I Get Ideas: A Proper Introduction to Peggy Lee

~ Veröffentlichung von Peggy Lee (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Got It Bad and That Ain’t Good
Produzent(in):
John Hammond (producer)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-10-02)
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Peggy Lee with Benny Goodman and His Orchestra3:17
2Why Don’t You Do Right?
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee with Benny Goodman and His Orchestra3:14
3That Old Feeling
cover recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Peggy Lee2:46
4Baby (Is What He Calls Me)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-12-27)
recording of:
Baby (Is What He Called Me)
Verfasser(in):
Kay Butler
Peggy Lee with Dave Barbour & His Orchestra2:59
5Waitin’ for the Train to Come In
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-30)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Waiting for the Train to Come In
Verfasser(in):
Martin Block (composer) und Sunny Skylar
Peggy Lee with Dave Barbour & His Orchestra3:07
6I Don’t Know Enough About You
recording of:
I Don’t Know Enough About You
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
Peggy Lee with Dave Barbour & His Orchestra3:21
7It’s a Good Day
recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
Peggy Lee with Dave Barbour & His Orchestra2:53
8Aren’t You Kind of Glad We Did?
Peggy Lee with Dave Barbour & His Orchestra3:00
9There’ll Be Some Changes Made
cover recording of:
There’ll Be Some Changes Made
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Peggy Lee With Frank De Vol's Orchestra3:07
10Sugar (That Sugar Baby O’Mine)
cover recording of:
Sugar (That Sugar Baby o’ Mine)
Verfasser(in):
Edna Pinkard, Sidney Mitchell und Maceo Pinkard
Komponist(in):
Edna Alexander, Sidney Mitchell und Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) und Robbins Music Corp.
Peggy Lee with Dave Barbour & His Orchestra2:33
11Golden Earrings
recording of:
Golden Earrings
Texter:
Ray Evans (American songwriter) und Jay Livingston
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
Peggy Lee with Dave Barbour & His Orchestra2:59
12Baby, Don’t Be Mad at Me
Peggy Lee with Dave Barbour & His Orchestra3:04
13Manana (Is Soon Enough for Me)
recording of:
Mañana (1948 song)
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
Peggy Lee with Dave Barbour and The Brazilians2:59
14While We’re Young
cover recording of:
While We’re Young
Texter:
William Engvick
Komponist(in):
Morty Palitz und Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Peggy Lee with Dave Barbour & His Orchestra3:10
15Don’t Smoke in Bed
recording of:
Don’t Smoke in Bed
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
Peggy Lee with Dave Barbour & His Orchestra3:09
16(When I dance with You) I Get Ideas
vocals:
Peggy Lee (jazz vocalist)
zusätzlich vocals:
The Jud Conlon Singers
Orchester:
Billy May & His Orchestra
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
Capitol Melrose Studios (5515 Melrose Avenue, Hollywood, CA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Get Ideas
Texter:
Dorcas Cochran (in 1951)
Komponist(in):
Julio César Sanders (Lenny Sanders) (in 1927)
Version von:
Adiós, muchachos (tango)
Peggy Lee2:12
17Lover
cover recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Peggy Lee with Gordon Jenkins' Orchestra3:19
18I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:30
19I Didn’t Know What Time It Was
cover recording of:
I Didn’t Know What Time It Was (Pal Joey)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
Peggy Lee2:18
20Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Peggy Lee2:07
21Easy Living
cover recording of:
Easy Living
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Peggy Lee2:44
22A Woman Alone With Blues
cover recording of:
A Woman Alone With the Blues
Texter und Komponist(in):
Willard Robison
Peggy Lee3:15
23My Heart Belongs to Daddy
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Peggy Lee2:07
24Black Coffee
cover recording of:
Black Coffee (1948 song)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Peggy Lee3:10
25When the World Was Young
Peggy Lee3:18

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