Annotation

A subscription series issued as 50 individual two-record sets, released from 1978-1982. The entire library was first announced on the 100th anniversary (1977) of Thomas Edison’s invention of the phonograph. Each LP was pressed with a special vinyl formulation that enabled a clear (IE: virgin vinyl) quiet playing surface on a more rigid (heavy weighted) LP disc. Every record was pressed and processed in an atmosphere controlled “clean room” and using "ruby red colored" vinyl. Recordings are archival in nature and some are varied from mono vs stereo, though not specified on the disc or labels.

Each library case houses two proof-quality long playing records, with each record fully protected within its own dust free (plastic tray & lid) compartment. The records are firmly supported within the closed compartment in such a way that the playing surface never touches any part of the case. Each library case includes a specially written and illustrated commentary, by a respected music expert. The composers and their works are discussed in much detail, along with historical background information, which is provided re: the featured Soloists, Orchestras, Conductors, and Ensembles per recording.

Note: 2 different box types exist: 1st released in an oversized case with plastic protective trays measuring 13.25 x 13.5 inches with booklet attached inside & hinged vs the standard type of box 12.5 x 12.5 with booklet placed (loose along with insert) inside of box and was shipped with Styrofoam wafer liners. Dating for sets can be found with a date printed on the booklet, only set 1/2 (from 1978) is not dated the rest are chronological from 1978-1982. For example: Volume 2/3 year 1978 vs 25/56 year 1979 vs 49/50 year 1980 vs 63/64 year 1980 vs 83/83 year 1981 vs 93/94 year 1982. In volume 49/50 a special notice sheet was added indicating that this volume came with a "Cross Reference Index" booklet for the previous 50 volumes (1-50) and stating at the conclusion of the collection they will provide a permanent listing of all 100 records as a helpful reference aid. Recordings in the booklet are listed in order of issue as well as alphabetically by performers, selections and composers.

Annotation last modified on 2022-10-02 09:57 UTC.

Tracklist

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112" Vinyl
#TitleArtistRatingLength
1Le Corsaire Overture, Opus 21
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1964-12-11, on 1964-12-13, from 1964-12-15 until 1964-12-16)
conductor:
Ernest Ansermet (conductor) (on 1964-12-11, on 1964-12-13, from 1964-12-15 until 1964-12-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1964-12-11, on 1964-12-13, from 1964-12-15 until 1964-12-16)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (on 1964-12-11)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (on 1964-12-13)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (from 1964-12-15 until 1964-12-16)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
Hector Berlioz8:28
2Symphonie Fantastique : Rêveries, Passions (Largo - Allegro Agitato Ed Appassionato Assai)
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1967-11-03 until 1967-11-05)
conductor:
Ernest Ansermet (conductor) (from 1967-11-03 until 1967-11-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1967-11-03 until 1967-11-05)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1967-11-03 until 1967-11-05)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz13:28
3Symphonie Fantastique : Un Bal (Valse: Allegro Non Troppo)
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1967-11-03 until 1967-11-05)
conductor:
Ernest Ansermet (conductor) (from 1967-11-03 until 1967-11-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1967-11-03 until 1967-11-05)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1967-11-03 until 1967-11-05)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:05
4Symphonie Fantastique : Scène Aux Champs (Adagio)
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1967-11-03 until 1967-11-05)
conductor:
Ernest Ansermet (conductor) (from 1967-11-03 until 1967-11-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1967-11-03 until 1967-11-05)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1967-11-03 until 1967-11-05)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:54
5Symphonie Fantastique : Marche Au Supplice (Allegretto Non Troppo)
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1967-11-03 until 1967-11-05)
conductor:
Ernest Ansermet (conductor) (from 1967-11-03 until 1967-11-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1967-11-03 until 1967-11-05)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1967-11-03 until 1967-11-05)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz5:05
6Symphonie Fantastique : Songe D'Une Nuit Du Sabbat (Larghetto - Allegro)
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1967-11-03 until 1967-11-05)
conductor:
Ernest Ansermet (conductor) (from 1967-11-03 until 1967-11-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1967-11-03 until 1967-11-05)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1967-11-03 until 1967-11-05)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:06
212" Vinyl
#TitleArtistRatingLength
1Harold in Italy : Harold In The Mountains
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro (on 1958-03-31)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz11:59
2Harold in Italy : March Of The Pilgrims
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto (on 1958-03-31)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz6:55
3Harold in Italy : Serenade Of An Abruzzi Mountaineer To His Sweetheart
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (on 1958-03-31)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz6:27
4Harold in Italy : Orgy Of The Brigands
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro (on 1958-03-31)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz12:19