AA302: From Composition to Performance: Musicians at Work (block 3: maroon)

~ Release by The Open University (see all versions of this release, 3 available)

Tracklist

12▼CD
#TitleArtistRatingLength
1J’os bien a m’amie parler
choir vocals:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
performer:
Early Music Consort of London
recording of:
J’os bien a m’amie parler
composer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
Adam de la Halle1:54
2Vos quid admiramini, virgines / Gratissima virginis species / Gaude gloriosa
performer:
Benjamin Bagby, Sequentia (early music ensemble) and Barbara Thornton
Philippe de Vitry2:00
3Ay mi! dame de valour
vocals:
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
conductor:
Christopher Page (conductor and medieval music scholar)
Guillaume de Machaut2:59
4Trotto
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Trotto (From a document in the British Library in London, Add MS 29987)
composer:
[anonymous] (special purpose artist)
[anonymous]1:47
5Ecco la Primavera
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Ecco la primavera
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:17
6Dye not before thy day
engineer:
Iain Churches
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1976-11)
tenor vocals:
Martyn Hill (tenor) (in 1976-11)
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke (British early-music group) (in 1976-11)
recorded at:
Decca Studio No.3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-11)
recording of:
The Second Booke of Songs or Ayres, No. 4: "Die not before thy day" (in 1976-11)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland1:59
7Fantasia in G minor
clavichord:
David Rowland (chorus master)
Carl Philipp Emanuel Bach2:57
8Fantasia in G minor
piano:
Gerald Hendrie
Carl Philipp Emanuel Bach4:20
9Sonata in E minor, K.9 (ed. Edgar Moy)
Domenico Scarlatti3:31
10Sonata in D minor, K.9 (ed. Kenneth Gilbert)
harpsichord:
David Rowland (chorus master)
Domenico Scarlatti2:58
11Fantasia for 3 viols, no.11
instruments:
English Fantasie (viol consort)
Thomas Lupo1:49
12Come Again: Sweet Love Doth Now Invite
lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:28
13Requiem, K.623: Dies Irae
choir vocals:
Boston Early Music Festival Chorus
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor)
Wolfgang Amadeus Mozart1:57
14Cantata No.68, aria ‘Mein gläubiges Herze’ (extract)
vocals:
Peter Jelosits (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
edit of:
Cantata No 68 "Also hat Gott die Welt geliebt" BWV68 : II. Aria "Mein gläubiges Herze" by Peter Jelosits (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
partial recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1976-01-14 until 1976-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach0:29
15Alessandro: Overture (keyboard arrangement)
harpsichord:
David Rowland (chorus master)
George Frideric Handel2:17
16Messiah: Overture (extract A)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
George Frideric Handel1:14
17Messiah: Overture (extract B)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
George Frideric Handel1:35
18Messiah: Overture (extract C)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
George Frideric Handel1:05
19Messiah: Overture (extract D)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
George Frideric Handel1:45
20Messiah: Overture (extract E)
orchestra:
English Symphony Orchestra (aka English String Orchestra)
George Frideric Handel3:07
21Rinaldo, Act 2:‘Cingetimi d’alloro’
vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
conductor:
Jean‐Claude Malgoire (conductor and oboist)
performer:
La Grande Écurie et la Chambre du Roy
George Frideric Handel0:34
22Rinaldo, Act l: ‘Goffredo, se t’arrise’
vocals:
Ulrik Cold (operatic bass) and Paul Esswood (countertenor)
conductor:
Jean‐Claude Malgoire (conductor and oboist)
performer:
La Grande Écurie et la Chambre du Roy
George Frideric Handel1:09
23Orlando, Act 1: ‘O Angelica’
contralto vocals:
Catherine Robbin (Canadian mezzo-soprano)
soprano vocals:
Arleen Augér (soprano) and Emma Kirkby (soprano)
orchestra:
The Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1989-03 until 1990-07)
George Frideric Handel1:18
24Belshazzar: ‘O sentence too severe’ (Macfarren edition)
harpsichord:
Donald Burrows
soprano vocals:
Zoë Brown (soprano)
George Frideric Handel0:28
25Belshazzar: ‘O sentence too severe’ (Burrows edition)
harpsichord:
Donald Burrows
soprano vocals:
Zoë Brown (soprano)
George Frideric Handel0:26
26Sonatas of III Parts, no. 3: I.
instruments:
London Baroque (founded 1978 by Charles Medlam)
Henry Purcell1:22
27Tallis, ‘Why fum’th in fight’: discussion of variants
spoken vocals:
Donald Burrows
[dialogue]10:20
28Why fum’th in fight
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
Thomas Tallis0:52
29Sonata in G minor, HWV 360: I. Larghetto
instruments:
L’Ecole d’Orphée (UK early music group)
recording of:
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: I. Larghetto
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Recorder Sonata in G minor, op. 1 no. 2, HWV 360
George Frideric Handel2:23
30Messiah: ‘He trusted in God’ (extract)
choir vocals:
Christ Church Cathedral Choir, Oxford
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
George Frideric Handel0:46