Die Stimme des Jahrhunderts

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Norma: “Casta Diva”
soprano vocals [Norma]:
Maria Callas (soprano) (from 1954-04-23 until 1954-05-04)
vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-04)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-04)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:20
2Norma: “Fine al rito … Ah! bello a me ritorna”
soprano vocals [Norma]:
Maria Callas (soprano) (from 1954-04-23 until 1954-05-04)
vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-04)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-04)
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro) (from 1954-04-23 until 1954-05-04)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:13
3La Sonnamula: “Ah! non credea mirarti”
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:51
4I Puritani: “O rendetemi la speme“
baritone vocals [Riccardo]:
Rolando Panerai (baritone) (from 1953-03-24 until 1953-03-30)
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (operatic bass) (from 1953-03-24 until 1953-03-30)
soprano vocals [Elvira]:
Maria Callas (soprano) (from 1953-03-24 until 1953-03-30)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-03-24 until 1953-03-30)
conductor:
Tullio Serafin (conductor) (from 1953-03-24 until 1953-03-30)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio) (from 1953-03-24 until 1953-03-30)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini10:05
5I Puritani: “Vien, diletto e’in ciel la luna”
baritone vocals [Riccardo]:
Rolando Panerai (baritone) (from 1953-03-24 until 1953-03-30)
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (operatic bass) (from 1953-03-24 until 1953-03-30)
soprano vocals [Elvira]:
Maria Callas (soprano) (from 1953-03-24 until 1953-03-30)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-03-24 until 1953-03-30)
conductor:
Tullio Serafin (conductor) (from 1953-03-24 until 1953-03-30)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (from 1953-03-24 until 1953-03-30)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini2:58
6Meda: “Dei tuoi figli la madre”
soprano vocals [Medea]:
Maria Callas (soprano) (from 1955-06-10 until 1955-06-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-06-10 until 1955-06-12)
conductor:
Tullio Serafin (conductor) (from 1955-06-10 until 1955-06-12)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1955-06-10 until 1955-06-12)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini4:48
7La Vestale: “Tu che invoco“
soprano vocals [Giulia]:
Maria Callas (soprano) (from 1955-06-10 until 1955-06-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-06-10 until 1955-06-12)
conductor:
Tullio Serafin (conductor) (from 1955-06-10 until 1955-06-12)
recording of:
La vestale: Atto II. "Tu che invoco" (Giulia) (from 1955-06-10 until 1955-06-12)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte II. No. 8. Air « Toi que j’implore avec effroi » (Julia)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini10:54
8Lucia di Lammermoor: “Regnava nel silenzio”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, from 1953-01 until 1953-02, from 1953-01-29 until 1953-02-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01 until 1953-02)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (in 1953)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti7:53
9Il barbiere di Siviglia: “Una voce poco fa”
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:26
10Il Turco In Italia: “Non si da follia maggiore”
soprano vocals [Fiorilla]:
Maria Callas (soprano) (from 1954-08-31 until 1954-09-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-31 until 1954-09-08)
conductor:
Gianandrea Gavazzeni (conductor) (from 1954-08-31 until 1954-09-08)
recording of:
Il turco in Italia: Atto I, scena 1. No. 3a. Cavatina “Non si dà follia maggiore” (Fiorilla) (from 1954-08-31 until 1954-09-08)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
Gioachino Rossini3:45
11Ah, perfido
engineer and balance engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1964-01-08)
vocals:
Maria Callas (soprano) (on 1963-12-30)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
conductor:
Nicola Rescigno (conductor) (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-12-06, from 1963-12-12 until 1963-12-13, on 1963-12-18, on 1963-12-23, on 1963-12-30, on 1964-01-08)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-06)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (from 1963-12-12 until 1964-01-13)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-18)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-23)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1963-12-30)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1964-01-08)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven14:26
2▼CD
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1Orphée et Eurydice : « J’ai perdu mon Euridice »
soprano vocals [Orphée]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
2Alceste : « Divinités du Styx »
soprano vocals [Alceste]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:27
3Carmen: « L’amour est un oiseau rebelle »
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:49
4Carmen: « Près des remparts de Séville »
recorded in:
Paris, Île-de-France, France (in 1964)
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (in 1964)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (in 1964, from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964) and Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (in 1964, from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1964)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:38
5Dinorah: “Ombra leggiera”
soprano vocals [Dinorah]:
Maria Callas (soprano) (from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-20 until 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Meyerbeer (composer)
librettist:
Barbier, Carré (librettist) and De Lauzières
translated version of:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:40
6Lakmé: “Dov’è l’Indiana bruna“
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-17 until 1954-09-18)
composer:
Léo Delibes (French composer)
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-20 until 1954-09-21)
composer:
Léo Delibes (French composer)
librettist:
Gille, Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes8:08
7Hamlet : « À vos jeux – Partagez‐vous mes fleurs »
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1958-09-24 until 1958-09-25)
soprano vocals [Ophélie]:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier (, in 1868) and Michel Carré (librettist) (, in 1868)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Partagez-vous mes fleurs ! » (Ophélie, chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte IV.
Ambroise Thomas10:26
8Le Cid : « Pleurez, mes yeux »
soprano vocals [Chimène]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-04-05)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:12
9Werther : « Werther ! Qui m’aurait dit » – « Des cris joyeux »
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
conductor:
Georges Prêtre (French conductor) (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-05-03 until 1963-05-04, from 1963-05-06 until 1963-05-08)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-03 until 1963-05-04)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-06 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet7:07
10Manon: « Je ne suis que faiblesse – Adieu petite table »
soprano vocals [Manon]:
Maria Callas (soprano) (in 1963-05)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963-05)
conductor:
Georges Prêtre (French conductor) (in 1963-05)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (in 1963-05)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Je ne suis que faiblesse » (Manon) (in 1963-05)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte II
Jules Massenet3:24
11Samson et Dalilah : « Printemps qui commence »
soprano vocals [Dalila]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:14
3▼CD
#TitleArtistRatingLength
1Rigoletto: “Caro nome che il mio cor”
baritone vocals [Marullo]:
William Dickie (british bass-baritone) (from 1955-09-03 until 1955-09-16)
bass vocals [Ceprano]:
Carlo Forti (operatic bass) (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (soprano) (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (tenor) (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (conductor) (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:50
2La forza del destino: “Son giunta! Grazie o Dio”
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1954-08-17 until 1954-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-17 until 1954-08-24)
conductor:
Tullio Serafin (conductor) (from 1954-08-17 until 1954-08-24)
recording of:
La forza del destino: Atto II, scena 2. “Son giunta!” - “Madre, Madre, pietosa Vergine” (Leonora, coro) (from 1954-08-17 until 1954-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi1:41
3La forza del destiono: “Madre, pietosa Vergine”
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1954-08-17 until 1954-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-08-17 until 1954-08-24)
conductor:
Tullio Serafin (conductor) (from 1954-08-17 until 1954-08-24)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (from 1954-08-17 until 1954-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi5:19
4Macbeth: “La luce langue”
soprano vocals [Lady Macbeth]:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-24)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (from 1958-09-19 until 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
Giuseppe Verdi4:14
5Un ballo in maschera: “Morrò, ma prima in grazia”
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:19
6I vespri siciliani: “Arrigo! ah parli a un …”
soprano vocals [Elena]:
Maria Callas (soprano) (on 1964-02-21)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-02-21)
conductor:
Nicola Rescigno (conductor) (on 1964-02-21)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (on 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:33
7Il trovatore: “D’amor sull’ali rosee”
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Herbert von Karajan (conductor) (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:07
8Il trovatore: “Miserere – Quel suon. quelle preci”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1957)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Herbert von Karajan (conductor) (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:54
9Il trovatore: “Di te! scordarmi di te”
soprano vocals [Leonora]:
Maria Callas (soprano) (in 1957)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957)
conductor:
Herbert von Karajan (conductor) (in 1957)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (in 1957)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:38
10Aida: “Ritorna vincitor”
producer:
Walter Legge (British classical producer)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:47
11Cavalleria rusticana: “Voi lo sapete, o mamma”
mezzo-soprano vocals [Lucia]:
Ebe Ticozzi (contralto) (from 1953-06 until 1953-08)
soprano vocals [Santuzza]:
Maria Callas (soprano) (from 1953-06 until 1953-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-06 until 1953-08)
conductor:
Tullio Serafin (conductor) (from 1953-06 until 1953-08)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) (from 1953-06 until 1953-08)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni6:19
12La Bohème: “Sì, mi chiamano Mimì”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [Mimì]:
Maria Callas (soprano) (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
tenor vocals [Rodolfo]:
Giuseppe Di Stefano (tenor) (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
conductor:
Antonino Votto (conductor) (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-20 until 1956-08-25, from 1956-09-03 until 1956-09-04)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1956-08-20 until 1956-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1956-09-03 until 1956-09-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:03
13Manon Lescaut: “Sola, perduta, abbandona”
soprano vocals [Manon]:
Maria Callas (soprano) (from 1957-08-18 until 1957-08-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-08-18 until 1957-08-27)
conductor:
Tullio Serafin (conductor) (from 1957-08-18 until 1957-08-27)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (from 1957-08-18 until 1957-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini5:08
14Gianni Schicchi: “O mio babbino caro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:39
15Madama Butterfly: “Un bel di vedremo”
soprano vocals [Butterfly]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:47
16Turandot: “In questa reggia”
soprano vocals [Turandot]:
Maria Callas (soprano) (from 1957-07-09 until 1957-07-15)
tenor vocals [Calaf]:
Eugenio Fernandi (tenor) (from 1957-07-09 until 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-15)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (from 1957-07-09 until 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:27
17Tosca: “Vissi d’arte”
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:14