Mi opción personal

~ Release by Oscar Peterson (see all versions of this release, 2 available)

Annotation

Colección "Estrellas del jazz" del diario El País, nº 19

Annotation last modified on 2020-06-03 16:15 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Body And Soul
producer:
Hans Georg Brunner‐Schwer (in 1968)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968)
instrumental recording of:
Body and Soul (in 1968)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:36
2Teach Me Tonight
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
George Mraz (jazz bassist) (in 1969)
drums (drum set):
Ray Price (jazz drummer with The Oscar Peterson Trio, among others) (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
instrumental recording of:
Teach Me Tonight (in 1969)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
5:07
3It Never Entered My Mind
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
George Mraz (jazz bassist) (in 1969)
drums (drum set):
Ray Price (jazz drummer with The Oscar Peterson Trio, among others) (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
instrumental recording of:
It Never Entered My Mind (in 1969)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:00
4Lulu's Back In Town
producer:
Hans Georg Brunner‐Schwer (in 1968)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968)
instrumental recording of:
Lulu’s Back in Town (in 1968)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:09
5Naptown Blues
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
Sam Jones (US jazz bassist) (in 1969)
drums (drum set):
Bobby Durham (in 1969)
guitar:
Herb Ellis (jazz guitarist) (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
cover recording of:
Naptown Blues (in 1969)
composer:
Wes Montgomery
5:22
6By The Time I Get To Phoenix
producer:
Willy Fruth (in 1969) and Claus Ogerman (in 1969)
double bass:
Sam Jones (US jazz bassist) (in 1969)
drums (drum set):
Bobby Durham (in 1969)
guitar:
Bucky Pizzarelli (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
conductor:
Claus Ogerman (in 1969)
arranger:
Claus Ogerman (in 1969)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
instrumental recording of:
By the Time I Get to Phoenix (in 1969)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
4:26
7A Little Jazz Exercise
producer:
Hans Georg Brunner‐Schwer (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
A Little Jazz Exercise (in 1969)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
2:46
8A Child Is Born
producer:
Hans Georg Brunner‐Schwer (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
A Child Is Born (Original instrumental version) (in 1969)
composer:
Thad Jones (American jazz trumpeter)
2:38
9On A Clear Day (You Can See Forever)
producer:
Hans Georg Brunner‐Schwer (in 1968)
double bass:
Sam Jones (US jazz bassist) (in 1968)
drums (drum set):
Bobby Durham (in 1968)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968)
instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1968)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:25
10Dream Of You
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
Ray Brown (jazz bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
vibraphone:
Milt Jackson (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Dream of You (in 1969)
lyricist and composer:
Benny Carter
4:18
11Reunion Blues
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
Ray Brown (jazz bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
vibraphone:
Milt Jackson (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Reunion Blues (in 1969)
composer:
Milt Jackson
6:41
12Smile
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Smile (Modern Times; original instrumental version) (in 1969)
writer:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:59
13Wheatland
producer:
Hans Georg Brunner‐Schwer (in 1969)
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Wheatland (in 1969)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
7:13
14Once Upon A Summertime
producer:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
double bass:
George Mraz (jazz bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Once Upon a Summertime (La Valse des lilas) (in 1969)
lyricist:
Eddy Marnay (French lyricist)
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing AB (Sweden)
translated version of:
La Valse des lilas
3:39
15Sesame Street
producer:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
double bass:
George Mraz (jazz bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
Sesame Street Theme (in 1969)
lyricist:
Bruce Hart (US songwriter), Joe Raposo (piano, composer, Sesame Street) and Jon Stone (US writer for Sesame Street)
composer:
Joe Raposo (piano, composer, Sesame Street)
publisher:
Stage Harbor Publishing Inc. and Sesame Street Inc. (in 1970)
2:57
16The Shadow Of Your Smile
producer:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
double bass:
George Mraz (jazz bassist) (in 1969)
drums (drum set):
Louis Hayes (in 1969)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1969)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (in 1969)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
4:30

Credits

Release

liner notes:Miquel Jurado