The Very Best of English Song with Orchestra

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Sea Pictures: I. Sea Slumber-Song
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar5:05
2Sea Pictures: II. In Haven
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar2:07
3Sea Pictures: III. Sabbath Morning at Sea
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30)
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:20
4Sea Pictures: IV. Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar4:12
5Sea Pictures: V. The Swimmer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30)
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:12
6Songs of Travel: 1. The Vagabond
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: I. "The Vagabond" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: I. The Vagabond
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:02
7Songs of Travel: 2. Let beauty awake
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: II. "Let beauty awake" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: II. Let beauty awake
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams1:41
8Songs of Travel: 3. The Roadside Fire
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: III. "The Roadside Fire" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: III. The Roadside Fire
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:21
9Songs of Travel: 4. Youth and Love
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: IV. "Youth and Love" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: IV. Youth and Love
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:17
10Songs of Travel: 5. In Dreams
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: V. "In Dreams" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: V. In Dreams
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:36
11Songs of Travel: 6. The infinite shining heavens
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VI. "The infinite shining heavens" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: VI. The infinite shining heavens
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:07
12Songs of Travel: 7. Whither must I wander
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VII. "Whither must I wander" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: VII. Whither must I wander
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams3:50
13Songs of Travel: 8. Bright is the ring of words
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: VIII. "Bright is the ring of words" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator and composer:
Ralph Vaughan Williams (English composer)
lyricist:
Robert Louis Stevenson (Scottish writer)
orchestration of:
Songs of Travel: VIII. Bright is the ring of words
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams1:55
14Songs of Travel: 9. I have trod the upward and the downward slope
producer:
John Willan (producer)
baritone vocals:
Sir Thomas Allen (baritone) (from 1983-05-26 until 1983-05-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-05-26 until 1983-05-27)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1983-05-26 until 1983-05-27)
balance engineer:
Michael Sheady (engineer) (from 1983-05-26 until 1983-05-27)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-05-26 until 1983-05-27)
recording of:
Songs of Travel: IX. "I have trod the upward and the downward slope" (orchestral version) (from 1983-05-26 until 1983-05-27)
orchestrator:
Roy Douglas (British composer, pianist)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Songs of Travel: IX. I have trod the upward and the downward slope
part of:
Songs of Travel (orchestral version)
Ralph Vaughan Williams2:11
15Serenade for Tenor, Horn & Strings: Prologue
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (from 1970-06-18 until 1970-06-19)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (on 1970-06-22)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:24
16Serenade for Tenor, Horn & Strings: 1. Pastoral
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (from 1970-06-18 until 1970-06-19)
lyricist:
Charles Cotton
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (on 1970-06-22)
lyricist:
Charles Cotton
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:44
17Serenade for Tenor, Horn & Strings: 2. Nocturne
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (from 1970-06-18 until 1970-06-19)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (on 1970-06-22)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:28
18Serenade for Tenor, Horn & Strings: 3. Elegy
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (from 1970-06-18 until 1970-06-19)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (on 1970-06-22)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten4:30
19Serenade for Tenor, Horn & Strings: 4. Dirge
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (from 1970-06-18 until 1970-06-19)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (on 1970-06-22)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:26
20Serenade for Tenor, Horn & Strings: 5. Hymn
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (from 1970-06-18 until 1970-06-19)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (on 1970-06-22)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten2:02
21Serenade for Tenor, Horn & Strings: 6. Sonnet
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
tenor vocals:
Robert Tear (tenor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (from 1970-06-18 until 1970-06-19)
lyricist:
John Keats (English Romantic poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (on 1970-06-22)
lyricist:
John Keats (English Romantic poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten4:45
22Serenade for Tenor, Horn & Strings: Epilogue
producer:
Christopher Bishop (conductor/producer)
horn:
Alan Civil (British horn player) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (from 1970-06-18 until 1970-06-19)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (on 1970-06-22)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:39
23The Bonny Earl o'Moray
tenor vocals:
Neil Mackie (tenor)
orchestra:
Scottish Chamber Orchestra
conductor:
Steuart Bedford (conductor)
recording of:
Folksong Arrangements, Volume I: The Bonny Earl o' Moray (Britten arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
The Bonny Earl O' Moray
part of:
Folksong Arrangements, Volume I: British Isles, for voice & piano
Benjamin Britten2:40
24Oliver Cromwell
tenor vocals:
Neil Mackie (tenor)
orchestra:
Scottish Chamber Orchestra
conductor:
Steuart Bedford (conductor)
recording of:
Folksong Arrangements, Volume I: Oliver Cromwell (Britten arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Folksong Arrangements, Volume I: British Isles, for voice & piano
Benjamin Britten0:48
2▼CD
#TitleArtistRatingLength
1Five Mystical Songs: 1. Easter
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Mystical Songs: No. 1. Easter
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
Five Mystical Songs
Ralph Vaughan Williams5:10
2Five Mystical Songs: 2. I got me flowers
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Mystical Songs: No. 2. I Got Me Flowers
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
is based on:
I got me flowers
part of:
Five Mystical Songs
Ralph Vaughan Williams2:54
3Five Mystical Songs: 3. Love bade me welcome
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Mystical Songs: No. 3. Love Bade Me Welcome
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
Five Mystical Songs
Ralph Vaughan Williams5:26
4Five Mystical Songs: 4. The Call
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Mystical Songs: No. 4. The Call
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
Five Mystical Songs
Ralph Vaughan Williams2:10
5Five Mystical Songs: 5. Antiphon
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Mystical Songs: No. 5. Antiphon
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
Five Mystical Songs
Ralph Vaughan Williams3:23
6Dies natalis: 1. Intrada
tenor vocals:
Wilfred Brown (tenor)
orchestra:
English Chamber Orchestra
conductor:
Christopher Finzi
recording of:
Dies Natalis, op. 8: I. Intrada
composer:
Gerald Finzi (composer) (from 1938 until 1939)
part of:
Dies Natalis, op. 8
Gerald Finzi5:07
7Dies natalis: 2. Rhapsody (Recitativo stromentato)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
English Chamber Orchestra
conductor:
Christopher Finzi
recording of:
Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato
composer:
Gerald Finzi (composer) (from 1938 until 1939)
part of:
Dies Natalis, op. 8
Gerald Finzi6:31
8Dies natalis: 3. The Rapture (Danza)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
English Chamber Orchestra
conductor:
Christopher Finzi
recording of:
Dies Natalis, op. 8: III. The Rapture. Danza
composer:
Gerald Finzi (composer) (from 1938 until 1939)
part of:
Dies Natalis, op. 8
Gerald Finzi3:33
9Dies natalis: 4. Wonder (Arioso)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
English Chamber Orchestra
conductor:
Christopher Finzi
recording of:
Dies Natalis, op. 8: IV. Wonder. Arioso
composer:
Gerald Finzi (composer) (from 1938 until 1939)
part of:
Dies Natalis, op. 8
Gerald Finzi4:20
10Dies natalis: 5. The Salutation (Aria)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
English Chamber Orchestra
conductor:
Christopher Finzi
recording of:
Dies Natalis, op. 8: V. The Salutation. Aria
composer:
Gerald Finzi (composer) (from 1938 until 1939)
part of:
Dies Natalis, op. 8
Gerald Finzi4:17
11Songs of the Sea: 1. Drake's Drum
baritone vocals:
Benjamin Luxon (baritone)
choir vocals:
Bournemouth Symphony Chorus
orchestra:
Bournemouth Symphony Orchestra
conductor:
Norman Del Mar (conductor)
recording of:
Songs of the Sea, op. 91: I. Drake’s Drum. Tempo di marcia moderato – Largamente
lyricist:
Sir Henry Newbolt
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Songs of the Sea, op. 91
Sir Charles Villiers Stanford3:21
12Songs of the Sea: 2. Outward Bound
baritone vocals:
Benjamin Luxon (baritone)
choir vocals:
Bournemouth Symphony Chorus
orchestra:
Bournemouth Symphony Orchestra
conductor:
Norman Del Mar (conductor)
recording of:
Songs of the Sea, op. 91: II. Outward Bound. Andante espressivo
lyricist:
Sir Henry Newbolt
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Songs of the Sea, op. 91
Sir Charles Villiers Stanford3:09
13Songs of the Sea: 3. Devon, O Devon, in Wind and Rain
baritone vocals:
Benjamin Luxon (baritone)
choir vocals:
Bournemouth Symphony Chorus
orchestra:
Bournemouth Symphony Orchestra
conductor:
Norman Del Mar (conductor)
recording of:
Songs of the Sea, op. 91: III. Devon, O Devon, in Wind and Rain. Allegro molto
lyricist:
Sir Henry Newbolt
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Songs of the Sea, op. 91
Sir Charles Villiers Stanford1:46
14Songs of the Sea: 4. Homeward Bound
baritone vocals:
Benjamin Luxon (baritone)
choir vocals:
Bournemouth Symphony Chorus
orchestra:
Bournemouth Symphony Orchestra
conductor:
Norman Del Mar (conductor)
recording of:
Songs of the Sea, op. 91: IV. Homeward Bound. Andante tranquillo – Più lento
lyricist:
Sir Henry Newbolt
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Songs of the Sea, op. 91
Sir Charles Villiers Stanford6:52
15Songs of the Sea: 5. The Old Superb
baritone vocals:
Benjamin Luxon (baritone)
choir vocals:
Bournemouth Symphony Chorus
orchestra:
Bournemouth Symphony Orchestra
conductor:
Norman Del Mar (conductor)
recording of:
Songs of the Sea, op. 91: V. The Old Superb. Allegro molto – Presto
lyricist:
Sir Henry Newbolt
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Songs of the Sea, op. 91
Sir Charles Villiers Stanford3:12
16Two Songs: 1. The Torch
tenor vocals:
Robert Tear (tenor) (from 1979-11-05 until 1979-11-06)
orchestra:
City of Birmingham Symphony Orchestra (from 1979-11-05 until 1979-11-06)
conductor:
Vernon Handley (conductor) (from 1979-11-05 until 1979-11-06)
recorded at:
Bedworth Civic Hall in Warwickshire, England, United Kingdom (from 1979-11-05 until 1979-11-06)
recording of:
The Torch, op. 60 no. 1 (from 1979-11-05 until 1979-11-06)
composer:
Edward Elgar (composer) (in 1909)
part of:
2 Songs, op. 60
Edward Elgar2:27
17Two Songs: 2. The River
tenor vocals:
Robert Tear (tenor) (from 1979-11-05 until 1979-11-06)
orchestra:
City of Birmingham Symphony Orchestra (from 1979-11-05 until 1979-11-06)
conductor:
Vernon Handley (conductor) (from 1979-11-05 until 1979-11-06)
recorded at:
Bedworth Civic Hall in Warwickshire, England, United Kingdom (from 1979-11-05 until 1979-11-06)
recording of:
The River, op. 60 no. 2 (from 1979-11-05 until 1979-11-06)
composer:
Edward Elgar (composer) (in 1909)
part of:
2 Songs, op. 60
Edward Elgar3:47
18Love blows as the wind blows: In the year that's come and gone
tenor vocals:
Robert Tear (tenor) (from 1979-11-05 until 1979-11-06)
orchestra:
City of Birmingham Symphony Orchestra (from 1979-11-05 until 1979-11-06)
conductor:
Vernon Handley (conductor) (from 1979-11-05 until 1979-11-06)
recorded at:
Bedworth Civic Hall in Warwickshire, England, United Kingdom (from 1979-11-05 until 1979-11-06)
recording of:
Love blows as the wind blows: I. In the year that's come and gone (from 1979-11-05 until 1979-11-06)
lyricist:
William Ernest Henley
composer:
George Butterworth (composer)
part of:
Love blows as the wind blows
George Butterworth3:19
19Love blows as the wind blows: Life in her creaking shoes
tenor vocals:
Robert Tear (tenor) (from 1979-11-05 until 1979-11-06)
orchestra:
City of Birmingham Symphony Orchestra (from 1979-11-05 until 1979-11-06)
conductor:
Vernon Handley (conductor) (from 1979-11-05 until 1979-11-06)
recorded at:
Bedworth Civic Hall in Warwickshire, England, United Kingdom (from 1979-11-05 until 1979-11-06)
recording of:
Love blows as the wind blows: II. Life in her creaking shoes (from 1979-11-05 until 1979-11-06)
lyricist:
William Ernest Henley
composer:
George Butterworth (composer)
part of:
Love blows as the wind blows
George Butterworth2:03
20Love blows as the wind blows: Coming up from Richmond
tenor vocals:
Robert Tear (tenor) (from 1979-11-05 until 1979-11-06)
orchestra:
City of Birmingham Symphony Orchestra (from 1979-11-05 until 1979-11-06)
conductor:
Vernon Handley (conductor) (from 1979-11-05 until 1979-11-06)
recorded at:
Bedworth Civic Hall in Warwickshire, England, United Kingdom (from 1979-11-05 until 1979-11-06)
recording of:
Love blows as the wind blows: IV. On the way to Kew (from 1979-11-05 until 1979-11-06)
lyricist:
William Ernest Henley
composer:
George Butterworth (composer)
part of:
Love blows as the wind blows
George Butterworth4:42
3▼CD
#TitleArtistRatingLength
1Les Illuminations: I. Fanfare
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: I. Fanfare
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten1:53
2Les Illuminations: II. Villes
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: II. Villes
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:20
3Les Illuminations: IIIa. Phrase
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: IIIa. Phrase
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten0:55
4Les Illuminations: IIIb. Antique
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: IIIb. Antique
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:04
5Les Illuminations: IV. Royauté
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: IV. Royauté
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten1:34
6Les Illuminations: V. Marine
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: V. Marine
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten0:57
7Les Illuminations: VI. Interlude
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: VI. Interlude
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:43
8Les Illuminations: VII. Being Beauteous
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: VII. Being Beauteous
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten3:54
9Les Illuminations: VIII. Parade
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: VIII. Parade
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:34
10Les Illuminations: IX. Départ
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Les Illuminations, op. 18: IX. Départ
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:48
11Sea Drift: Once Paumanok
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
recording of:
Sea Drift: I. Once Paumanok
composer:
Frederick Delius (English composer)
part of:
Sea Drift, RT ii/3
Frederick Delius3:49
12Sea Drift: Shine! shine! shine!
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius1:30
13Sea Drift: Till of a sudden
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius2:37
14Sea Drift: Blow! blow! blow!
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius1:57
15Sea Drift: Yes my brother I know
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius4:04
16Sea Drift: O rising stars!
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius1:36
17Sea Drift: O reckless despairing carols
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius6:25
18Sea Drift: O past! O happy life!
baritone vocals:
John Noble (baritone)
choir vocals:
Royal Liverpool Philharmonic Choir
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
Sea Drift, RT ii/3
premiered in:
Essen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1906-05-24)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Frederick Delius (English composer) (from 1903 until 1904)
Frederick Delius3:06
19On Wenlock Edge: 1. On Wenlock Edge
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: I. "On Wenlock Edge" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:51
20On Wenlock Edge: 2. From far, from eve and morning
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: II. "From far, from eve and morning" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams2:04
21On Wenlock Edge: 3. Is my team ploughing
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: III. "Is my team ploughing" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:47
22On Wenlock Edge: 4. Oh, when I was in love with you
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: IV. "Oh, when I was in love with you" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams0:44
23On Wenlock Edge: 5. Bredon Hill
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: V. "Bredon Hill" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams7:37
24On Wenlock Edge: 6. Clun
producer:
John Fraser (UK producer)
tenor vocals:
Ian Bostridge (tenor) (in 1997)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1997)
conductor:
Bernard Haitink (conductor) (in 1997)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997)
recording of:
On Wenlock Edge: VI. "Clun" (orchestral version) (in 1997)
lyricist:
A. E. Housman (poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
On Wenlock Edge (orchestral version)
Ralph Vaughan Williams3:23
25In summertime on Bredon
baritone vocals:
Frederick Harvey (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
George Weldon (conductor)
recording of:
In Summertime on Bredon
lyricist:
A. E. Housman (poet)
composer:
Graham Peel (composer, 1877-1937) (in 1911)
Graham Peel3:09
26Devonshire Cream and Cider
baritone vocals:
Frederick Harvey (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
George Weldon (conductor)
recording of:
Devonshire Cream and Cider
lyricist:
Theodore Curzon
composer:
Wilfred Sanderson (UK organist and composer)
Wilfred Sanderson3:55