Carmina Burana

~ Release by Carl Orff; Royal Philharmonic Orchestra, Richard Cooke, Ann Archibald, Peter Sidhom, John Graham Hall (see all versions of this release, 7 available)

Annotation

The printed tracklist appears to be wrong.

Annotation last modified on 2023-07-28 07:04 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:35
2Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:43
3Carmina Burana: I. Primo vere: Veris leta facies, coro piccolo
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:02
4Carmina Burana: I. Primo vere: Omnia sol temperat, solo per baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:59
5Carmina Burana: I. Primo vere: Ecce gratum, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:28
6Carmina Burana: Uf dem anger: Tanz
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Carmina Burana: Uf dem anger: Floret silva, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:26
8Carmina Burana: Uf dem anger: Chramer gip die varwe mir (soprani e coro)
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:43
9Carmina Burana: Uf dem anger: Rele – Swaz hie gat umbe, coro – Chume, chum geselle min, coro piccolo
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:15
10Carmina Burana: Uf dem anger: Were diu werlt alle min, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:54
11Carmina Burana: II. In taberna: Estuans interius, solo per baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12Carmina Burana: II. In taberna: Olim lacus colueram, solo per tenore e coro (Tenori e bassi)
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo tenor vocals:
John Graham Hall (tenor) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
13Carmina Burana: II. In taberna: Ego sum abbas, solo per baritono e coro (Tenori e bassi)
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:46
14Carmina Burana: II. In taberna: In taberna quando sumus, coro (Tenori e bassi)
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:02
15Carmina Burana: III. Cours d’amours: Amor volat undique, solo per soprano e ragazzi
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
partial recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:53
16Carmina Burana: III. Cours d’amours: Siqua sine socio, solo per soprano
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
partial recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:45
17Carmina Burana: III. Cours d’amours: Dies, nox et omnia, solo per baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
18Carmina Burana: III. Cours d’amours: Stetit puella, solo per soprano
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
19Carmina Burana: III. Cours d’amours: Circa mea pectora, solo per baritono e coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
20Carmina Burana: III. Cours d’amours: Si puer cum puellula, soli (3 tenori, baritono, 2 bassi)
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
21Carmina Burana: III. Cours d’amours: Veni, veni, venias, coro doppio
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
22Carmina Burana: III. Cours d’amours: In trutina, solo per soprano
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:14
23Carmina Burana: III. Cours d’amours: Tempus est iocundum, soli per soprano e baritono, coro e ragazzi / Dulcissime, solo per soprano
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07) and Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:58
24Carmina Burana: Blanziflor et Helena: Ave formossima, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:59
25Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, coro
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:38