Room Service Deluxe

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:36
2From Russia With Love
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:34
3Black Coffee
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Julie London3:00
4Can't Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:23
5Alfie
recording of:
Alfie (in 1965)
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Cilla Black2:37
6Soulful Strut
Produzent(in):
Carl Davis (record producer) und Eugene Record
Klavier:
Ken Chaney (jazz pianist and composer) (in 1968)
Saiteninstrumente:
Eldee Young (in 1968)
Schlagzeug:
Red Holt (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
Komponist(in):
Eugene Record und Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Am I the Same Girl
Young–Holt Unlimited4.53:00
7I've Been a Bad Bad BoyPaul Jones Featuring Mike Leander and His Orchestra2:22
8Son of a Preacher ManDusty Springfield2:27
9A Hard Day's Night
Techniker(in):
Reice Hamel
Produzent(in):
Esmond Edwards
Bass:
Eldee Young (von 1965-10-14 bis 1965-10-17)
Klavier:
Ramsey Lewis (von 1965-10-14 bis 1965-10-17)
Schlagzeug:
Red Holt (von 1965-10-14 bis 1965-10-17)
aufgenommen bei:
The Lighthouse Cafe in Hermosa Beach, California (Kalifornien), Vereinigte Staaten (von 1965-10-14 bis 1965-10-17)
instrumental cover recording of:
A Hard Day’s Night
Verfasser(in):
John Lennon (The Beatles) (von 1964-04-13 bis 1964-04-14) und Paul McCartney (The Beatles) (von 1964-04-13 bis 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
The Ramsey Lewis Trio4:58
10By the Time I Get to Phoenix
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 450)
cover recording of:
By the Time I Get to Phoenix (am 1967-08-17)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
Glen Campbell3.52:44
11He Ain't Heavy, He's My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:21
12I Say a Little Prayer
Aretha Franklin3:35
13Comin' Home Baby
Mel Tormé2:44
14Girl Don't Come
vocals:
Sandie Shaw (in 1964)
recording of:
Girl Don’t Come (in 1964)
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
publisher:
Glissando Music Ltd.
Sandie Shaw2:13
15Cha Cha Cha D'Amour
cover recording of:
Cha cha cha d’amour
Texter:
Michel Marc Lanjean und Henri Salvador
Komponist(in):
Henri Salvador
recording of:
Melody of Love
Texter:
Léona Gabriel, Marc Lanjean (French composer) und Marcel Stellman
Komponist(in):
Léona Gabriel und Henri Salvador
Version von:
Cha cha cha d’amour
Dean Martin42:18
16Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.253:01
17Baby Elephant Walk
recording engineer:
Al Schmitt
Produzent(in):
Dick Peirce
Orchester:
Henry Mancini And His Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Baby Elephant Walk (Hatari!)
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Variaciones sobre “El paso del elefantito”
Henry Mancini2:44
18What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3:14
19A Little Bitty Tear
cover recording of:
A Little Bitty Tear
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
publisher:
Pamper Music, Inc.
Burl Ives2:04
20Dream a Little Dream of Me
Produzent(in):
Lou Adler
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Mama Cass Elliot3.353:15
21Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.44:00
2CD
Nr.TitelKünstlerBewertungLänge
1The Avengers
Orchester:
The London Studio Symphony Orchestra
conductor:
Laurie Johnson
recording of:
Main Title (Mit Schirm, Charme und Melone, The Avengers, 1961 TV)
Orchestrator(in):
Laurie Johnson und David Slonaker
Komponist(in):
Laurie Johnson und Joel McNeely (American score composer)
publisher:
EMI Film & TV Music
London Studio Orchestra2:17
2Sunshine Superman
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
Spike Heatley (in 1966)
E-Gitarre:
Eric Ford (session musician) (in 1966) und Jimmy Page (in 1966)
Keyboard:
John Cameron (British composer, arranger and conductor) (in 1966)
Perkussion:
Tony Carr (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Cameron (British composer, arranger and conductor)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
recording of:
Sunshine Superman (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Peer International Corporation (BMI)
Donovan3:17
3Coconut
recording of:
Coconut
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
EMI Blackwood Music, Inc.
Harry Nilsson3:53
4Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:59
5The More I See You
Chris Montez2:53
6A World of Our Own
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet) (in 1965)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
recording of:
A World of Our Own (in 1965)
Texter und Komponist(in):
Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
The Seekers42:43
7Lay Lady Lay
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre und Sologesang:
Bob Dylan (am 1969-02-14)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (am 1969-02-14)
Texter und Komponist(in):
Bob Dylan (von 1968 bis 1969)
zusätzlicher Texter:
Bob Dylan (in 1976)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Big Sky Music (publisher for Bob Dylan) (vom 1969 bis heute)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:19
8Help Yourself
recording of:
Help Yourself
Texter:
Mogul (Italian lyricist)
Verfasser(in):
Jack Fishman
Komponist(in):
Carlo Donida
basiert auf:
Gli Occhi Miei
Tom Jones2:53
9Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:47
10Trains and Boats and Planes
conductor:
Burt Bacharach
recording of:
Trains and Boats and Planes
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Burt Bacharach2:46
11This Masquerade
recording engineer:
Al Schmitt (von 1976-01-06 bis 1976-01-08)
assistierende(r) Techniker(in):
Don Henderson (engineer)
assistierende(r) Produzent(in):
Noel Newbolt
Produzent(in):
Tommy LiPuma
Mix:
Al Schmitt
Gitarre:
George Benson (jazz guitarist/singer) (von 1976-01-06 bis 1976-01-08) und Phil Upchurch (von 1976-01-06 bis 1976-01-08)
Hybrid-Piano:
Ronnie Foster (von 1976-01-06 bis 1976-01-08)
Klavier:
Jorge Dalto (von 1976-01-06 bis 1976-01-08)
Perkussion:
Ralph MacDonald (von 1976-01-06 bis 1976-01-08)
Schlagzeug:
Harvey Mason (jazz drummer) (von 1976-01-06 bis 1976-01-08)
vocals:
George Benson (jazz guitarist/singer) (von 1976-01-06 bis 1976-01-08)
conductor:
Claus Ogerman (von 1976-01-06 bis 1976-01-08)
Orchestrator(in):
Claus Ogerman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-01-06 bis 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
This Masquerade (von 1976-01-06 bis 1976-01-08)
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson48:05
12Sunny
Bobby Hebb2:45
13Girlie
The Peddlers2:46
14What a Dif'rence a Day MakesDinah Washington2:31
15Guantanamera
recording of:
Guantanamera
Texter:
José Martí (cuban poet)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Julián Orbón (Cuban composer)
Komponist(in):
Joseíto Fernández (Cuban singer and songwriter)
arranger:
Héctor Angulo (Cuban composer) und Pete Seeger
Teil von:
Roud Folk Song Index (Nummer: 36102)
Version von:
Guajira guantanamera
The Sandpipers23:11
16Bonnie & Clyde
recording engineer:
Francis Miannay
Produzent(in):
Claude Dejacques
vocals:
Brigitte Bardot (von 1967-12-11 bis 1967-12-12) und Serge Gainsbourg (von 1967-12-11 bis 1967-12-12)
Orchester:
Michel Colombier et son ensemble (von 1967-12-11 bis 1967-12-12)
conductor:
Michel Colombier (French score composer) (von 1967-12-11 bis 1967-12-12)
arranger:
Michel Colombier (French score composer)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1967-12-11 bis 1967-12-12)
recording of:
Bonnie and Clyde (von 1967-12-11 bis 1967-12-12)
Texter und Komponist(in):
Serge Gainsbourg
Serge Gainsbourg & Brigitte Bardot4.54:15
17My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:53
18The Look of Love
Sérgio Mendes & Brasil ’662:45
19Beyond the Sea (Le Mer)
Bobby Darin2:56
20Message to Michael
vocals:
Dionne Warwick
cover recording of:
Message to Martha
Texter:
Hal David
Komponist(in):
Burt Bacharach
Dionne Warwick3:08
21If I Had a Hammer (live)
cover recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez43:02
22Look What They've Done to My Song
recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie (US singer‐songwriter Melanie Safka)
Melanie44:03

Nennungen