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Annotation

http://www.naxos.com/catalogue/item.asp?item_code=8.503129

Annotation last modified on 2013-05-02 06:08 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Våren, Sats 1 Ur De Fyra Årstiderna
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:32
2Air Ur Orkestersvit No.3
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:59
3Bourrée II Ur Orkerstersvit No.4
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:49
4Badinerie Ur Orkestersvit No.2
producer:
Günter Appenheimer (producer/engineer) (from 1989-01 until 1989-03) and Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (Jaroslav Krcek) (from 1989-01 until 1989-03)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach41:23
5Largo Ur Xerxes
engineer:
Jozef Hanak (engineer) (in 1986-03) and Ladislav Krajkovic (engineer) (in 1986-03)
producer:
Leoš Komárek (in 1986-03)
oboe:
Jozef Cejka (in 1986-03)
orchestra:
Capella Istropolitana (in 1986-03)
conductor:
Richard Edlinger (conductor and composer) (in 1986-03)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1986-03)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1986-03)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel3:42
6La Réjouissance Ur Musik Till Ett Kungligt Fyverkeri
producer:
Martin Sauer (engineer/producer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Bohdan Warchal (violinist, conductor) (in 1988-01)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:31
7Kanon
producer:
Günter Appenheimer (producer/engineer) (in 1988-08)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia and Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-08)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1988-08)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:47
8Largo Ur Piccolaflöjtkonsert I C-Dur
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1998-08)
recording of:
Flautino Concerto in C major, RV 443: II. Largo (in 1988-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Flautino Concerto in C major, RV 443
Antonio Vivaldi4:11
9Largo Ur Pianokonsert No.5
producer:
Rudolf Hentšel (from 1990-06-29 until 1990-07-02) and Gejza Toperczer (from 1990-06-29 until 1990-07-02)
piano:
Hae Won Chang (from 1990-06-29 until 1990-07-02)
orchestra:
Camerata Cassovia (from 1990-06-29 until 1990-07-02)
conductor:
Róbert Stankovský (from 1990-06-29 until 1990-07-02)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-06-29 until 1990-07-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 1990-06-29 until 1990-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:49
10Alla Hornpipe Ur Musik På Vattnet
producer:
Martin Sauer (engineer/producer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Bohdan Warchal (violinist, conductor) (in 1988-01)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1988)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel2:58
11Sarabande: Largo Ur Oboekonsert No.3
engineer and producer:
Chris Craker (UK musician, producer, engineer and label manager) (in 1995-04)
oboe:
Anthony Camden (oboist) (from 1995-04-24 until 1995-04-27)
solo oboe:
Anthony Camden (oboist)
orchestra and performer:
City of London Sinfonia (chamber orchestra) (from 1995-04-24 until 1995-04-27)
conductor:
Nicholas Ward (British conductor) (from 1995-04-24 until 1995-04-27)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1995-04-24 until 1995-04-27)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) (from 1995-04-24 until 1995-04-27)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Oboe Concerto no. 3 in G minor, HWV 287
Georg Friedrich Händel3:06
12Aria Ur Goldbergvariationerna
producer:
Wolfgang Seikritt (in 1985-10)
piano:
Chen Pi‐hsien (pianist) (in 1985-10)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Festeburgkirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1985-10)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:17
13Dans I De Saligas Ängder Ur Orfeus Och Eurydike
flute:
Nora Shulman (from 1997-03-10 until 1997-03-14)
harp:
Judy Loman (harpist) (from 1997-03-10 until 1997-03-14)
arranger:
Judy Loman (harpist)
recorded at:
Saint John Chrysostom Church in Newmarket, Ontario, Canada (from 1997-03-10 until 1997-03-14)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1997-03-10 until 1997-03-14)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck4:47
14Jesu Bleibet Meine Freude
engineer:
Stuart A. Rosenthal (engineer) (in 1995-06), Paul Stubblebine (in 1995-06) and Michael Weakley (engineer) (in 1995-06)
producer:
Maria Levin (in 1995-06) and Victor Levin (in 1995-06)
editor:
Lolly Lewis (producer)
piano:
Eteri Andjaparidze (pianist) (from 1995-06-15 until 1995-06-16)
arranger:
Dame Myra Hess (pianist)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1995-06-15 until 1995-06-16)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (from 1995-06-15 until 1995-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:16
15Adagio Ur Konsert För Oboe Och Violin
engineer:
Gabriele Albert (in 1996-11)
producer:
Uwe Walter (classical engineer)
oboe:
Christian Hommel (oboist) (in 1996-11)
violin:
Lisa Stewart (violinist) (in 1996-11)
orchestra:
Cologne Chamber Orchestra (in 1996-11)
conductor:
Helmut Müller‐Brühl (conductor) (in 1996-11)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (from 1997 to ????)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach4:55
16Gigue Ur Darmstadtuvertyr I C-Dur
Georg Philipp Telemann2:43
17Largo Cantabile Ur Flöjtkonsert I C-Dur "Steglitsan"
engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
flute:
Béla Drahos (flutist and conductor) (in 1995-06)
orchestra:
Nicolaus Esterházy Sinfonia (in 1995-06)
recorded at:
Reformed Church in Budapest, Hungary (in 1995-06)
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: II. Cantabile (in 1995-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
Antonio Vivaldi2:59
18Allegro Ur Brandenburgkonsert No.4
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
recorder:
Daniel Rothert (from 1999-03 until 1999-04) and Nadja Schubert (flutist) (from 1999-03 until 1999-04)
violin:
Corinne Chapelle (violinist) (from 1999-03 until 1999-04)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:25
19Adagio Ur Oboekonsert Op 9 No.2
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1992-10-11 until 1992-10-12)
producer:
Murray Khouri (clarinettist and producer) and Judy Lieber (producer)
solo oboe:
Anthony Camden (oboist) (from 1992-10-11 until 1992-10-12)
orchestra:
London Virtuosi (from 1992-10-11 until 1992-10-12)
conductor:
John Georgiadis (from 1992-10-11 until 1992-10-12)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-10-11 until 1992-10-12)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni5:24
20Toccata Ur Toccata Och Fuga I D-Moll
producer:
Teije van Geest (engineer/producer) (in 1988-08)
organ:
Wolfgang Rübsam (organist) (in 1988-08)
recorded at:
Oberlin Conservatory of Music Warner Hall (in 1988-08)
edit of:
Toccata and Fugue in D minor, BWV 565 by Wolfgang Rübsam (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:00
21Hallelujakören Ur Messias
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:39
2▼CD
#TitleArtistRatingLength
1Fortuna Ur Carmina Burana
producer:
Günter Appenheimer (producer/engineer)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1988-10-28 until 1988-11-02)
vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir)
orchestra:
Slovak Radio New Philharmonic Orchestra and CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1988-10-28 until 1988-11-02)
conductor:
Stephen Gunzenhauser (conductor) (from 1988-10-28 until 1988-11-02)
chorus master:
Pavol Procházka (choirmaster, conductor and composer) (from 1988-10-28 until 1988-11-02)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Studio of the Czechoslovak Radio (Bratislava) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-10-28 until 1988-11-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1988-10-28 until 1988-11-02)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1988-10-28 until 1988-11-02)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
partial recording of:
Carmina Burana: Fortuna Imperatrix Mundi
composer:
Carl Orff (composer)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:40
2Valsen Ur Törnrosa
engineer:
Gejza Toperczer (from 1991-03-18 until 1991-03-23)
producer:
Rudolf Hentšel
orchestra:
Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice) (from 1991-03-18 until 1991-03-23)
conductor:
Andrew Mogrelia (conductor) (from 1991-03-18 until 1991-03-23)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-03-18 until 1991-03-23)
samples from:
The Sleeping Beauty (Complete Ballet) by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Czecho-Slovak State Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice), Andrew Mogrelia (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1991-03-18 until 1991-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1991-03-18 until 1991-03-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский4:44
3Für Elise
piano:
Jenő Jandó (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:23
4Adagio Ur Klarinettkonserten
producer:
Hubert Geschwandtner (producer/engineer) (in 1991-10) and Karol Kopernický (producer) (in 1991-10)
solo clarinet:
Ernst Ottensamer (clarinetist) (from 1989-10-01 until 1989-10-15)
orchestra:
Vienna Mozart Academy (from 1989-10-01 until 1989-10-15)
conductor:
Johannes Wildner (conductor) (from 1989-10-01 until 1989-10-15)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Haydn Hall of Haydn Tabakwerk in Hainburg an der Donau, Niederösterreich (Lower Austria), Austria (from 1991-10-01 until 1991-10-15)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1989-10-01 until 1989-10-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:18
5Gymnopedi Nr 1
engineer and editor:
Andrew Groves (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Orchestre symphonique et lyrique de Nancy (Nancy Symphony Orchestra) (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est (Great East), France (in 1997-09)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1997-09)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie4:03
6Första Satsen Ur Månskenssonaten
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:18
7Morgonstämning Ur Peer Gynt
engineer:
Tony Kime (from 1993-06-24 until 1993-06-25)
producer:
Martin Dalby (from 1993-06-24 until 1993-06-25)
orchestra:
Scottish Symphony Orchestra (from 1993-06-24 until 1993-06-25)
conductor:
Jerzy Maksymiuk (conductor) (from 1993-06-24 until 1993-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Broadcasting House: Studio One (Glasgow) in Glasgow, Scotland, United Kingdom (from 1993-06-24 until 1993-06-25)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 1993-06-24 until 1993-06-25)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:55
8Andante Ur Pianokonsert Nr 21
engineer:
Horváth János (János Horváth, engineer) (in 1989-06)
producer:
Ibolya Tóth (in 1989-06)
piano:
Jenő Jandó (pianist) (from 1989-06-10 until 1989-06-12)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-06-10 until 1989-06-12)
conductor:
András Ligeti (violinist and conductor) (from 1989-06-10 until 1989-06-12)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-06-10 until 1989-06-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-06-10 until 1989-06-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:45
9Adagio Ur Concierto De Aranjuez
engineer:
Don Hartridge (from 1992-10-07 until 1992-10-09)
producer:
David Ellis (producer) and Norbert Kraft (classical guitarist and producer)
editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
classical guitar and guitar:
Norbert Kraft (classical guitarist and producer)
solo guitar:
Norbert Kraft (classical guitarist and producer) (from 1992-10-07 until 1992-10-09)
orchestra:
Northern Chamber Orchestra (from 1992-10-07 until 1992-10-09)
conductor:
Nicholas Ward (British conductor) (from 1992-10-07 until 1992-10-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
BBC Studio 7 (Manchester) in Manchester, Greater Manchester, England, United Kingdom (from 1992-10-07 until 1992-10-09)
recording of:
Concierto de Aranjuez: II. Adagio (from 1992-10-07 until 1992-10-09)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:26
10Våren
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Capella Istropolitana (in 1989-04)
conductor:
Adrian Leaper (conductor) (in 1989-04)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1989-04)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings) (in 1989-04)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg4:16
11Svantemat Ur Svansjön
producer:
Günter Appenheimer (producer/engineer)
spoken vocals [narrator]:
Angela Rippon (newsreader)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (in 1989)
conductor:
Ondrej Lenárd (conductor) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1989)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (in 1989)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский2:41
12Adagio För Stråkar
engineer:
Tony Faulkner (recording engineer) (from 1999-05-03 until 2000-05-12)
producer:
Andrew Walton (producer)
orchestra:
Royal Scottish National Orchestra (from 1999-05-03 until 2000-05-12)
conductor:
Marin Alsop (conductor) (from 1999-05-03 until 2000-05-12)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1999-05-03 until 2000-05-12)
recording of:
Adagio for Strings (from 1999-05-03 until 2000-05-12)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:44
13An der schönen blauen Donau, Op. 314
producer:
Günter Appenheimer (producer/engineer) (in 1988-01)
orchestra:
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1988-01-11 until 1988-01-21)
conductor:
Ondrej Lenárd (conductor) (from 1988-01-11 until 1988-01-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1988)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-01-11 until 1988-01-21)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1988-01-11 until 1988-01-21)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:25
14Pomp and Circumstance Nr 1" Land of Hope and Glory"
choir vocals:
Leeds Festival Chorus (in 1996)
orchestra:
English Northern Philharmonia (English Northern Philharmonia) (in 1996)
conductor:
Paul Daniel (conductor) (in 1996)
recording of:
Land of Hope and Glory (in 1996)
anthem of:
England, United Kingdom (ended)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:36
3▼CD
#TitleArtistRatingLength
1De Hebreiska Fångarnas Kör ur Nebukadnessar
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-03-27 until 1990-04-01)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-03-27 until 1990-04-01)
conductor:
Oliver Dohnányi (conductor) (from 1990-03-27 until 1990-04-01)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1991)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:43
2Lascia Ch'Io Pianga ur Rinaldo
soprano vocals:
Ingrid Kertesi (soprano)
orchestra and performer:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel3:49
3Duetten ur Pärlfiskarna (Au Fond Du Temple Saint)
engineer:
Hubert Geschwandtner (producer/engineer) (in 1994-02)
producer:
Karol Kopernický (producer) (in 1994-02)
baritone vocals:
Igor Morozov (baritone, born 1948) (from 1994-02-15 until 1994-02-24)
tenor vocals:
Janez Lotrič (Slovenian tenor) (from 1994-02-15 until 1994-02-24)
orchestra:
Slovak Radio Symphony Orchestra (from 1994-02-15 until 1994-02-24)
conductor:
Johannes Wildner (conductor) (from 1994-02-15 until 1994-02-24)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1990)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1994-02-15 until 1994-02-24)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (from 1994-02-15 until 1994-02-24)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:51
4Intermezzo ur På Sicilien (Cavalleria Rusticana)
producer:
Martin Sauer (engineer/producer) (in 1992-04)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-04-01 until 1992-04-10)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-04-01 until 1992-04-10)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-04-01 until 1992-04-10)
recording of:
Cavalleria rusticana: Intermezzo (from 1992-04-01 until 1992-04-10)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:43
5Pilgrimskören ur Tannhäuser
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) (from 1994-02-16 until 1994-02-22)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1994-02-16 until 1994-02-22)
conductor:
Johannes Wildner (conductor) (from 1994-02-16 until 1994-02-22)
recorded at:
Koncertná sieň Slovenského rozhlasu (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1994-02-16 until 1994-02-22)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich” (from 1994-02-16 until 1994-02-22)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner3:47
6Mellanaktsmusik Till Akt 3 ur Carmen
producer:
Günter Appenheimer (producer/engineer) (in 1990-07)
orchestra:
Slovak Radio Symphony Orchestra (in 1990-07)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1990-07)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1990-07)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (in 1990-07)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:12
7La Donna É Mobile ur Rigoletto
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1991-03)
tenor vocals:
Yordy Ramiro (tenor) (in 1991-03)
orchestra:
Slovak Radio Symphony Orchestra (in 1991-03)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1991-03)
recorded at:
Slovak Radio Concert Hall (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1991-03)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1991-03)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi42:17
8Barkarollen ur Hoffmanns Äventyr
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Keith Clark (American conductor) (in 1988-06)
performer:
Slovak Radio Symphony Orchestra
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach43:22
9Valsen ur Glada Änkan (Lippen Schweigen)
DJ-mixer:
DJ McLyntock
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:57
10Sången Till Livet ur Tosca (E Lucevan Le Stelle)
producer:
Günter Appenheimer (producer/engineer) (in 1990-04)
tenor vocals [Cavaradossi]:
Giorgio Lamberti (tenor) (from 1990-04-07 until 1990-04-14)
orchestra:
Czecho‐Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1990-04-07 until 1990-04-14)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-04-07 until 1990-04-14)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1990)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-04-07 until 1990-04-14)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1990-04-07 until 1990-04-14)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:13
11Valkyrieritten ur Valkyrian
producer:
Günter Appenheimer (producer/engineer) (in 1988-10)
orchestra:
Slovak Radio Symphony Orchestra (in 1988-10)
conductor:
Uwe Mund (in 1988-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-10)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner35:26
12O, Mio Babbino Caro ur Gianni Schicchi
soprano vocals:
Miriam Gauci (soprano) (from 1992-01-14 until 1992-01-17)
soprano vocals [Lauretta]:
Miriam Gauci (soprano) (in 1993)
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic) (from 1992-01-14 until 1992-01-17) and BRTN Philharmonic Orchestra Brussels (Brussels Philharmonic) (in 1993)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-01-14 until 1992-01-17, in 1993)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1992-01-14 until 1992-01-17)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1992-01-14 until 1992-01-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1993)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:29
13Så Kall Ni Är Om Handen (Che Gelida Manina) ur Bohéme
producer:
Hubert Geschwandtner (producer/engineer) and Karol Kopernický (producer)
choir vocals:
Bratislawer Kinderchor (Bratislava Children’s Choir) (from 1990-04-23 until 1990-05-04) and Slowakischer Philharmoniker Chor (Slovak Philharmonic Choir) (from 1990-04-23 until 1990-05-04)
soprano vocals:
Ľuba Orgonášová (soprano) (from 1990-04-23 until 1990-05-04)
tenor vocals:
Jonathan Welch (tenor) (from 1990-04-23 until 1990-05-04)
orchestra:
Tschechoslowakischer Sinfonie Orchester (Bratislawa) (Slovak Radio Symphony Orchestra) (from 1990-04-23 until 1990-05-04)
conductor:
Will Humburg (conductor) (from 1990-04-23 until 1990-05-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-04-23 until 1990-05-04)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1990-04-23 until 1990-05-04)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:26
14Can-Can ur Orfeus I Underjorden
orchestra:
Slovak State Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice)
conductor:
Johannes Wildner (conductor)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach5:22
15Toreadorarian ur Carmen (Votre Toast)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:26
16Méditation ur Thaïs
violin:
János Selmeczi (violinist)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet4:41
17Du Är Min Hela Värld ur Leendets Land
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:24
18Skratta, Pajazzo ur Pajazzo
producer:
Martin Sauer (engineer/producer) (from 1992-04-01 until 1992-04-10)
tenor vocals and tenor vocals [Canio]:
Nicola Martinucci (tenor) (from 1992-04-01 until 1992-04-10)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-04-01 until 1992-04-10)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-04-01 until 1992-04-10)
recorded at:
Concert Hall of the Czecho-Slovak Radio in Praha (Prague), Czechia (from 1992-04-01 until 1992-04-10)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1992-04-01 until 1992-04-10)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:15
19Triumfmarsch Och Kör ur Aida (Gloria All'Egitto)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:21