Carmina Burana

~ Release by Orff; Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata (see all versions of this release, 12 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Carmina Burana: Fortuna Imperatix Mundi: O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:48
A2Carmina Burana: Fortuna Imperatix Mundi: Fortune plango vulnera
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:56
A3Carmina Burana: I. Primo vere: Veris leta facies
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:31
A4Carmina Burana: I. Primo vere: Omnia sol temperat
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:17
A5Carmina Burana: I. Primo vere: Ecce gratum
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:48
A6Carmina Burana: Auf dem anger: Tanz
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:41
A7Carmina Burana: Auf dem anger: Floret silva nibilis
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:14
A8Carmina Burana: Auf dem anger: Chramer, gip die varwe mir
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:19
A9Carmina Burana: Auf dem anger: Reie – Swaz hie gat umbe – Chume, chume, geselle min – Swaz hie gat umbe
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:19
A10Carmina Burana: Auf dem anger: Were die werlt alle min
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:53
B1Carmina Burana: II. In taberna: Estuans interius
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:29
B2Carmina Burana: II. In taberna: Olim lacus colueram
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
solo tenor vocals:
John Aler (tenor) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:41
B3Carmina Burana: II. In taberna: Ego sum abbas
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:43
B4Carmina Burana: II. In taberna: In taberna quando sumus
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:03
B5Carmina Burana: III. Cours d’amours: Amor volat undique
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
The Boys’ Choir of St. Paul’s Cathedral (London) (from 1980-12-15 until 1980-12-17)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Barry Rose (organist / choirmaster) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:13
B6Carmina Burana: III. Cours d’amours: Dies, nox et omnia
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:21
B7Carmina Burana: III. Cours d’amours: Stetit puella
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:40
B8Carmina Burana: III. Cours d’amours: Circa mea pectora
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
B9Carmina Burana: III. Cours d’amours: Si puer cum puellula
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:54
B10Carmina Burana: III. Cours d’amours: Veni, veni, venias
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
B11Carmina Burana: III. Cours d’amours: In trutina mentis dubia
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:13
B12Carmina Burana: III. Cours d’amours: Tempus est iocundum
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17) and The Boys’ Choir of St. Paul’s Cathedral (London) (from 1980-12-15 until 1980-12-17)
solo baritone vocals:
Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17) and Barry Rose (organist / choirmaster) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:22
B13Carmina Burana: III. Cours d’amours: Dulcissme
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:36
B14Carmina Burana: Blanziflor et Helena: Ave formosissima
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:43
B15Carmina Burana: Fortuna Imperatix Mundi: O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:51

Credits

Release

liner notes:Harvey E. Phillips (liner notes author)
Hans Christoph Worbs (musicologist, author)
liner notes translator:Jacques Fournier (liner notes French translator)
Discogs:https://www.discogs.com/release/6813030 [info]