Michel Plasson et la musique française

~ Release by Michel Plasson, Orchestre national du Capitole de Toulouse (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Symphonie Fantastique: I. Rêveries, Passions
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz13:43
2Symphonie Fantastique: II. Un Bal
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:18
3Symphonie Fantastique: III. Scène aux champs
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz16:07
4Symphonie Fantastique: IV. Marche au supplice
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:43
5Symphonie Fantastique: V. Songe d'une nuit de sabbat
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz9:44
6Le Carnaval romain, Ouverture caractéristique
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz9:12
7Le Corsaire, Ouverture
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Le Corsaire op. 21: Ouverture, H 101
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
Hector Berlioz8:30
2▼CD
#TitleArtistRatingLength
1Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio
viola:
Gérard Caussé (violist)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz14:39
2Harold en Italie, op. 16: II. Marche de Pèlerins, chantant la prière du soir. Allegretto
viola:
Gérard Caussé (violist)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz7:54
3Harold en Italie, op. 16: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai
viola:
Gérard Caussé (violist)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz5:57
4Harold en Italie, op. 16: IV. Orgie de Brigands. Souvenir de scènes précédentes. Allegro frenetico
viola:
Gérard Caussé (violist)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz11:54
5Benvenuto Cellini, ouverture, Op. 23
orchestra:
Orchestre national du Capitole de Toulouse (from 1991-03-03 until 1991-03-07)
conductor:
Michel Plasson (conductor) (from 1991-03-03 until 1991-03-07)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1991-03-03 until 1991-03-07)
recording of:
Benvenuto Cellini, op. 23: Overture (from 1991-03-03 until 1991-03-07)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 76B)
part of:
Benvenuto Cellini, op. 23
Hector Berlioz10:29
6Waverley, grande ouverture, Op. 1
orchestra:
Orchestre national du Capitole de Toulouse (from 1991-03-03 until 1991-03-07)
conductor:
Michel Plasson (conductor) (from 1991-03-03 until 1991-03-07)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1991-03-03 until 1991-03-07)
recording of:
Grande Ouverture de Waverly, op. 1, H. 26 (Grand Overture "Waverly", op. 1, H. 26) (from 1991-03-03 until 1991-03-07)
composer:
Hector Berlioz (French composer) (in 1828-02)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 26)
Hector Berlioz9:48
3▼CD
#TitleArtistRatingLength
1Sara la baigneuse, ballade, Op. 11
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Sara la baigneuse, op. 11, H. 69C (for three choirs and orchestra) (from 2003-04-26 until 2003-04-30)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 69C)
Hector Berlioz6:56
2Tristia, Op. 18, Méditation religieuse
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Tristia, op. 18 : I. Méditation religieuse « Ce monde entier » (for chorus and orchestra) (from 2003-04-26 until 2003-04-30)
lyricist:
Anne-Louise Swanton-Belloc
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 56B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz4:54
3Tristia, Op. 18, La mort d'Ophélie
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Tristia, op. 18 : II. La Mort d’Ophélie. Ballade « Auprès d’un torrent » (for chorus and orchestra) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 92B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz6:11
4Tristia, Op. 18, Marche funèbre pour la dernière scène d'Hamlet
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet (for chorus and orchestra) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 103)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz7:32
5Le ballet des ombres, ronde nocturne, Op. 2
producer:
Étienne Collard
editor:
Frédéric Briant
piano:
David Bismuth (pianist) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Le Ballet des ombres, op. 2 (from 2003-04-26 until 2003-04-30)
lyricist:
Albert-Marie Du Boys (French poet)
composer:
Hector Berlioz (French composer) (in 1829)
dedicated to:
Chrétien Urhan
part of:
Catalogue of the Works of Hector Berlioz (number: H. 37)
Hector Berlioz3:00
6Chant sacré, Op. 2 No. 6 (Version 1)
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Chant sacré, op. 2b no. 6, H. 44B (for chorus and orchestra) (from 2003-04-26 until 2003-04-30)
lyricist:
Thomas Moore (Irish poet)
composer:
Hector Berlioz (French composer) (in 1829)
revised by:
Hector Berlioz (French composer) (in 1843)
translator:
Thomas Gounet
part of:
Catalogue of the Works of Hector Berlioz (number: H. 44B)
revision of:
Chant sacré, op. 2b no. 6, H. 44A (for tenor or soprano, chorus and piano)
Hector Berlioz5:16
7Veni creator spiritus
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Veni Creator, H. 141 (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 141)
Hector Berlioz4:50
8Tantum ergo sacramentum
producer:
Étienne Collard
editor:
Frédéric Briant
harmonium:
Frank Villars (harmonium player) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Tantum Ergo, H. 142 (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 142)
Hector Berlioz6:24
9Scène héroïque (La Révolution grecque), Récit & air (Héros grec): Lève-toi, fils de Sparte!
producer:
Étienne Collard
editor:
Frédéric Briant
baritone vocals:
Laurent Naouri (bass-baritone) (from 2003-04-26 until 2003-04-30) and Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Révolution grecque (scène héroïque) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (from 1825 until 1826)
librettist:
Humbert Ferrand
part of:
Catalogue of the Works of Hector Berlioz (number: H. 21)
Hector Berlioz3:14
10Scène héroïque (La Révolution grecque), Chœur (Héros grec, Prêtre grec): Mais la voix du Dieu des armées
producer:
Étienne Collard
editor:
Frédéric Briant
baritone vocals:
Laurent Naouri (bass-baritone) (from 2003-04-26 until 2003-04-30) and Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Révolution grecque (scène héroïque) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (from 1825 until 1826)
librettist:
Humbert Ferrand
part of:
Catalogue of the Works of Hector Berlioz (number: H. 21)
Hector Berlioz5:19
11Scène héroïque (La Révolution grecque), Prière: Astre terrible et saint, guide les pas du brave!
producer:
Étienne Collard
editor:
Frédéric Briant
baritone vocals:
Laurent Naouri (bass-baritone) (from 2003-04-26 until 2003-04-30) and Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Révolution grecque (scène héroïque) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (from 1825 until 1826)
librettist:
Humbert Ferrand
part of:
Catalogue of the Works of Hector Berlioz (number: H. 21)
Hector Berlioz4:24
12Scène héroïque (La Révolution grecque), Final (Héros grec, Prêtre grec): Des sommets de l'Olympe aux rives de l'Alphée
producer:
Étienne Collard
editor:
Frédéric Briant
baritone vocals:
Laurent Naouri (bass-baritone) (from 2003-04-26 until 2003-04-30) and Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Révolution grecque (scène héroïque) (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (from 1825 until 1826)
librettist:
Humbert Ferrand
part of:
Catalogue of the Works of Hector Berlioz (number: H. 21)
Hector Berlioz4:49
4▼CD
#TitleArtistRatingLength
1Le Cinq mai, chant sur la mort de l'Empereur Napoléon, Op. 6
producer:
Étienne Collard
editor:
Frédéric Briant
baritone vocals:
Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Le Cinq mai, op. 6 (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer)
librettist:
Pierre-Jean de Béranger (French 19th century songwriter)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 74)
Hector Berlioz13:26
2La mort d'Orphée, Introduction
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Mort d’Orphée (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1827)
librettist:
Henri-Montan Berton (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 25)
Hector Berlioz2:25
3La mort d'Orphée, Récit & air: Prêtresses de Bacchus... O seul bien qui me reste!
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Mort d’Orphée (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1827)
librettist:
Henri-Montan Berton (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 25)
Hector Berlioz4:19
4La mort d'Orphée, Récit: Quels cris affreux se font entendre?
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Mort d’Orphée (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1827)
librettist:
Henri-Montan Berton (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 25)
Hector Berlioz1:05
5La mort d'Orphée, Bacchanale: O Dieu puissant, fils de Latone... O Bacchus Evoé
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Mort d’Orphée (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1827)
librettist:
Henri-Montan Berton (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 25)
Hector Berlioz3:16
6La mort d'Orphée, Tableau musical
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
partial recording of:
La Mort d’Orphée (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1827)
librettist:
Henri-Montan Berton (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 25)
Hector Berlioz2:47
7Chant guerrier, Op. 2 No. 3
producer:
Étienne Collard
editor:
Frédéric Briant
piano:
David Bismuth (pianist) (from 2003-04-26 until 2003-04-30)
baritone vocals:
Nicolas Rivenq (bass-baritone) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Chant guerrier, op. 2b no. 3, H. 41 (from 2003-04-26 until 2003-04-30)
lyricist:
Thomas Moore (Irish poet)
composer:
Hector Berlioz (French composer) (in 1829)
translator:
Thomas Gounet
part of:
Catalogue of the Works of Hector Berlioz (number: H. 41)
part of:
Neuf Mélodies Irlandaises, op. 2b, H. 38 (a.k.a. Irlande)
Hector Berlioz4:02
8Chanson à boire, Op. 2 No. 5
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Chanson à boire, op. 2b no. 5, H. 43 (from 2003-04-26 until 2003-04-30)
lyricist:
Thomas Moore (Irish poet)
composer:
Hector Berlioz (French composer) (in 1829)
translator:
Thomas Gounet
part of:
Catalogue of the Works of Hector Berlioz (number: H. 43)
part of:
Neuf Mélodies Irlandaises, op. 2b, H. 38 (a.k.a. Irlande)
Hector Berlioz3:39
9Chant des chemins de fer, Op. 19 No. 3
producer:
Étienne Collard
editor:
Frédéric Briant
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
orchestra:
Orchestre national du Capitole de Toulouse (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Chant des chemins de fer, op. 19 no. 3 (from 2003-04-26 until 2003-04-30)
composer:
Hector Berlioz (French composer) (in 1846)
librettist:
Jules Janin
part of:
Catalogue of the Works of Hector Berlioz (number: H. 110)
part of:
Feuillets d’album, op. 19
Hector Berlioz8:32
10Chant sacré, Op. 2 No. 6 (Version II)
producer:
Étienne Collard
editor:
Frédéric Briant
piano:
David Bismuth (pianist) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
tenor vocals:
Rolando Villazón (tenor) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Chant sacré, op. 2b no. 6, H. 44A (for tenor or soprano, chorus and piano) (from 2003-04-26 until 2003-04-30)
lyricist:
Thomas Moore (Irish poet)
composer:
Hector Berlioz (French composer) (in 1829)
translator:
Thomas Gounet
part of:
Catalogue of the Works of Hector Berlioz (number: H. 44A)
part of:
Neuf Mélodies Irlandaises, op. 2b, H. 38 (a.k.a. Irlande)
Hector Berlioz9:05
11Hymne pour la consécration du nouveau tabernacle
producer:
Étienne Collard
editor:
Frédéric Briant
piano:
David Bismuth (pianist) (from 2003-04-26 until 2003-04-30)
choir vocals:
Les Éléments (chamber choir) (from 2003-04-26 until 2003-04-30)
conductor:
Michel Plasson (conductor) (from 2003-04-26 until 2003-04-30)
balance engineer:
Frédéric Briant and Jean Chatauret
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2003-04-26 until 2003-04-30)
recording of:
Hymne pour la consécration du nouveau tabernacle (from 2003-04-26 until 2003-04-30)
lyricist:
[anonymous] (special purpose artist)
composer:
Hector Berlioz (French composer) (in 1859)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 135)
Hector Berlioz7:17
5▼CD
#TitleArtistRatingLength
1Symphonie No. 1 en ré majeur, Allegro molto
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 1 in D major: I. Allegro molto
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 1 in D major
Charles‐François Gounod6:50
2Symphonie No. 1 en ré majeur, Allegretto moderato
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 1 in D major: II. Allegro moderato
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 1 in D major
Charles‐François Gounod5:24
3Symphonie No. 1 en ré majeur, Scherzo: non troppo presto
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 1 in D major: III. Scherzo. Non troppo presto
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 1 in D major
Charles‐François Gounod6:30
4Symphonie No. 1 en ré majeur, Finale: Adagio - allegro vivace
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 1 in D major: IV. Finale. Adagio - Allegro vivace
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 1 in D major
Charles‐François Gounod9:16
5Symphonie No. 2 en mi bémol majeur, Adagio - allegro agitato
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 2 in E-flat major: I. Adagio, Allegro agitato
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 2 in E-flat major
Charles‐François Gounod10:28
6Symphonie No. 2 en mi bémol majeur, Larghetto (non troppo)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 2 in E-flat major: II. Larghetto
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 2 in E-flat major
Charles‐François Gounod8:31
7Symphonie No. 2 en mi bémol majeur, Scherzo: allegro molto
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 2 in E-flat major: III. Scherzo. Allegro molto
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 2 in E-flat major
Charles‐François Gounod4:24
8Symphonie No. 2 en mi bémol majeur, Finale: allegro leggiero assai
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphony no. 2 in E-flat major: IV. Finale. Allegro, leggiero assai
composer:
Charles Gounod (French composer) (in 1855)
part of:
Symphony no. 2 in E-flat major
Charles‐François Gounod7:13
6▼CD
#TitleArtistRatingLength
1Mors et Vita: Pars prima "Mors": Prologus. Horrendum est incidere ... Ego sum Resurrectio
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Prologus. Horrendum est incidere ... Ego sum Resurrectio (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod5:51
2Mors et Vita: Pars prima "Mors": Requiem: 1a. Introït et Kyrie: Requiem aeternam
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 1a. Introït et Kyrie: Requiem aeternam (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod11:44
3Mors et Vita: Pars prima "Mors": Requiem: 1b. A custodia matutina usque ad noctem
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 1b. A custodia matutina usque ad noctem (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod3:58
4Mors et Vita: Pars prima "Mors": Requiem: 2. Dies irae
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 2. Dies irae (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod7:52
5Mors et Vita: Pars prima "Mors": Requiem: 3a. Quid sum, miser
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 3a. Quid sum, miser (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod4:51
6Mors et Vita: Pars prima "Mors": Requiem: 3b. Felix culpa
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 3b. Felix culpa (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod4:10
7Mors et Vita: Pars prima "Mors": Requiem: 4. Quaerens me, sedisti lassus
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 4. Quaerens me, sedisti lassus (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod6:09
8Mors et Vita: Pars prima "Mors": Requiem: 5. Ingemisco tanquam reus
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 5. Ingemisco tanquam reus (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod9:18
9Mors et Vita: Pars prima "Mors": Requiem: 6. Inter oves locum praesta
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 6. Inter oves locum praesta (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod3:14
10Mors et Vita: Pars prima "Mors": Requiem: 7. Confutatis maledictis
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 7. Confutatis maledictis (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod7:12
11Mors et Vita: Pars prima "Mors": Requiem: 8. Lacrymosa
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 8. Lacrymosa (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod5:05
12Mors et Vita: Pars prima "Mors": Requiem: 9. Offertorium: Domine Jesu Christe, Rex Gloriae
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 9. Offertorium: Domine Jesu Christe, Rex Gloriae (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod9:14
7▼CD
#TitleArtistRatingLength
1Mors et Vita: Pars prima "Mors": Requiem: 10. Sanctus
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 10. Sanctus (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod3:34
2Mors et Vita: Pars prima "Mors": Requiem: 11. Pie Jesu
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 11. Pie Jesu (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod4:55
3Mors et Vita: Pars prima "Mors": Requiem: 12. Agnus Dei
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 12. Agnus Dei (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod7:27
4Mors et Vita: Pars prima "Mors": Requiem: 13. Epilogus
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars prima "Mors": Requiem: 13. Epilogus (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars prima "Mors"
Charles‐François Gounod3:01
5Mors et Vita: Pars secunda "Judicium": Somnus Mortuorum: 1. Preludio
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Somnus Mortuorum: 1. Preludio (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod5:47
6Mors et Vita: Pars secunda "Judicium": Somnus Mortuorum: 2. Tubae ad ultimum judicium
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Somnus Mortuorum: 2. Tubae ad ultimum judicium (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod2:28
7Mors et Vita: Pars secunda "Judicium": Resurrectio Mortuorum: 3. Cum autem venerit Filius Hominis
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Resurrectio Mortuorum: 3. Cum autem venerit Filius Hominis (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod3:35
8Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod3:46
9Mors et Vita: Pars secunda "Judicium": Judicium electorum: 5a. Et congregabuntur
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Judicium electorum: 5a. Et congregabuntur (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod5:32
10Mors et Vita: Pars secunda "Judicium": Judicium electorum: 5b. In memoria aeterna
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Judicium electorum: 5b. In memoria aeterna (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod0:47
11Mors et Vita: Pars secunda "Judicium": Judicium rejectaneorum: 6. Tunc dicet
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars secunda "Judicium": Judicium rejectaneorum: 6. Tunc dicet (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod4:24
12Mors et Vita: Pars tertia "Vita": Visio Sancti Joannis: 1. Et vidi Coelum novum
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Visio Sancti Joannis: 1. Et vidi Coelum novum (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod3:58
13Mors et Vita: Pars tertia "Vita": Jerusalem Coelestis: 2. Et ego Joannes
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Jerusalem Coelestis: 2. Et ego Joannes (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod3:59
14Mors et Vita: Pars tertia "Vita": Jerusalem Coelestis: 3. Sanctus
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Jerusalem Coelestis: 3. Sanctus (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod3:35
15Mors et Vita: Pars tertia "Vita": Vox magna in Coelo: 4. Et audivi vocem magnam
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Vox magna in Coelo: 4. Et audivi vocem magnam (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod4:47
16Mors et Vita: Pars tertia "Vita": Lacrymae, dolor, mors amplius non exstabunt: 5. Et absterget
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Lacrymae, dolor, mors amplius non exstabunt: 5. Et absterget (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod5:13
17Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 6. Et dixit: qui sedebat in Throno
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 6. Et dixit: qui sedebat in Throno (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod2:01
18Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 7. Ego sum Alpha et Omega
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 7. Ego sum Alpha et Omega (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod6:32
19Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 8. Hosanna in excelsis
organ:
Christoph Kuhlmann (in 1992)
alto vocals:
Nadine Denize (mezzo-soprano) (in 1992)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
soprano vocals:
Barbara Hendricks (soprano) (in 1992)
tenor vocals:
John Aler (tenor) (in 1992)
orchestra:
Orchestre national du Capitole de Toulouse (in 1992)
conductor:
Michel Plasson (conductor) (in 1992)
chorus master:
José Antonio Sainz (in 1992)
recording of:
Mors et Vita: Pars tertia "Vita": Ecce, omnia novata!: 8. Hosanna in excelsis (in 1992)
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars tertia "Vita"
Charles‐François Gounod2:14
8▼CD
#TitleArtistRatingLength
1Symphonie en ré mineur, Lento - Allegro non troppo
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck17:40
2Symphonie en ré mineur, Allegretto
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:34
3Symphonie en ré mineur, Allegro non troppo
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:45
4Variations symphoniques pour piano et orchestre
piano:
Jean‐Philippe Collard (French classical pianist)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Variations symphoniques pour piano et orchestre, FWV 46
composer:
César Franck (Belgian‐born French composer) (in 1885)
dedicated to:
Louis Diémer
premiered at:
[concert] (1886-05-01)
publisher:
Enoch & Cie. (in 1893)
part of:
Franck Werke Verzeichnis (number: 46) and Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 137)
César Franck16:52
5Cyprès et lauriers pour orgue et orchestre, Op. 156, Cyprès - Poco adagio
producer:
Étienne Collard
organ:
Matthias Eisenberg (organist, harpsichordist and church musician) (from 1995-07-07 until 1995-07-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1995-07-07 until 1995-07-09)
conductor:
Michel Plasson (conductor) (from 1995-07-07 until 1995-07-09)
balance engineer:
Daniel Michel (recording engineer) (from 1995-07-07 until 1995-07-09)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1997)
recorded at:
Basilique Notre-Dame de la Daurade in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1995-07-07 until 1995-07-09)
recording of:
Cyprès et lauriers, op. 156: I. Cyprès - (from 1995-07-07 until 1995-07-09)
composer:
Camille Saint‐Saëns (composer)
part of:
Cyprès et lauriers, op. 156
Camille Saint‐Saëns7:03
6Cyprès et lauriers pour orgue et orchestre, Op. 156, Lauriers - Allegro non troppo
producer:
Étienne Collard
organ:
Matthias Eisenberg (organist, harpsichordist and church musician) (from 1995-07-07 until 1995-07-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1995-07-07 until 1995-07-09)
conductor:
Michel Plasson (conductor) (from 1995-07-07 until 1995-07-09)
balance engineer:
Daniel Michel (recording engineer) (from 1995-07-07 until 1995-07-09)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1997)
recorded at:
Basilique Notre-Dame de la Daurade in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1995-07-07 until 1995-07-09)
recording of:
Cyprès et lauriers, op. 156: II. Lauriers (from 1995-07-07 until 1995-07-09)
composer:
Camille Saint‐Saëns (composer)
part of:
Cyprès et lauriers, op. 156
Camille Saint‐Saëns8:42
9▼CD
#TitleArtistRatingLength
1Rédemption: Part 1: Introduction
executive producer:
Alain Lanceron
producer:
Étienne Collard
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 1: Introduction
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck3:58
2Rédemption: Part 1: 1. Choeur Terrestre: Que le jour monte ou s'abaisse
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 1: 1. Choeur Terrestre: Que le jour monte ou s'abaisse / Ah! Malheur aux vaincus
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck5:48
3Rédemption: Part 1: 1. Choeur Terrestre: Ah! Malheur aux vaincus
executive producer:
Alain Lanceron
producer:
Étienne Collard
spoken vocals:
Lambert Wilson
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 1: 1. Choeur Terrestre: Que le jour monte ou s'abaisse / Ah! Malheur aux vaincus
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck1:41
4Rédemption: Part 1: 2. Récit et choeur des anges: Mais, je vois s'éclairer
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
spoken vocals:
Lambert Wilson
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 1: 2. Récit et choeur des anges: Mais, je vois s'éclairer
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck4:39
5Rédemption: Part 1: 3. Choeur, récit et air de l'archange: Où mènent vos chemins
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
solo mezzo-soprano vocals:
Béatrice Uria‐Monzon (French mezzo‐soprano)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 1: 3. Choeur, récit et air de l'archange: Où mènent vos chemins
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck1:20
6Rédemption: Part 1: 3. Choeur, récit et air de l'archange: Les rois dont vous vantez la gloire
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 1: 3. Choeur, récit et air de l'archange: Les rois dont vous vantez la gloire
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck8:47
7Rédemption: Part 1: 4. Choeur général: Devant la loi nouvelle
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 1: 4. Choeur général: Devant la loi nouvelle
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 1
César Franck4:23
8Rédemption: Part 2: 5. Morceau symphonique
executive producer:
Alain Lanceron
producer:
Étienne Collard
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 2: 5. Morceau symphonique
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck13:56
9Rédemption: Part 2: 6. Choeur d'hommes: Où sommes-nous?
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 2: 6. Choeur d'hommes: Où sommes-nous? / Toujours le chant moquer!
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck4:23
10Rédemption: Part 2: 6. Choeur d'hommes: Toujours le chant moquer!
executive producer:
Alain Lanceron
producer:
Étienne Collard
spoken vocals:
Lambert Wilson
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 2: 6. Choeur d'hommes: Où sommes-nous? / Toujours le chant moquer!
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck1:49
11Rédemption: Part 2: 7. Choeur des anges: Et vous, séraphins
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
spoken vocals:
Lambert Wilson
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 2: 7. Choeur des anges: Et vous, séraphins
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck7:49
12Rédemption: Part 2: 8. Air de l'archange: Le flot se lève
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
solo mezzo-soprano vocals:
Béatrice Uria‐Monzon (French mezzo‐soprano)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 2: 8. Air de l'archange: Le flot se lève / Prier! - Le pouvons-nous?
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck5:41
13Rédemption: Part 2: 8. Air de l'archange: Prier! - Le pouvons-nous?
executive producer:
Alain Lanceron
producer:
Étienne Collard
spoken vocals:
Lambert Wilson
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
partial recording of:
Rédemption: Part 2: 8. Air de l'archange: Le flot se lève / Prier! - Le pouvons-nous?
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck2:11
14Rédemption: Part 2: 9. Choeur général: Seigneur, Seigneur, oublie
executive producer:
Alain Lanceron
producer:
Étienne Collard
choir vocals:
Orfeón Donostiarra (Spanish choir)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1993-05-21 until 1994-01-05)
recording of:
Rédemption: Part 2: 9. Choeur général: Seigneur, Seigneur, oublie
composer:
César Franck (Belgian‐born French composer) (in 1871)
part of:
Rédemption: Part 2
César Franck7:20
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▶CD
21▶CD
22▶CD
23▶CD
24▶CD
25▶CD
26▶CD
27▶CD
28▶CD
29▶CD
30▶CD
31▶CD
32▶CD
33▶CD
34▶CD
35▶CD
36▶CD
37▶CD