Kaleidoscope: An Orchestral Extravaganza

~ Release by Sir Charles Mackerras (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Radetzky-Marsch op. 228
associate engineer:
Robert Eberenz (on 1961-07-21)
engineer:
C. Robert Fine (on 1961-07-21)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-21)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-21)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-21)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (on 1961-07-21)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:59
2Overtüre aus 'Die Fledermaus'
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:24
3Overtüre aus 'Der Zigeunerbaron'
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Der Zigeunerbaron: Ouvertüre
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron
Johann Strauss II8:23
4Hungarian Dances, WoO 1: No. 1
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (on 1961-07-23)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms3:04
5Hungarian Dances, WoO 1: No. 20
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 20 in E minor (Poco allegretto) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (in 1879)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms2:05
6Hungarian Dances, WoO 1: No. 21
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: no. 21 in E minor (Vivace) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (in 1879)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 21 in E minor: Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms1:24
7Overtüre aus 'Orphée aux Enfers'
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
partial recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (on 1961-07-23)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach7:26
8Can-Can aus 'Orphée aux Enfers'
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
partial recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (on 1961-07-23)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach2:05
9Cossack Dance aus 'Mazeppa'
associate engineer:
Robert Eberenz (on 1961-07-22)
engineer:
C. Robert Fine (on 1961-07-22)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-22)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-22)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-22)
recording of:
Мазепа, TH 7: Действие I, картина 1, no. 4а. Гопак (Mazeppa: Act I: Scene 1: Hopak, Gopak, Cossack Dance) (on 1961-07-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Мазепа: Действие первое (Mazeppa: Act I)
Pjotr Iljitsch Tschaikowsky4:21
10Dance of the Comedians
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (on 1961-07-23)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana5:54
11Overtüre aus 'Die lustigen Weiber von Windsor'
associate engineer:
Robert Eberenz (on 1961-07-19)
engineer:
C. Robert Fine (on 1961-07-19)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-19)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-19)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-19)
recording of:
Die lustigen Weiber von Windsor: Ouvertüre (on 1961-07-19)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor
Otto Nicolai8:42
12Overtüre aus 'Abu Hassan'
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1966)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
recording of:
Abu Hassan: Ouvertüre (on 1961-07-23)
composer:
Carl Maria von Weber (composer)
part of:
Abu Hassan, J 106
Carl Maria von Weber3:30
13Overtüre aus 'Mignon'
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
recording of:
Mignon : Ouverture (on 1961-07-23)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon
Ambroise Thomas8:11
14Overtüre aus 'Banditenstreiche'
associate engineer:
Robert Eberenz (on 1961-07-23)
engineer:
C. Robert Fine (on 1961-07-23)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-23)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-23)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-23)
recording of:
Banditenstreiche: Ouvertüre (Jolly Robbers: Overture) (on 1961-07-23)
composer:
Franz von Suppé (Franz von Suppè, composer) (in 1867)
part of:
Banditenstreiche (Jolly robbers)
Franz von Suppé7:07
2▼CD
#TitleArtistRatingLength
1Aufforderung zum Tanz, op. 65
associate engineer:
Robert Eberenz (on 1961-07-21)
engineer:
C. Robert Fine (on 1961-07-21)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-21)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-21)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1961)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-21)
recording of:
Aufforderung zum Tanz, J. 260 (Invitation to the Dance, J. 260, orchestrated by Berlioz) (on 1961-07-21)
orchestrator:
Hector Berlioz (French composer)
composer:
Carl Maria von Weber (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 90)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber / Hector Berlioz?:??
2Coronation March (Le Prophète)
associate engineer:
Robert Eberenz (on 1961-07-21)
engineer:
C. Robert Fine (on 1961-07-21)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-21)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-21)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-21)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement) (on 1961-07-21)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Giacomo Meyerbeer?:??
3Jota aragonesa
associate engineer:
Robert Eberenz (on 1961-07-22)
engineer:
C. Robert Fine (on 1961-07-22)
producer:
Harold Lawrence (task: musical supervisor) and Wilma Cozart (task: recording director)
orchestra:
London Symphony Orchestra (on 1961-07-22)
conductor:
Charles Mackerras (Australian conductor) (on 1961-07-22)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1961-07-22)
recording of:
Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты» (Spanish Overture no. 1 “Capriccio Brilliante on the Jota Aragonesa”) (on 1961-07-22)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1850)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer) (in 1845)
Mikhail Ivanovich Glinka?:??
4Two Elegiac Melodies, op. 34: No. 1
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg?:??
5Two Elegiac Melodies, op. 34: No. 2
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg?:??
6Two Nordic Melodies, op. 63: Cowkeeper's Tune & Country Dance
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
To nordiske melodier, op. 63, nr. 2: Kulokk og Stabbelåten (2 Nordic Melodies, Op. 63, No. 2: Cow - Call and Peasant Dance, for string orchestra)
composer:
Edvard Grieg (composer) (in 1895)
part of:
To nordiske melodier, op. 63 (2 Nordic Melodies, Op. 63)
Edvard Grieg?:??
7Lyric Pieces, op. 65: Wedding Day at Troldhaugen
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Lyriske stykker, op. 65 no. 6: Bryllupsdag på Troldhaugen (for orchestra)
composer:
Edvard Grieg (composer)
orchestration of:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
Edvard Grieg?:??
8Kuolema, op. 44: Valse triste
producer:
Michael Williamson (classical music producer)
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra) (from 1958-05-26 until 1958-05-30)
conductor:
Charles Mackerras (Australian conductor) (from 1958-05-26 until 1958-05-30)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-05-26 until 1958-05-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1958-05-26 until 1958-05-30)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1958-05-26 until 1958-05-30)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius?:??
9King Christian Suite, op. 27: Elegy
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Kung Kristian II, op. 27: II. Elegie. Andante sostenuto
composer:
Jean Sibelius (Finnish composer) (in 1898)
part of:
Kung Kristian II, op. 27 (King Christian II, op. 27, orchestral suite)
Jean Sibelius?:??
10King Christian Suite, op. 27: Musette
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Kung Kristian II, op. 27: III. Musette. Allegretto
composer:
Jean Sibelius (Finnish composer) (in 1898)
part of:
Kung Kristian II, op. 27 (King Christian II, op. 27, orchestral suite)
Jean Sibelius?:??
11Pelléas et Mélisande, op. 46: Entr'acte
producer:
Michael Williamson (classical music producer)
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra) (from 1958-05-26 until 1958-05-30)
conductor:
Charles Mackerras (Australian conductor) (from 1958-05-26 until 1958-05-30)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-05-26 until 1958-05-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1958-05-26 until 1958-05-30)
recording of:
Pelléas et Mélisande, op. 46: VIII. Entr'acte (for orchestra) (from 1958-05-26 until 1958-05-30)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius?:??
12Finlandia, op. 26
producer:
Michael Williamson (classical music producer)
orchestra:
London Proms Symphony Orchestra (often referred to as just The New Symphony Orchestra) (from 1958-05-26 until 1958-05-30)
conductor:
Charles Mackerras (Australian conductor) (from 1958-05-26 until 1958-05-30)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-05-26 until 1958-05-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1958-05-26 until 1958-05-30)
recording of:
Finlandia, op. 26 (for orchestra) (from 1958-05-26 until 1958-05-30)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius?:??

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ASIN:DE: B08TZDYLW5 [info]