Stereoplay Highlights CD 24

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Inner City Blues
assistant engineer:
Simon Driscoll (UK engineer)
producer:
Simon Booth and Robin Millar
mixer:
Robin Millar
additional guitar:
Robin Millar
alto saxophone:
Chris Biscoe
baritone saxophone:
Ray Warleigh
bass:
Chucho Merchán
drums (drum set):
Nic France
guitar:
Simon Booth
percussion:
Martin Ditcham
piano:
Kim Burton
saxophone:
Larry Stabbins
trombone:
Paul Nieman
trumpet:
Guy Barker and Stuart Brooks (trumpet and horn player)
vocals:
Juliet Roberts (British jazz, rock, and house music singer)
horn arranger and strings arranger:
Nick Ingman
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
cover recording of:
Inner City Blues (Make Me Wanna Holler)
composer:
Marvin Gaye and James Nyx (R&B songwriter)
publisher:
Jobete Music (UK) Ltd.
Working Week5:43
2Secret HeartThe Parachute Club5:38
3Contenders
producer:
Heaven 17 (Sheffield, UK “new romantic” band)
mixer:
Brian Tench
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Contenders
lyricist:
Glenn Gregory
composer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Textime (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
Heaven 175:20
4True Faith
producer:
Stephen Hague and New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
American Psycho
New Order3.755:42
5(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:34
6(Forever) Live and Die
recording engineer and mixer:
Tom Lord‐Alge
producer:
Stephen Hague
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recorded at and mixed at:
Studio de la Grande Armée in Paris, Île-de-France, France
recording of:
(Forever) Live and Die
writer:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Graham Weir and Neil Weir
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark1.53:36
7Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.82:57
8Bad Case of Lovin’ You
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
Bad Case of Lovin’ You
lyricist and composer:
Moon Martin
publisher:
Bug Music Ltd.
Moon Martin3:53
9Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:30
10Empty Rooms
engineer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
assistant producer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
producer:
Peter Collins (producer)
assistant mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
guest keyboard [keyboards]:
Andy Richards (Strawbs keyboard player/record producer)
guest sampler [sampled drums]:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
guitar [guitars] and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
guest background vocals [backing vocals]:
Neil Carter
remixer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985)
produced for:
Peter Collins Productions
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Empty Rooms
lyricist:
Gary Moore (Thin Lizzy, blues guitar)
composer:
Neil Carter and Gary Moore (Thin Lizzy, blues guitar)
publisher:
10 Music Ltd.
Gary Moore3.754:15
11Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:22
12It’s a Long Way There
recorded in:
Melbourne, Victoria, Australia (from 1975-06 until 1975-07)
producer:
Little River Band and Glenn Wheatley
acoustic guitar:
Graham Goble (from 1975-06 until 1975-07)
bass:
Roger McLachlan (from 1975-06 until 1975-07)
drums (drum set):
Derek Pellicci (from 1975-06 until 1975-07)
guitar:
Beeb Birtles (from 1975-06 until 1975-07) and Rick Formosa (from 1975-06 until 1975-07)
vocals:
Beeb Birtles (from 1975-06 until 1975-07), Graham Goble (from 1975-06 until 1975-07) and Glenn Shorrock (from 1975-06 until 1975-07)
strings arranger:
Rick Formosa
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (from 1975-06 until 1975-07)
written in:
Australia (in 1972)
lyricist and composer:
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band4:07
13Joan of Arc
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
phonographic copyright (℗) by:
Dindisc (in 1981), Dinsong Limited (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd. and EMI Virgin Music Ltd. (do not use this as a release label!)
OMD2.54:10
14Hyperactive!
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:09
15Stella Marina (Hot Jazz Music)
producer:
Robin Millar
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Stella Marina
writer:
Jalal (Jalal Nuriddin, fka Alafia Pudim, Lightnin’ Rod) and Larry Stabbins
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Working Week8:28

Credits

Release

illustration:Bernhard Muller
copyrighted (©) by:Vereinigte Motor‐Verlage GmbH & Co. KG (do not use this as an imprint!)
phonographic copyright (℗) by:Ariola Creative Service, Hamburg (in 1987)
Discogs:https://www.discogs.com/release/6740899 [info]
ASIN:DE: B000NZKBF6 [info]
other databases:https://www.musik-sammler.de/media/199219/ [info]

Release group

part of:Stereoplay Highlights/Special (number: 24) (order: 25)