Tenor Legacy

~ Release by Benny Golson (see all versions of this release, 1 available)

Annotation

Bass – Dwayne Burno
Drums – Joe Farnsworth
Piano – Geoff Keezer
Tenor Saxophone – Benny Golson, 

Branford Marsalis (track 2), 
Harold Ashby (tracks 1, 3, 7, 8, 9)
James Carter (tracks 1, 4, 5, 6)
Annotation last modified on 2019-04-08 01:08 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Lester Leaps In
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
recording of:
Lester Leaps In (in 1996-01)
composer:
Lester Young (saxophonist) (in 1939)
3:58
2Body & Soul
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
Body and Soul (in 1996-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:23
3St. Thomas
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
recording of:
St. Thomas (in 1996-01)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
5:53
4Cry Me a River
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
Cry Me a River (in 1996-01)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
7:12
5My Favorite Things
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
My Favorite Things (The Sound of Music) (in 1996-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
5:09
6Whisper Not
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
Whisper Not (original instrumental composition) (from 1996-01-29 until 1996-01-30)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
9:23
7The Girl From Ipanema
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
The Girl From Ipanema (in 1996-01)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
4:57
8My Old Flame
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
My Old Flame (in 1996-01)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:42
9Lover, Come Back to Me
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (in 1996-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
5:33
10In Memory Of
engineer:
内藤克彦 (Katsuhiko Naito)
producer:
Makoto Kimata
drums (drum set):
Joe Farnsworth (from 1996-01-29 until 1996-01-30)
piano:
Geoffrey Keezer (from 1996-01-29 until 1996-01-30)
saxophone:
Harold Ashby (from 1996-01-29 until 1996-01-30)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1996-01-29 until 1996-01-30), Benny Golson (American jazz saxophonist and composer) (from 1996-01-29 until 1996-01-30) and Branford Marsalis (saxophonist) (from 1996-01-29 until 1996-01-30)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1996-01-29 until 1996-01-30)
6:46