Putumayo Presents: Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:38
2I Was Doing All Right
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1957-10-14)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
I Was Doing All Right (am 1957-10-14)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Louis Armstrong & Oscar Peterson3:22
3’Tain’t No Use
alto saxophone:
Phil Bodner (Woodwind player) (in 1985-06)
Gitarre:
Marty Grosz (in 1985-06)
Klavier:
Keith Ingham (in 1985-06)
Kontrabass:
Phil Flanigan (in 1985-06)
Schlagzeug:
Jackie Williams (American jazz drummer) (in 1985-06)
Tenorsaxophon:
Al Klink (in 1985-06)
Trompete:
Glenn Zottola (trumpet, saxophone) (in 1985-06)
vocals:
Maxine Sullivan (jazz singer) (in 1985-06)
recording of:
T’Ain’t No Use (in 1985-06)
Texter:
Herb Magidson
Komponist(in):
Burton Lane und Herb Magidson
Maxine Sullivan3:46
4The Sermon
Techniker(in):
Roy DuNann
Produzent(in):
Lester Koenig
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-01-25)
Klavier:
Hampton Hawes (am 1956-01-25)
Schlagzeug:
Chuck Thompson (1940s–50s US jazz drummer) (am 1956-01-25)
aufgenommen bei:
Contemporary’s Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-25)
recording of:
The Sermon (am 1956-01-25)
Komponist(in):
Hampton Hawes
arranger:
Ricardo Strobert (saxophonist and flutist)
Hampton Hawes3:42
5There Will Never Be Another You
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass und Kontrabass [Bass]:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
There Will Never Be Another You (am 1954-02-15)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Chet Baker42:59
6Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1975-06-06)
Gitarre:
Joe Pass (jazz guitarist) (am 1975-06-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1975-06-06)
Kontrabass [bass]:
George Mraz (jazz bassist) (am 1975-06-06)
Schlagzeug:
Grady Tate (am 1975-06-06)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1975-06-06)
recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1975-06-06)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Zoot Sims3:44
7They Say It’s Spring
Gitarre:
Herb Ellis (jazz guitarist) (von 1957-09-12 bis 1957-09-13)
Klavier:
Blossom Dearie (von 1957-09-12 bis 1957-09-13)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1957-09-12 bis 1957-09-13)
Schlagzeug:
Jo Jones (US jazz drummer) (von 1957-09-12 bis 1957-09-13)
vocals:
Blossom Dearie (von 1957-09-12 bis 1957-09-13)
recording of:
They Say It’s Spring (von 1957-09-12 bis 1957-09-13)
Verfasser(in):
Marty Clarke und Bob Haymes
Blossom Dearie3:41
8Lover, Come Back to Me
Instrumente:
Oscar Peterson (Canadian jazz pianist and composer)
Kontrabass [Bass]:
Ray Brown (jazz bassist)
Schlagzeug:
Gus Johnson (drums)
Tenorsaxophon:
Paul Quinichette
Trompete:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (from "The New Moon") (am 1952-07-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
Billie Holiday53:40
9Don’t Get Around Much Anymore
recording engineer:
Rudy van Gelder
Produzent(in):
Don Schlitten und Bob Weinstock
Bass:
Addison Farmer (am 1958-01-24)
Klavier:
Mose Allison (am 1958-01-24)
Schlagzeug:
Nick Stabulas (am 1958-01-24)
vocals:
Mose Allison (am 1958-01-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-01-24)
cover recording of:
Don’t Get Around Much Anymore (am 1958-01-24)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Mose Allison2:48
10It Don’t Mean a Thing (If It Ain’t Got That Swing)
Klavier:
Dwight Dickerson
Kontrabass [Bass]:
Harvey Newmark
Schlagzeug:
John Poole (drums)
vocals:
Anita O’Day
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Anita O’Day3:24
11Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Kontrabass:
Percy Heath (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Waltz for Debby (instrumental) (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley with Bill Evans45:15

Nennungen

Veröffentlichung

ASIN:US: B004S699HM [Info]

Veröffentlichungsgruppe

Teil von:Putumayo presents (Nummer: 309) (Reihenfolge: 145)