Milestones: 32 Great Rock Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Annotazione modificata l'ultima volta il 2012-06-13 15:28 UTC.

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1CD
#TitoloArtistaValutazioneDurata
1Dreadlock Holiday
produttore:
Graham Gouldman e Eric Stewart
batteria e tamburello :
Stuart Tosh
chitarra basso e chitarra e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra e organo :
Rick Fenn
congas, campanaccio, marimba, timbales e triangolo :
Paul Burgess (UK rock drummer)
pianoforte elettrico, maracas e organo :
Eric Stewart
sintetizzatore :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1977)
registrazione di:
Dreadlock Holiday (nel 1977)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
10cc45:00
2Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:20
3Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
batteria e gong :
Jeff Porcaro
chitarra e chitarra elettrica :
Steve Lukather
chitarra acustica :
Timothy B. Schmit
chitarra basso :
David Hungate
congas :
Lenny Castro
flauto dolce :
Jim Horn (saxophonist, hornist, flutist and oboist)
marimba :
Joe Porcaro
percussione :
Lenny Castro e Joe Porcaro
sintetizzatore :
Steve Porcaro
tastiera e pianoforte :
David Paich
voce di accompagnamento:
Bobby Kimball, Steve Lukather, David Paich e Timothy B. Schmit
voce principale:
Bobby Kimball e David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
video musicali:
Africa di Toto (US rock group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 105) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 452)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:54
4Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:49
5In-A-Gadda-Da-Vida
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrazione di:
In‐A‐Gadda‐Da‐Vida
paroliere e compositore:
Douglas Lloyd Ingle
editore:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:53
6Black Magic Woman
registrata a:
San Francisco, California, Stati Uniti (nel 1970-06)
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (dal 1970-06-04 al 1970-06-05)
chitarra :
Carlos Santana (dal 1970-06-04 al 1970-06-05)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (dal 1970-06-04 al 1970-06-05)
congas :
José “Chepito” Áreas (nel 1970-06) e Michael Carabello (nel 1970-06)
congas e percussione :
Michael Carabello (dal 1970-06-04 al 1970-06-05)
congas, percussione e timbales e timbales :
José “Chepito” Áreas (dal 1970-06-04 al 1970-06-05)
percussione :
Rico Reyes (dal 1970-06-04 al 1970-06-05)
tabla :
Steven Saphore (dal 1970-06-04 al 1970-06-05)
tastiera e voce principale:
Gregg Rolie (dal 1970-06-04 al 1970-06-05)
voce:
Gregg Rolie (nel 1970-06)
voce di accompagnamento:
Rico Reyes (dal 1970-06-04 al 1970-06-05) e Carlos Santana (dal 1970-06-04 al 1970-06-05)
arrangiatore:
Santana (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (dal 1970-06-04 al 1970-06-05)
registrazione cover di:
Black Magic Woman (nel 1970-06)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione cover di:
Gypsy Queen (nel 1970-06)
compositore:
Gábor Szabó (nel 1966)
editore:
Gabor & Cardigan Music, PAB Music Corp. e Wixen Music Publishing, Inc.
Santana4.155:17
7All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:53
8Viva Las Vegas
tecnico:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione cover di:
Viva Las Vegas
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
registrazione di:
Viva Las Vegas
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH (publisher; do NOT use as release label), Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
ZZ Top3.654:46
9On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat44:51
10Hardrock Cafe
assistente tecnico:
Steve Katz (engineer)
tecnico:
Milt Calice e Norm Kinney
produttore:
Carole King e Norm Kinney
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977)
registrazione di:
Hard Rock Café
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc. e ELORAC Music
Carole King3:36
11You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:14
12House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:29
13It's All Over Now Baby Blue
registrazione cover di:
It’s All Over Now, Baby Blue
paroliere e compositore:
Bob Dylan (nel 1965-01)
editore:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
Them3:49
14Nights in White Satin
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.55:39
15I Shot the Sheriff
assistente tecnico:
Steve Klein (Engineer)
tecnico:
Karl Richardson
produttore:
Tom Dowd
basso elettrico [Bass] :
Carl Radle (dal 1974-04-18 al 1974-05-10)
batteria :
Jamie Oldaker (dal 1974-04-18 al 1974-05-10)
chitarra :
Eric Clapton (dal 1974-04-18 al 1974-05-10) e George Terry (guitar player with Clapton in 70's) (dal 1974-04-18 al 1974-05-10)
organo elettrico :
Dick Sims (dal 1974-04-18 al 1974-05-10)
pianoforte :
Albhy Galuten (dal 1974-04-18 al 1974-05-10)
voce di accompagnamento:
Yvonne Elliman (dal 1974-04-18 al 1974-05-10) e George Terry (guitar player with Clapton in 70's) (dal 1974-04-18 al 1974-05-10)
voce principale:
Eric Clapton (dal 1974-04-18 al 1974-05-10)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1974) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1974)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (dal 1974-04-18 al 1974-05-10)
registrazione cover di:
I Shot the Sheriff (dal 1974-04-18 al 1974-05-10)
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (nel 1974), Cayman Music Inc (nel 1974), Fifty Six Hope Road Music Limited (nel 1974) e Odnil Music Ltd. (nel 1974)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:22
16A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
2CD
#TitoloArtistaValutazioneDurata
1Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:22
2A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.34:10
3Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:27
4Do It Again
assistente tecnico:
Tim Weston (nel 1972-08)
tecnico:
Roger Nichols (US mastering, recording engineer and producer) (nel 1972-08)
produttore:
Gary Katz (nel 1972-08)
basso elettrico :
Walter Becker (nel 1972-08)
batteria :
Jim Hodder (nel 1972-08)
chitarra elettrica :
Jeff “Skunk” Baxter (nel 1972-08)
percussione :
Victor Feldman (jazz musician) (nel 1972-08)
pianoforte elettrico , tastiera [Yamaha YC-30] e voce principale:
Donald Fagen (nel 1972-08)
sitar elettrico solista :
Denny Dias (nel 1972-08)
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1972), Geffen Records (nel 1972) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1972)
lavorazione tecnica effettuata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1972-08)
registrazione di:
Do It Again (nel 1972-08)
autore:
Walter Becker e Donald Fagen
editore:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) e Wingate Music Corp.
Steely Dan4.15:56
5If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:52
6Riders on the Storm
produttore:
Bruce Botnick e The Doors
batteria :
John Densmore
chitarra [lead guitar] :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Jerry Scheff
piano Rhodes :
Ray Manzarek
voce principale:
Jim Morrison (lead vocalist of the Doors)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1971)
registrata presso:
The Doors Workshop in West Hollywood, California, Stati Uniti (nel 1970)
remaster:
Riders on the Storm di The Doors
registrazione di:
Riders on the Storm (nel 1970)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors4.757:04
7Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:36
8Roll Over Beethoven
registrazione cover di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Electric Light Orchestra6:45
9Natural Born Boogie
registrazione di:
Natural Born Boogie
paroliere e compositore:
Steve Marriott (English musician and songwriter)
editore:
Avakak Music e Immediate Music (BMG Production Music (Germany) label [IMCD#], [IMX#])
Humble Pie4:15
10Love Hurts
tecnico di registrazione:
Tony Taverner
tecnico di registrazione aggiunto e tecnico di missaggio aggiunto:
John Punter
produttore:
Manny Charlton
batteria :
Darrell Sweet
chitarra e sintetizzatore :
Manny Charlton
chitarra basso :
Pete Agnew
voce di accompagnamento:
Pete Agnew e Darrell Sweet
voce principale:
Dan McCafferty
diritti fonografici (℗) detenuti da:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (nel 1974) e USM Copyrights Ltd. (nel 1975)
registrata presso:
Associated Recording Studios in London (Greater London), England, Regno Unito e Escape Studios in Kent, England, Regno Unito
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 75)
registrazione cover di:
Love Hurts
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:52
11White Rabbit
registrata a:
San Francisco, California, Stati Uniti (dal 1969-05-07 a oggi)
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 455) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 478)
registrazione di:
White Rabbit (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Grace Slick
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
si basa su:
Alice’s Adventures in Wonderland (novel)
si basa su:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:32
12Hey Joe
produttore:
Bryan “Chas” Chandler
batteria :
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
chitarra basso :
Noel Redding
chitarra elettrica :
Jimi Hendrix
voce:
Jimi Hendrix
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1966, nel 1967, nel 1968)
prodotta presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1966-10-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 198)
registrazione cover di:
Hey Joe
paroliere e compositore:
Billy Roberts (songwriter)
editore:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music e Third Story Music, Inc.
Jimi Hendrix4.253:23
13Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.152:18
14Itchycoo Park
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces3.652:48
15Mama Told Me Not to Come
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 11)
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Three Dog Night4.653:17
16Fly Like an Eagle
tecnico:
Mike Fusaro
produttore:
Steve Miller (leader of Steve Miller Band)
tecnico di missaggio:
Jim Gaines
registrazione di:
Fly Like an Eagle
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
P and P Songs Limited e Sailor Music
Steve Miller Band4.53:00

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ASIN:DE: B00008K5A7 [info]