Julie Sings Love

~ Veröffentlichung von Julie London (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Love Letters
cover recording of:
Love Letters
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
2:54
2I Left My Heart in San Francisco
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
I Left My Heart in San Francisco
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
2:51
3The End of the World
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
cover recording of:
The End of the World
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:48
4As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:12
5Fascination
1:59
6Fly Me to the Moon
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:34
7Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:58
8But Not for Me
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
But Not for Me (in 1960-08)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:26
9Easy Street
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
cover recording of:
Easy Street (in 1955-08)
Texter und Komponist(in):
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Johnstone-Montei Music und Robert Mellin Ltd.
43:14
10’Round Midnight
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
’Round Midnight (in 1960-08)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
2:54
11Easy to Love
Techniker(in) und Produzent(in):
Richard Bock (record producer)
Bass:
Monty Budwig (von 1965-07-12 bis 1965-07-16)
Gitarre:
Joe Pass (jazz guitarist) (von 1965-07-12 bis 1965-07-16)
Holzblasinstrumente:
Bud Shank (von 1965-07-12 bis 1965-07-16)
Instrumente:
The Bud Shank Quintet (von 1965-07-12 bis 1965-07-16)
Klavier:
Russ Freeman (pianist) (von 1965-07-12 bis 1965-07-16)
membranophone und Schlagzeug:
Colin Bailey (drummer) (von 1965-07-12 bis 1965-07-16)
vocals:
Julie London (von 1965-07-12 bis 1965-07-16)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-07-12 bis 1965-07-16)
cover recording of:
Easy to Love (von 1965-07-12 bis 1965-07-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:29
12Misty
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
Misty (in 1960-08)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
3:11
13Black Coffee
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
2:59
14Sentimental Journey
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London
aufgenommen bei:
Julie London’s living room
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:28
15I’m in the Mood for Love
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel (in 1955-08)
Kontrabass [bass]:
Ray Leatherwood (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
42:29
16My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
2:41
17Blue Moon
Techniker(in):
Ted Keep (in 1958-07)
Produzent(in):
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Blue Moon (in 1958-07)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
52:31
18I’ve Got You Under My Skin
Techniker(in) und Produzent(in):
Richard Bock (record producer)
Bass:
Monty Budwig (von 1965-07-12 bis 1965-07-16)
Gitarre:
Joe Pass (jazz guitarist) (von 1965-07-12 bis 1965-07-16)
Holzblasinstrumente:
Bud Shank (von 1965-07-12 bis 1965-07-16)
Instrumente:
The Bud Shank Quintet (von 1965-07-12 bis 1965-07-16)
Klavier:
Russ Freeman (pianist) (von 1965-07-12 bis 1965-07-16)
membranophone und Schlagzeug:
Colin Bailey (drummer) (von 1965-07-12 bis 1965-07-16)
vocals:
Julie London (von 1965-07-12 bis 1965-07-16)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-07-12 bis 1965-07-16)
cover recording of:
I’ve Got You Under My Skin (von 1965-07-12 bis 1965-07-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
3:03
19You’d Be So Nice to Come Home To
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
Gitarre:
Al Viola (am 1960-03-04)
Klavier:
Jimmy Rowles (am 1960-03-04)
Kontrabass:
Don Bagley (am 1960-03-04)
Schlagzeug:
Earl Palmer (am 1960-03-04)
Trompete:
Bob Flanigan (am 1960-03-04)
Vibraphon:
Emil Richards (am 1960-03-04)
vocals:
Julie London (am 1960-03-04)
Orchester:
The Jimmy Rowles Orchestra (am 1960-03-04)
aufgenommen bei:
Julie London’s living room (am 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (am 1960-03-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:15
20Goody Goody
Techniker(in):
Ted Keep (in 1958-07)
Produzent(in):
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Goody Goody (in 1958-07)
Texter:
Johnny Mercer
Komponist(in):
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
31:54
21No Moon at All
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
recording of:
No Moon at All (in 1955-08)
Texter:
Redd Evans
Komponist(in):
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) und Rytvoc, Inc. (ASCAP)
41:53
22Sway (Quien sera)
vocals:
Julie London
recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
52:36
23Desafinado (Slightly Out of Tune)
recording of:
Off Key (Gene Lees version)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
basiert auf:
Desafinado
2:08
24Gone With the Wind
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
cover recording of:
Gone With the Wind (in 1955-08)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
42:07

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Veröffentlichung

ASIN:US: B000I6EFB6 [Info]