Essential Soundtracks: The New Movie Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

1. The Next Best Thing
2. The Acid House
3. Jackie Brown
4. East Is East
5. Lock, Stock & Two Smoking Barrels
6. Pulp Fiction
7. LA Confidential
8. Summer of Sam
9. Shallow Grave
10. Swingers
11. The Big Lebowski
12. Something About Mary
13. Se7en
14. Lock, Stock & Two Smoking Barrels
15. The Matrix
16. The Blair Witch Project
17. Fight Club
18. Shallow Grave
19. Trainspotting
20. The Matrix

1. The Beach
2. Mission Impossible
3. American Beauty
4. Shaft
5. East Is East
6. Romeo & Juliet
7. Go
8. Human Traffic
9. The Beach
10. There's Something About Mary
11. This Year's Love
12. Bram Stoker's Dracula
13. The Talented Mr. Ripley
14. The Assassin
15. Superfly
16. Pulp Fiction
17. The Commitments
18. Goodfellas
19. Buena Vista Social Club
20. A Life Less Ordinary

Annotation last modified on 2006-02-15 23:12 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:27
2Mission: Impossible Theme
mastering:
Arnie Acosta
assistant mixer:
Adam Brown (UK engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
cover recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Adam Clayton & Larry Mullen3.653:28
3Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:44
4Shaft Theme
edit of:
Theme From ‘Shaft’ by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:17
5Moving
producer:
John Cornfield and Supergrass
bass guitar:
Mick Quinn
cello:
Martin Loveday (cellist) and Frank Schaefer (cellist)
drums (drum set):
Danny Goffey
guitar:
Gaz Coombes
keyboard:
Rob Coombes
viola:
Bill Benham and Andrew Parker (viola)
violin:
Patrick Kieran, Boguslaw Kostecki (violinist), Jackie Shave and Gavyn Wright (UK violinist, conductor)
vocals:
Gaz Coombes, Danny Goffey and Mick Quinn
recording of:
Moving
writer:
Gaz Coombes, Rob Coombes, Danny Goffey and Mick Quinn
Supergrass3.154:27
6You & Me Song
recording engineer:
David Möllerstedt (founder of Teenage Engineering) and Nille Perned
producer and mixer:
Nille Perned
phonographic copyright (℗) by:
MNW Records Group (in 1994) and Indolent Records Ltd. (in 1995)
recorded at:
MNW Studio in Vaxholm municipality, Stockholms län (Stockholm county), Sweden and Music-A-Matic in Gothenburg, Västra Götaland (Västra Götaland county), Sweden
mixed at:
Sveriges Radio Studio 2 (Gävle) in Gävle, Gävleborg (Gävleborg county) (historical), Sweden
recording of:
You and Me Song
writer:
Christina Bergmark, Gunnar Karlsson (The Wannadies), Fredrik Schönfeldt, Stefan Schönfeldt and Pär Wiksten
The Wannadies4.352:50
7Gangster Trippin'
recording of:
Gangster Tripping
writer:
Fatboy Slim, Josh Davis (US hip hop producer, DJ & instrumentalist) and Nicholas Lockett
publisher:
Dust Junkys Music, MCA Music Ltd., Mo Wax Music Ltd and Polygram Music
Fatboy Slim4:05
8It Ain't Gonna Be Me
producer:
CJ Bolland (British-born, Antwerp based electronic music producer)
turntable [scratches]:
Daddy K (Belgian hip-hop DJ & breakdancer)
other vocals [rap]:
MC Screen
contains samples by:
Samuel L. Jackson (American actor) (lead vocals [vocal])
recording of:
It Ain't Gonna Be Me
writer:
CJ Bolland (British-born, Antwerp based electronic music producer)
publisher:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26)
CJ Bolland3:46
9Porcelain
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
additional vocals:
Pilar Basso
vocals and performer:
Moby (electronic musician Richard Melville Hall)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1999)
samples:
Fight for Survival by Ernest Gold
part of:
Indie 88: Top 500 Indie Rock Songs (number: 309)
recording of:
Porcelain
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby3.34:01
10History Repeating
recording engineer:
Chris Lawson (UK guitarist/engineer aka Homer)
producer:
Alex Gifford and Propellerheads
guitar:
Chris Lawson (UK guitarist/engineer aka Homer)
vocals:
Shirley Bassey (Welsh singer)
performer:
Propellerheads
arranger:
Alex Gifford
recording of:
History Repeating
lyricist and composer:
Alex Gifford
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Propellerheads3.74:04
11Wicked Ways
assistant engineer:
Mike Zirkel
engineer:
Billy Bush (mixing engineer)
producer:
Garbage (US rock band)
vocals:
Shirley Manson
recording of:
Wicked Ways
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3.453:44
12Love Song for a Vampire
engineer:
Heff Moraes
producer:
Stephen Lipson
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
conductor:
Anton Coppola (American conductor and composer)
recording of:
Love Song for a Vampire
composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
Universal Music Publishing International MGB Ltd.
part of:
Bram Stoker’s Dracula
Annie Lennox24:19
13Nature Boy
recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis34:46
14Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
15Freddie's Dead
recording of:
Freddie’s Dead
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield3:56
16Girl You'll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:11
17Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:01
18Mannish Boy
recording of:
Mannish Boy
writer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London and McKinley Morganfield (blues musician)
publisher:
Bug Music Ltd. and Tristan Music Ltd.
part of:
Risky Business (film soundtrack)
Muddy Waters4:55
19El cuarto de Tula
recording of:
El cuarto de Tula
lyricist and composer:
Sergio González Siaba
Buena Vista Social Club4:34
20Don't Leave
programming:
Rollo (Rollo Armstrong of Faithless)
additional assistant engineer:
Nick Kirkland
assistant engineer:
Ibi Tijani
engineer:
Dave Burnham (UK recording engineer)
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
mixer:
Dave Burnham (UK recording engineer), Rollo (Rollo Armstrong of Faithless) and Sister Bliss
keyboard:
Sister Bliss
additional background vocals and lead vocals and guest lead vocals:
Pauline Taylor
background vocals:
Dido (English singer‐songwriter) and Pauline Taylor
vocals:
Jamie Catto and Pauline Taylor
recording of:
Don’t Leave
writer:
Jamie Catto, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless2.853:57
2▼CD: Disc Two
#TitleArtistRatingLength
1Boom Boom Ba
Métisse3:42
2Precious Maybe
producer:
Beth Orton
Beth Orton4:04
3Street Life
instruments:
Doc Severinsen
recording of:
Street Life (in 1981)
writer:
Will Jennings and Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Randy Crawford2.54:18
4Wonderful World, Beautiful People
recording of:
Wonderful World, Beautiful People
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:10
5The Boss
producer:
James Brown (The Godfather of Soul)
conductor:
James Brown (The Godfather of Soul)
performer:
James Brown (The Godfather of Soul) and The J.B.’s
arranger:
James Brown (The Godfather of Soul) and Fred Wesley
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1973)
recording of:
The Boss
writer:
Charles Bobbitt, James Brown (The Godfather of Soul) and Fred Wesley
James Brown53:13
6You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:42
7Looking for the Silver Lining
recording of:
Look for the Silver Lining
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
Chet Baker2:40
8Got to Give It Up, Part 1
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
Marvin Gaye6:02
9Happy Heart
recording of:
Happy Heart
lyricist:
Jackie Rae (Canadian singer, songwriter and television performer)
composer:
James Last (German big band leader & composer, 1929–2015)
publisher:
Panorama Song Ed.
Andy Williams3:11
10You're Nobody Till Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:13
11Just Dropped In (To See What Condition My Condition Was In)
producer:
Mike Post
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998)
recording of:
Just Dropped In (to See What Condition My Condition Was In)
lyricist, writer and composer:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
lyricist, writer and composer:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers4.353:20
12Every Day Should Be a Holiday
additional recording engineer:
David Schiffman (American producer/audio engineer) and Clark Stiles
recording engineer:
Tony Lash
additional producer:
The Aquamen
mixer:
Tchad Blake
recording of:
Every Day Should Be a Holiday
lyricist and composer:
Courtney Taylor
The Dandy Warhols3.654:02
13Speaking of Happiness
recording of:
Speaking of Happiness
writer:
Jimmy Radcliffe and Buddy Scott
Gloria Lynne2:33
14Walk This Land
E-Z Rollers53:50
15Clubbed to Death
engineer and mixer:
Dave Burnham (UK recording engineer)
producer:
Rob Dougan
conductor:
Nick Ingman
arranger:
Nick Ingman
publisher:
BMG Music Publishing Ltd.
phonographic copyright (℗) by:
A&M Records (in 1995) and A&M Records, Ltd. (in 1995)
recording of:
Clubbed to Death
composer:
Rob Dougan
Rob Dougan47:28
16Kingdom's Coming
engineer:
Ted Sharp (engineer) and Derek Tompkins
recording of:
Kingdom’s Coming
composer:
Daniel Ash, David J (gothic rock), Kevin Haskins and Peter Murphy (UK singer & musician)
publisher:
Beggars Banquet Music
Bauhaus42:26
17Where Is My Mind?
engineer and producer:
Steve Albini
bass guitar and background vocals:
Mrs. John Murphy
drums (drum set):
Dave Lovering
electric guitar:
Black Francis (US singer, songwriter & guitarist) and Joey Santiago
lead vocals:
Black Francis (US singer, songwriter & guitarist)
recorded at and mixed at:
2-Division in Somerville, Massachusetts, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 9) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 493)
recording of:
Where Is My Mind?
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
publisher:
Rice and Beans Music (published Pixies songs), Songs of Universal, Inc. (BMI), Universal Music Publishing France (not for release label use!) and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
Pixies4.553:52
18Release the Dubs
recording of:
Release the Pressure
writer:
Neil Barnes, Earl Daley and Paul Daley
publisher:
BMG Music Publishing Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hard (UK) Hands Publishing Ltd and Lamps on Your Ears Music
part of:
Judge Dredd (1995 film)
Leftfield5:45
19Choose Life
guest vocals:
Ewan McGregor
performer:
Ewan McGregor
recording of:
Choose Life
writer:
Moussa Clarke and Jamie White
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
PF Project33:50
20Mindfields
producer and mixer:
Liam Howlett
vocals:
Maxim (English singer‐songwriter and MC)
phonographic copyright (℗) by:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1997)
mixed at:
Earthbound in Bradwell, Essex, England, United Kingdom
produced at:
Earthbound in Bradwell, Essex, England, United Kingdom
recording of:
Mindfields
lyricist and composer:
Liam Howlett
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and EMI/Virgin Music Publishing Ltd.
The Prodigy3.45:42