Sophisticated Swing: The EmArcy Small-Group Sessions

~ Release by Cannonball Adderley (see all versions of this release, 2 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Bimini
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:42
2Sermonette
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Sermonette (on 1956-07-12)
lyricist:
Jon Hendricks
composer:
Julian Adderley
3:38
3Hoppin’ John
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles “Specs” Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Filet of Soul (a.k.a. Hoppin' John) (on 1956-07-12)
composer:
Lee Morgan (jazz trumpeter / composer)
2:18
4Hayseed
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:08
5Rattlers Grove
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:28
6Jackleg
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:51
7Room 251
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Al McKibbon (double bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
2:47
8The Fat Man
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:32
9Yesterdays
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Yesterdays (on 1956-07-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:55
10Sam’s Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cello:
Sam Jones (US jazz bassist) (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
3:34
11Sam’s Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:08
12The Nearness of You
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (double bassist) (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Nearness of You (on 1956-07-23)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
6:23
13Spectacular
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
recording of:
Spectacular (on 1957-02-06)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
3:56
14Miss Jackie’s Delight
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
6:17
15Tribute to Brownie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
3:32
16Cobbweb
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
2:44
1718th Century Ballroom
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
3:58
18Lover Man
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
instrumental recording of:
Lover Man (on 1957-02-07)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:59
19A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
A Foggy Day (in London Town) (on 1957-02-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:51
20Hoppin’ John
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 1999, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
Filet of Soul (a.k.a. Hoppin' John) (on 1957-02-07)
composer:
Lee Morgan (jazz trumpeter / composer)
4:40
21Jeannine
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-08)
piano:
Junior Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
recording of:
Jeannine
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Duke Pearson
3:26
2▼CD
#TitleRatingLength
1The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
4:28
2Porky
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
4:01
3Another Kind of Soul
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
3:41
4Spring Is Here
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (on 1957-02-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:48
5That Funky Train
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-11)
piano:
Julian Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
5:54
6Eddie McLin
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-11)
piano:
Julian Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
5:19
7Our Delight
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Our Delight (on 1958-03-04)
composer:
Tadd Dameron
4:40
8Jubilation
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999, in 2001)
recording of:
Jubilation (on 1958-03-04)
composer:
Cannonball Adderley
5:30
9What’s New?
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
5:07
10Straight, No Chaser
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Straight, No Chaser (on 1958-03-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
8:32
11If I Love Again
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
If I Love Again (on 1958-03-06)
lyricist:
Jack Murray (US songwriter)
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
5:30
12I’ll Remember April
alto saxophone:
Julian “Cannonball” Adderley (on 1957-03-06)
cornet:
Nat Adderley (on 1957-03-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-03-06)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-03-06)
piano:
Julian Mance (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-03-06)
instrumental recording of:
I’ll Remember April (on 1957-03-06)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
5:36
13Fuller Bop Man (long version)
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Fuller Bop Man (on 1958-03-06)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
8:59
14Fuller Bop Man (short version)
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Fuller Bop Man (on 1958-03-06)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
3:47
15Stay on It
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Stay on It (on 1958-03-06)
composer:
Tadd Dameron and Dizzy Gillespie
4:38