It's All Right! (Verve Elite Edition)

~ Release by Wynton Kelly (see all versions of this release, 3 available)

Annotation

Edition of 6000 copies (not numbered)

20-bit digital transfer

As of 2023-07-01, the lone Disc ID attached (https://musicbrainz.org/cdtoc/_qBAerqaWLe53k33pC1xvVWrZBc-) appears to have track lengths meaningfully different from the track lengths shown on Discogs. No cover art to verify which is correct.

Annotation last modified on 2023-07-01 21:39 UTC.

Tracklist

1▼CD
#TitleRatingLength
1It's All Right
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-11) and Val Valentin (on 1964-03-11)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-11)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-11)
guitar:
Kenny Burrell (on 1964-03-11)
piano:
Wynton Kelly (on 1964-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-11)
instrumental cover recording of:
It’s All Right (on 1964-03-11)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1963 to ????)
3:02
2South Seas
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
South Seas (on 1964-03-10)
composer:
Rudy Stevenson
4:12
3Not a Tear
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Not A Tear (on 1964-03-10)
composer:
Rudy Stevenson
5:56
4Portrait of Jenny
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
Portrait of Jennie (on 1964-03-19)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
5:39
5Kelly Roll
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:59
6The Fall of Love
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-10) and Val Valentin (on 1964-03-10)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
maracas:
Donald Usher (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
steelpan [steel percussion]:
Ralph Cowley (on 1964-03-10), Hiram Delgado (on 1964-03-10), Malcolm Evans (on 1964-03-10), Tom Reynolds ("Tommy Rey") (on 1964-03-10) and Norman Symonds (Canadian composer) (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Fall of Love (on 1964-03-10)
composer:
Dimitri Tiomkin and Ned Washington
is based on:
The Fall of Love (The Fall of the Roman Empire)
1:55
7Moving Up
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:55
8On the Trail
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
On the Trail (on 1964-03-19)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
4:32
9Escapade
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
recording of:
Escapade (on 1964-03-19)
writer:
Andy Badale (American score composer) and Morty Wax
3:01
10One for Joan
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:10

Credits

Release

art direction:Patricia Lie
Sung Lee
liner notes:Peter Pullman
miscellaneous support:Ben Young (producer, jazz historian, radio host, engineer) (task: research)
remastering:Steven Fallone (mastering engineer)
design:Nichell Delvaille
artwork:Valerie Wagner
manufactured by and marketed by:Verve (jazz label, aka “Verve Records”, use this for release labels)
copyrighted (©) by and phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram)
remastered at:Polygram Studios, USA (Tape master storage facility and mastering studio in Edison, NJ) in Edison, New Jersey, United States
manufactured at:PMDC, USA in Grover, North Carolina, United States
part of:Verve Elite Edition (order: 5)
Discogs:https://www.discogs.com/release/4045574 [info]