Individually & Collectively / Living Together, Growing Together

~ Release by The 5th Dimension (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Leave a Little Room
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Leave a Little Room
lyricist:
Michael Randall
composer:
Michael Randall
3:50
2(Last Night) I Didn't Get to Sleep at All
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
(Last Night) I Didn’t Get to Sleep at All
lyricist and composer:
Tony Macaulay
publisher:
PolyGram Music Publishing
33:15
3All Kinds of People
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
piano:
John Myles
solo vocals:
Florence LaRue Gordon
vocals:
Billy Davis, Jr., Lamonte McLemore, Marilyn McCoo and Ron Townson
conductor:
John Myles
vocals arranger:
Bob Alcivar and John Myles
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
All Kinds of People
lyricist:
Hal David
composer:
Burt Bacharach
3:11
4Sky & Sea
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Sky & Sea
lyricist and composer:
J. Alf
3:40
5Tomorrow Belongs to the Children
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Tomorrow Belongs to the Children
lyricist and composer:
Bob Gundry
3:39
6Turn Around to Me
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Turn Around to Me
writer:
Gerry Goffin and Michael Masser
3:08
7If I Could Reach You
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
If I Could Reach You
lyricist and composer:
Randy McNeill
3:11
8Half Moon
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Half Moon
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
3:18
9Band of Gold
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Marilyn McCoo
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Band of Gold (1955 song)
lyricist:
Bob Musel (American journalist, lyricist)
composer:
Jack Taylor (US soul producer/songwriter)
publisher:
Essex Music
4:12
10Border Song
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
piano:
Isaiah Jones, Jr.
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Border Song
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
3:17
11Blackpatch
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo tenor saxophone:
Bill Perkins (jazz saxophonist)
solo vocals:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Marilyn McCoo
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Black Patch
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4:35
12Open Your Window
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) and tambourine:
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar and guitar [rhythm]:
Dennis Budimir
piano:
Larry Knechtel
solo vocals:
Marilyn McCoo
conductor:
Bob Alcivar
brass [horns] arranger:
Artie Butler
additional arranger:
Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Open Your Window
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Dunbar Music, Inc.
2:17
13Ashes to Ashes
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Larry Bunker
drums (drum set) and tambourine:
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Louie Shelton
electric piano:
Mike Melvoin
guitar [rhythm]:
Dennis Budimir
piano:
Artie Butler
conductor:
Bob Alcivar
arranger:
Bob Alcivar
vocals arranger:
Bob Alcivar and René DeKnight
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Ashes to Ashes
writer:
Brian Potter (US songwriter & producer) and Dennis Lambert
publisher:
Soldier Music, Inc. and Trousdale Music Publishers, Inc.
3:33
14Changed
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
12 string guitar:
Zavier (guitarist associated with The Fifth Dimension)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar and guitar [rhythm]:
Dennis Budimir
electric piano:
Larry Knechtel
piano:
Jimmy Rowles
solo vocals:
Marilyn McCoo
conductor:
Bob Alcivar
arranger:
Bill Holman, Bob Alcivar and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Changed
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music Corp.
3:49
15The Riverwitch
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Dennis Budimir
electric piano:
Gary Illingworth
guitar [rhythm]:
Jeffrey Comanor and Tommy Tedesco (guitar)
piano:
Larry Knechtel
solo vocals:
Billy Davis, Jr.
conductor:
Bob Alcivar
arranger:
Bob Alcivar and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
The Riverwitch
lyricist and composer:
Jeffrey Comanor
publisher:
Mr. Bones Music Publishing, Inc.
3:39
16Living Together, Growing Together
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Larry Bunker
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Louie Shelton
electric piano:
Mike Melvoin
guitar [rhythm]:
Dennis Budimir
piano:
Artie Butler
conductor:
Artie Butler and Bob Alcivar
arranger:
Artie Butler
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Living Together, Growing Together
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., J. C. Music Co. and New Hidden Valley Music, Inc.
3:53
17Day by Day
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Larry Bunker
drums (drum set) and tambourine:
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Larry Carlton
electric piano:
Larry Knechtel
guitar [rhythm]:
Louie Shelton
piano:
John Myles
conductor:
Bob Alcivar
arranger:
Bob Alcivar, Bones Howe and John Myles
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Day by Day (Godspell)
lyricist, composer and arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
Godspell (Stephen Schwartz musical)
3:39
18There's Nothin' Like Music
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Reinie Press (Bassist and studio musician from the US)
congas:
Larry Bunker
drums (drum set):
Earl Palmer
electric guitar:
Ben Benay
guitar [rhythm]:
Dennis Budimir
piano:
Artie Butler
tambourine:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
conductor:
Artie Butler and Bob Alcivar
arranger:
Artie Butler
vocals arranger:
René DeKnight
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
There’s Nothin’ Like Music
lyricist and composer:
Jeffrey Comanor
publisher:
Mr. Bones Music Publishing, Inc.
3:32
19What Do I Need to Be Me
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Dennis Budimir
guitar [rhythm]:
Tommy Tedesco (guitar)
piano:
Larry Knechtel
solo vocals:
Ron Townson
conductor:
Bob Alcivar
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
What Do I Need to Be Me
lyricist and composer:
Bobby Arvon
publisher:
E. H. Morris and Laurelwood Music
3:30
20There Never Was a Day
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
acoustic guitar:
Fred Tackett
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Dennis Budimir
guitar [rhythm]:
Tommy Tedesco (guitar)
piano:
Larry Knechtel
solo vocals:
Billy Davis, Jr.
conductor:
Bob Alcivar
arranger:
Bob Alcivar, Bones Howe and Bill Holman
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
There Never Was a Day
lyricist and composer:
Randy McNeill
publisher:
Hello There! Music Publishing, Inc.
3:52
21Let Me Be Lonely
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
12 string guitar:
Zavier (guitarist associated with The Fifth Dimension)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Dennis Budimir
electric piano:
Gary Illingworth
organ:
Larry Knechtel
piano:
Jimmy Rowles
solo trumpet:
Ollie Mitchell
solo vocals:
Florence LaRue Gordon
conductor:
Bob Alcivar
arranger:
Bill Holman, Bob Alcivar and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Let Me Be Lonely
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
4:05
22Woyaya
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Max Bennett (US jazz bassist and session musician)
congas:
King Errisson (conguero)
cowbell [African cowbell]:
Milt Holland
drums (drum set):
Paul Humphrey (jazz, r&b drummer)
electric guitar:
Dennis Budimir
organ:
Clarence McDonald
percussion [Afro percussion]:
Larry Bunker
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trumpet:
Bud Brisbois
conductor:
Bob Alcivar
brass [horns] arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
Bob Alcivar and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Woyaya
writer:
Amao, Amarfio, Bailey (UK keyboardist/backing vocalist), Bedeau, Osei, Richardson (guitarist and singer, in Osibisa) and Tontoh
publisher:
Osibisa Music Ltd.
4:01