Mega Beat Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Individual barcodes:

CD 1: 0724382490029
CD 2: 0724382490128
CD 3: 0724382490227
CD 4: 0724382490326
CD 5: 0724382490425
CD 6: 0724382490524
CD 7: 0724382490623
CD 8: 0724382490722
CD 9: 0724382490821
CD 10: 0724382490920

Anmerkung zuletzt geändert am 2011-07-05 03:07 UTC.

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Alley Oop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 36)
recording of:
Alley Oop
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
Hollywood Argyles52:32
2I Hear You Knockin’
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
3Walking Back to Happiness
recording of:
Walking Back to Happiness
Verfasser(in):
Mike Hawker und John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:31
4In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:32
5Freedom Come, Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
Fortunes3:17
6Dan the Banjoman
recording of:
Dan The Banjo Man
Verfasser(in):
Phil Cordell
Dan the Banjoman3:02
7Tom Tom Turn Around
recording of:
Tom Tom Turnaround
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Universal Music Publishing MGB Australia
New World3:17
8You’ll Never Walk Alone
Interpret(in):
Gerry and the Pacemakers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
9Love Grows Where My Rosemary Goes
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:45
10Sweets for My Sweet
cover recording of:
Sweets for My Sweet
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. und Trio Music Company
The Searchers3.52:29
11Ruby Tuesday (acoustic)
cover recording of:
Ruby Tuesday
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie5:17
12When Will I Be Loved
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (am 1960-02-18)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
13Diamonds Are Forever
Produzent(in):
John Barry (English score composer)
Sologesang:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Diamonds Are Forever (main title theme)
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
14Hippy Hippy Shake
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans3.751:45
15Oh Boy
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
cover recording of:
Oh, Boy!
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Mud22:52
16Always Something There to Remind Me
cover recording of:
(There’s) Always Something There to Remind Me
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
recording of:
(There’s) Always Something There to Remind Me
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Sandie Shaw2:39
17Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
18I’m Telling You Now
recording of:
I'm Telling You Now
Verfasser(in):
Freddie Garrity und Mitch Murray
Freddie & the Dreamers2:08
19Proud Mary
Techniker(in):
Brent Maher
Produzent(in):
Ike Turner
Instrumente:
Ike Turner & the Kings of Rhythm
Hintergrundgesang:
The Ikettes
Sologesang:
Tina Turner
vocals:
Ike Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 69) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 420)
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:56
20We’ve Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.83:13
2▼CD
Nr.TitelKünstlerBewertungLänge
1Needles and Pins
cover recording of:
Needles and Pins
Texter:
Sonny Bono
Komponist(in):
Sonny Bono und Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. und Metric Music
The Searchers42:13
2Look What They’ve Done to My Song Ma (unplugged)
recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie (US singer‐songwriter Melanie Safka)
Melanie4:20
3Indian Reservation
phonographisches Urheberrecht (℗) von:
Young Blood (in 1970)
cover recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian) (in 1968)
Texter und Komponist(in):
John D. Loudermilk
recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
Texter und Komponist(in):
John D. Loudermilk
Don Fardon3:25
4Anyone Who Had a Heart
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
Cilla Black2:51
5Tap Turns on the Water
Produzent(in):
Mickie Most (English record producer)
recording of:
Tap Turns on the Water
Verfasser(in):
John Cameron (British composer, arranger and conductor) und Alexis Korner
CCS23:42
6I Can’t Leave You Alone
recording of:
I Can’t Leave You Alone
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Peer Music
George McCrae3:08
7Have You Seen Her
phonographisches Urheberrecht (℗) von:
Brunswick Records Corp. (in 1972)
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:06
8Go Now
Sologesang:
Denny Laine
phonographisches Urheberrecht (℗) von:
Decca Records (in 1964)
cover recording of:
Go Now
Verfasser(in):
Larry Banks und Milton Bennett
publisher:
Belinda Music und Trio Music Company
Moody Blues3:11
9Sugar Me
Techniker(in):
Pete Coleman
Produzent(in):
Lynsey de Paul
phonographisches Urheberrecht (℗) von:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
Verfasser(in):
Barry Ian Green (singer, producer, and songwriter) und Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:54
10The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.254:29
1110538 Overture
Techniker(in):
Peter Olliff und Roger Wake (engineer)
Produzent(in):
Bob Irwin, Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Rick Price (the Move and Electric Light Orchestra bassist) (von 1970-07-12 bis 1971-06)
Cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Geige / Violine:
Steve Woolam (von 1970-07-12 bis 1971-06)
Gitarre:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Schlagzeug:
Bev Bevan (English rock drummer) (von 1970-07-12 bis 1971-06)
Waldhorn:
Bill Hunt (UK keyboards, horn player) (von 1970-07-12 bis 1971-06)
Sologesang:
Jeff Lynne (von 1970-07-12 bis 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (von 1971 bis 1972)
aufgenommen bei:
Philips Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-07-12 bis 1971-06)
recording of:
10538 Overture (von 1970-07-12 bis 1971-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.55:30
12Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
13Mad About You
recording of:
Mad About You
Texter und Komponist(in):
Bruce Ruffin
Bruce Ruffin3:24
14Let’s All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:03
15Brother Louie
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Hot Chocolate54:59
16Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:49
17Sloop John B.
recording of:
Sloop John B
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys2:54
18Do Wah Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
19I’m the Leader of the Gang
phonographisches Urheberrecht (℗) von:
Snapper Music (in 1973) und Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
Komponist(in):
Gary Glitter und Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:29
20Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3.52:57
3▼CD
Nr.TitelKünstlerBewertungLänge
1Where Do You Go to My Lovely
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:42
2Juanita
recording of:
Juanita
Texter:
Chiel Montagne
Komponist(in):
J. de Nijs (Dutch singer / songwriter)
Nick MacKenzie3:03
3American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
4You Won’t Find Another Fool Like Me
recording of:
You Won’t Find Another Fool Like Me
Verfasser(in):
Tony Macaulay und Geoff Stephens
New Seekers3:11
5Rock & Roll (part 1)
recording of:
Rock and Roll, Part 1
Verfasser(in):
Gary Glitter und Mike Leander
publisher:
MCA Music Ltd.
Gary Glitter4.152:58
6Emma
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Emma
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
7Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
The Swinging Blue Jeans2:05
8Can the Can
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und RAK Records (copyrights holder) (in 1975)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
9She’s a Lady
phonographisches Urheberrecht (℗) von:
Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:54
10Una Paloma Blanca
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
11Winchester Cathedral
Produzent(in):
Geoff Stephens
Bass:
Neil Korner
Gitarre:
Mick Wilsher
Klavier:
Stan Haywood (piano)
Perkussion [drums, washboard, spoons]:
Henry Harrison (drums, percussion)
Posaune:
"Shuggy" Watts
Trompete:
'Pops' Kerr
vocals:
Tristram, The Seventh Earl of Cricklewood
recording of:
Winchester Cathedral
Texter und Komponist(in):
Geoff Stephens
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
New Vaudeville Band4.252:25
12I’ve Been Drinking
Gast-Interpret(in):
Rod Stewart
recording of:
I’ve Been Drinking
Verfasser(in):
Johnny Mercer und Doris Tauber
arranger:
Jeff Beck (English rock guitarist) und Rod Stewart
Arrangement von:
Drinking Again
Jeff Beck featuring Rod Stewart3:17
13Friday on My Mind
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
The Easybeats3.52:39
14Dynamite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:58
15How Do You Do It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
16Norma Jean Wants to Be a Movie Star
recording of:
Norma Jean Wants to Be a Movie Star
Texter und Komponist(in):
J.C. Cunningham (American songwriter)
Cunningham23:38
17Catch the Wind
recording of:
Catch the Wind
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan2:55
18Dancing on a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
19Dance With the Devil
Produzent(in):
Mickie Most (English record producer)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:35
20Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:58
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Birds and the Bees
phonographisches Urheberrecht (℗) von:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
Texter und Komponist(in):
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) und Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:10
2One Way Wind
recording of:
One Way Wind
Texter und Komponist(in):
Arnold Mühren
The Cats3:37
3Mighty Joe
recording of:
Mighty Joe
Texter und Verfasser(in):
Robbie van Leeuwen
Shocking Blue43:09
4Dear Mrs. Applebee
recording of:
Dear Mrs. Applebee
Verfasser(in):
Phil Barr (songwriter) und Billy Meshel (songwriter)
David Garrick2:13
5Roll Over Beethoven
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (am 1972-09-08)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (am 1972-09-08) und Colin Walker (English Cellist that was a member of ELO) (am 1972-09-08)
Geige / Violine:
Wilfred Gibson (UK violinist) (am 1972-09-08)
Gitarre, Harmonium und Moog:
Jeff Lynne (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1972-09-08)
Hintergrundgesang:
Michael d’Albuquerque (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Sologesang:
Jeff Lynne (am 1972-09-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-09-08)
cover recording of:
Roll Over Beethoven (am 1972-09-08)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
E.L.O.4.354:33
6Give Up Your Guns
recording of:
Give Up Your Guns (epic narrative about escaped bank robber)
Verfasser(in):
Holmes und Jordan (co-writer of Give Up Your Guns for The Buoys)
The Buoys4:17
7Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
Texter und Komponist(in):
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation3:25
8Barbados
recording of:
Barbados
Verfasser(in):
Jeffrey Calvert und Max West
publisher:
Castle (publisher)
Typically Tropical44:08
9Show and Tell
phonographisches Urheberrecht (℗) von:
Rocky Road (70s US funk/soul) (in 1973)
recording of:
Show & Tell
Texter und Komponist(in):
Jerry Fuller
publisher:
Fullness Music Co.
Al Wilson3:28
10God Only Knows
recording of:
God Only Knows
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys2:49
11Long Tall Glasses (I Can dance)
Produzent(in):
David Courtney (songwriter, singer and producer) und Adam Faith
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
Leo Sayer3:06
12Pretty Flamingo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Pretty Flamingo
Texter und Komponist(in):
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L und Campbell Connelly & Co. Ltd.
Manfred Mann2:34
13Buddy Joe
recording engineer:
Frank Owen
Produzent(in):
Fred Haayen
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
E-Gitarre:
Barry Hay und George Kooymans
Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
vocals:
Barry Hay und George Kooymans
phonographisches Urheberrecht (℗) von:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) und Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1972-03-01 bis 1972-03-15)
recording of:
Buddy Joe (von 1972-03-01 bis 1972-03-15)
Verfasser(in):
George Kooymans
publisher:
Dayglow Music, Inc.
Golden Earring43:54
14You Were Made for Me
recording of:
You Were Made for Me
Texter und Komponist(in):
Mitch Murray
Freddie & the Dreamers2:19
15(You’re) Having My Baby
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
(You’re) Having My Baby
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
Paul Anka32:35
16You Were on My Mind
cover recording of:
You Were on My Mind
Texter und Komponist(in):
Sylvia Tyson
Crispian St. Peters2:40
17I’ll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:32
18So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:30
19The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:05
20Tubular Bells
recording of:
Tubular Bells
Komponist(in):
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
Teil von:
Tubular Bells, Part One
Mike Oldfield4.254:18
5▼CD
Nr.TitelKünstlerBewertungLänge
1Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:10
2Get Dancing
recording of:
Get Dancin’
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. und Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes4:16
3I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
Texter und Komponist(in):
Mitch Murray
Gerry & the Pacemakers22:15
4Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:21
5Puppet on a String
vocals:
Sandie Shaw (in 1967)
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1967) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1967)
recording of:
Puppet on a String (in 1967)
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
6Motorcycle Mama
cover recording of:
Motorcycle Mama
Texter und Komponist(in):
John D. Wyker III (Guitarist, producer and songwriter)
Harpo3:27
7Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
8Boy Oh Boy
Produzent(in):
Mickie Most (English record producer)
recording of:
Boy Oh Boy
Verfasser(in):
Roger D. Ferris und Gloria Macari
Racey2:54
9Silence Is Golden
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1967) und CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. und Windswept Pacific Music Ltd.
The Tremeloes3.653:10
10All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
Nitty Gritty Dirt Band3:51
11Something’s Gotten Hold of My Heart
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gene Pitney3:39
12No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:58
13The Bump
recording of:
The Bump
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:37
14Bombay
sonstige Unterstützung:
Steve James (Australian, formerly UK producer/engineer) (Aufgabe: tape operator)
Techniker(in):
Robin Freeman (British recording engineer, producer and musician based in the Netherlands)
Produzent(in):
Golden Earring und John Kriek
Mix:
John Kriek, Steve Lillywhite und Damon Lyon-Shaw
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Gitarre:
Eelco Gelling und George Kooymans
Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Gast Hintergrundgesang:
Patricia Paay
vocals:
Barry Hay und George Kooymans
phonographisches Urheberrecht (℗) von:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1976) und Red Bullet Productions B.V. (in 1976)
produced for:
Red Bullet Productions
aufgenommen bei:
Artisound Studios (Since 2000: Soundwise) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands und Relight Studio in Hilvarenbeek, Noord-Brabant (Provinz Nordbrabant), Niederlande, Kingdom of the Netherlands
mixed at:
Chappell Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Bombay
Verfasser(in):
Barry Hay und George Kooymans
publisher:
Dayglow Music, Inc. und Snamyook Music (publisher associated with George Kooymans)
Golden Earring43:54
15Beach Baby
phonographisches Urheberrecht (℗) von:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) und Peermusic Pty. Ltd. (Australia)
First Class4.54:51
16Silver Machine
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:40
17Big Spender
Produzent(in):
Kenneth Hume und Norman Newell
Sologesang:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. und WB Music Corp. (1929–2019)
Teil von:
Overture (Sweet Charity)
Teil von:
Sweet Charity
Shirley Bassey4.51:50
18Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
cover recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Bus Stop
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.652:54
19I’m a Tiger
recording of:
I’m a Tiger
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Marty Wilde
Lulu2:46
20Only a Fool
cover recording of:
Only a Fool Breaks His Own Heart
Texter:
Shelly Coburn
Verfasser(in):
Norman Bergen (in 1964) und Shelly Coburn (in 1964)
Komponist(in):
Norman Bergen
Byron Lee & Mighty Sparrow2:46
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD

Nennungen

Veröffentlichung

Fotografie:Tony Stone (photographer)
design:Studio van Dijken (ICT, media and graphic design studio)
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1999)
lizensiert von:A.A.M.I.
Barnaby Records, Inc.
BR Music Two B.V.
Broadley Records Ltd.
Castle Communications PLC (not for label use, copyright holder)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Interworld Ltd.
Janus Records Inc.
Jewel-Paula Records
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd.
MCI
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (UK) (company, not for release label use! UK branch of Repertoire Records GmbH)
Repertoire Records GmbH
Roadshow Music Corp.
Snapper Music
State Records Ltd.
Strike Records Ltd.
Sunny Records (US latin label, 80s/90s)
The Hit Label
Tic Toc Music (UK) Ltd.
Trojan Records
Discogs:https://www.discogs.com/release/1031648 [Info]
ASIN:DE: B00003ZA1M [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/160167 [Info]