” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:39
10Hänsel und Gretel: Ein Männlein steht im Walde (Gretel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 1. Szene. “Ein Männlein steht im Walde” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:26
11Hänsel und Gretel: Der kleine Sandmann bin ich (Sandmännchen, Hänsel, Gretel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Sandmann]:
Anny Felbermayer (soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:19
12Hänsel und Gretel: Abends will ich schlafen gehn (Gretel, Hänsel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:32
13Hänsel und Gretel: Der kleine Taumann heiß' ich (Taumännchen)
producer:
Walter Legge (British classical producer)
soprano vocals [Taumann]:
Anny Felbermayer (soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 1. Szene. “Der kleine Taumann heiß’ ich” (Taumann) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:53
14Hänsel und Gretel: Knusper, knusper Knäuschen (Hexe, Hänsel, Gretel)
producer:
Walter Legge (British classical producer)
choir vocals [Kinder]:
Bancroft's School Choir (from 1953-06-27 until 1953-07-02) and Loughton High School for Girls (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 3. Szene. “Knusper knusper Knäuschen” (Stimme aus dem Haus, Hänsel, Gretel, Kinder) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:07
15Hänsel und Gretel: Wach auf, mein Jüngelchen (Hexe, Gretel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Hexe]:
Else Schürhoff (german operatic soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 3. Szene. “Auf' wach' auf, mein Jüngelchen” (Hexe, Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:12
16Hänsel und Gretel: Juchhei! Nun ist die Hexe tot! (Hänsel, Gretel)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 3. Szene. “Juchhei! Nun ist die Hexe tot - Knusperwalzer” (Hänsel, Gretel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:21
17Hänsel und Gretel: Vater! Mutter (Hänsel, Gretel, Vater, Mutter Kuchenkinder)
producer:
Walter Legge (British classical producer)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
choir vocals:
Bancroft's School Choir (from 1953-06-27 until 1953-07-02) and Loughton High School for Girls (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 5. Szene. Finale “Vater! Mutter!” (Hänsel, Gretel, Mutter, Vater, Alle) (from 1953-06-27 until 1953-07-02)
lyricist:
Adelheid Wette (German lyricist)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:15
4▼CD
#TitleArtistRatingLength
1Bagatelle für Klavier A-Moll WOO 59 "Für Elise"
piano:
Artur Schnabel (Austrian classical pianist and teacher) (in 1932)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1932)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven2:40
2op. 19 Nr. 1 E-Dur
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 86)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn3:35
3op. 19 Nr. 3 A-Dur "Jägerlied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte A-Dur, op. 19b Nr. 3 (Jägerlied) (Song Without Words in A major, Op. 19b No. 3) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 89)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn2:13
4op. 38 Nr. 6 As-Dur "Duetto"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte As-Dur, op. 38 Nr. 6 (Song Without Words in A-flat major, Op. 38 No. 6) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1836 until 1837)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 119)
part of:
Lieder ohne Worte, op. 38 (Songs Without Words, op. 38)
Felix Mendelssohn2:05
5op. 53 Nr. 5 a-Moll "Volkslied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte a-Moll, op. 53 Nr. 5 (Song Without Words in A minor, Op. 53 No. 5) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1839 until 1841)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 153)
part of:
Lieder ohne Worte, op. 53 (Songs Without Words, op. 53)
Felix Mendelssohn2:58
6op. 62 Nr. 5 a-Moll "Venezianisches Gondellied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte a-Moll, op. 62 Nr. 5 (Song Without Words in A minor, Op. 62 No. 5, Venetianisches Gondellied) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 151)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn3:12
7op. 62 Nr. 6 A-Dur "Frühlingslied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 161)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn2:04
8op. 67 Nr. 4 C-Dur "Spinnerlied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte C-Dur, op. 67 Nr. 4 (Song Without Words in C major, Op. 67 No. 4, Spinnerlied; Spinning Song) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1843 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 182)
part of:
Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)
Felix Mendelssohn1:41
9op. 67 Nr. 6 E-Dur "Wiegenlied"
piano:
Ronan O’Hora (British pianist) (in 1995-05)
recording of:
Lied ohne Worte E-Dur, op. 67 Nr. 6 (Song Without Words in E major, Op. 67 No. 6) (in 1995-05)
composer:
Felix Mendelssohn (composer) (from 1843 until 1845)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 188)
part of:
Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)
Felix Mendelssohn2:31
10Januar: Am Kamin
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
The Seasons, op. 37a: I. January “At the Fireside” (in 1994-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Illitsch Tschaikowsky4:41
11Februar: Karneval
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
The Seasons, op. 37: II. February “Carnival” (for piano trio, Goedicke) (in 1994-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
arranger:
Александр Гёдике (Alexander Goedicke, Russian composer)
arrangement of:
The Seasons, op. 37a: II. February “Carnaval”
part of:
The Seasons, op. 37 (for piano trio, Goedicke)
Peter Illitsch Tschaikowsky2:28
12Mai: Mainacht
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
The Seasons, op. 37a: V. May “Starlight Nights” (in 1994-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Illitsch Tschaikowsky3:36
13Oktober: Herbstlied
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
The Seasons, op. 37a: X. October “Autumn Song” (in 1994-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Illitsch Tschaikowsky5:02
14Dezember: Weihnachten
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
The Seasons, op. 37a: XII. December “Christmas” (in 1994-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Peter Illitsch Tschaikowsky4:20
15Arietta, op. 12 Nr. 1
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte I, op. 12: 1. Arietta (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte I, op. 12 (Lyric pieces, book I, op. 12)
Edvard Grieg1:47
16Elfentanz, op. 12 Nr. 4
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte I, op. 12: 4. Elverdans (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte I, op. 12 (Lyric pieces, book I, op. 12)
Edvard Grieg0:43
17Schmetterling, op. 43 Nr. 1
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte III, op. 43: No. 1: Sommerfugl (Butterfly) (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Edvard Grieg1:56
18Vöglein, op. 43 Nr. 4
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte III, op. 43: No. 4: Liten fugl (Lyric Pieces: Little Bird) (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Edvard Grieg1:54
19An den Frühling, op. 43 Nr. 6
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte III, op. 43: No. 6: Til våren (Lyric Pieces, Book III, op. 43: no. 6: To the Spring) (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Edvard Grieg2:42
20Französische Serenade, op. 62 Nr. 3
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte VII, op. 62: No. 3: Fransk serenade (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte VII, op. 62 (Lyric pieces, book VII, op. 62)
Edvard Grieg2:36
21Sommerabend, op. 71 Nr. 2
piano:
Ronan O’Hora (British pianist) (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Lyriske stykker, hefte X, op. 71: No. 2: Sommeraften (in 1994-05)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte X, op. 71 (Lyric pieces, book X, op. 71)
Edvard Grieg2:39