Carmina Burana

~ Release by Carl Orff; The Royal Philharmonic Orchestra (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:30
2Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:41
3Carmina Burana: I. Primo vere: Veris leta facies
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:01
4Carmina Burana: I. Primo vere: Omnia Sol temperat
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:59
5Carmina Burana: I. Primo vere: Ecce gratum
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:27
6Carmina Burana: Uf dem anger: Tanz
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Carmina Burana: Uf dem anger: Floret silva
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:25
8Carmina Burana: Uf dem anger: Chramer, gip die varwe mir
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:42
9Carmina Burana: Uf dem anger: Reie – Swaz hie gat umbe – Chume, chum geselle min – Swaz hie gat umbe
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:15
10Carmina Burana: Uf dem anger: Were diu werlt alle min
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:52
11Carmina Burana: II. La taberna: Estuans interius
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:24
12Carmina Burana: II. La taberna: Olim lacus colueram
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo tenor vocals:
John Graham Hall (tenor) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
13Carmina Burana: II. La taberna: Ego sum abbas
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:45
14Carmina Burana: II. La taberna: In taberna quando sumus
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:00
15Carmina Burana: III. Cours d’amours: Amor volat undique
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:37
16Carmina Burana: III. Cours d’amours: Dies, nox et omnia
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:18
17Carmina Burana: III. Cours d’amours: Stetit puella
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
18Carmina Burana: III. Cours d’amours: Circa mea pectora
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:11
19Carmina Burana: III. Cours d’amours: Si puer cum puellula
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
20Carmina Burana: III. Cours d’amours: Veni, veni, venias
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
21Carmina Burana: III. Cours d’amours: In trutina
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:13
22Carmina Burana: III. Cours d’amours: Tempus est iocundum
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07) and Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
23Carmina Burana: III. Cours d’amours: Dulcissime
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:38
24Carmina Burana: Blanziflor et Helena: Ave formosissima
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:59
25Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:32