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1▼CD: Wolfgang Amadeus Mozart
#TitoloArtistaValutazioneDurata
1Figaro’s Hochzeit KV 492: Ouvertüre
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) e Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
direttore d'orchestra:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
Le nozze di Figaro, K. 492: Sinfonia
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1786)
parte di:
Die Hochzeit des Figaro (German translation)
parte di:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart44:20
2Sinfonie Nr. 41 KV 551 „Jupiter“: I. Allegro vivace
orchestra:
London Philharmonic Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonia No. 41 in Do maggiore, K. 551 "Jupiter": I. Allegro vivace)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1788 al 1788-08-10)
parte di:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:25
3Sonate für Klavier Nr. 11 KV 331: III. Rondo alla Turca
pianoforte :
Herbert Wendl
registrazione di:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
ha composto a:
Paris, Île-de-France, Francia (nel 1778)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1783)
parte di:
Classic 100: Piano (2025) (numero: 32)
parte di:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:37
4Konzert für Horn und Orchester Nr. 3 KV 447: I. Allegro
corno :
Joschi Fallout (Slovenian horn player, born 1934)
corno francese :
Jože Falout (Slovenian horn player, born 1934)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra)
direttore d'orchestra:
Kurt Redel (German flautist and conductor)
registrazione di:
Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1784 al 1787)
parte di:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart7:59
5Konzert für Piano und Orchester Nr. 17 KV 453: II. Andante
pianoforte :
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) e Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) e Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
direttore d'orchestra:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) e Kurt Redel (German flautist and conductor)
registrazione di:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1784)
parte di:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
Wolfgang Amadeus Mozart9:22
6Konzert für Oboe und Orchester KV 314: III. Rondo allegretto
oboe :
Božo Rogelja
orchestra:
Camerata Labacensis (Slovenian chamber orchestra)
direttore d'orchestra:
Kurt Redel (German flautist and conductor)
registrazione di:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1777 al 1778)
parte di:
Oboe Concerto in C major, K. 314 / 271k
Wolfgang Amadeus Mozart6:11
7Konzert für Klavier und Orchester Nr. 9 KV 251: II. Andante
pianoforte :
Leonard Hokanson (pianist) e Sylvia van der Linden
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) e Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) e Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
registrazione di:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1777)
parte di:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
Wolfgang Amadeus Mozart10:48
8Serenade Nr. 13 KV 525 „Eine kleine Nachtmusik“: Allegro
tecnico audio:
Bernhard Mahne (Classical music producer) (dal 1986-04-22 al 1986-04-24) e Lutz Wildner (dal 1986-04-22 al 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) e Camerata Labacensis (Slovenian chamber orchestra) (dal 1986-04-22 al 1986-04-24)
direttore d'orchestra:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz e Alexander von Pitamic (Alfred Scholz pseudonym) (dal 1986-04-22 al 1986-04-24)
registrata presso:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (dal 1986-04-22 al 1986-04-24)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (dal 1986-04-22 al 1986-04-24)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:32
9Serenade Nr. 13 KV 525 „Eine kleine Nachtmusik“: Romanca
tecnico audio:
Bernhard Mahne (Classical music producer) (dal 1986-04-22 al 1986-04-24) e Lutz Wildner (dal 1986-04-22 al 1986-04-24)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) e Camerata Labacensis (Slovenian chamber orchestra) (dal 1986-04-22 al 1986-04-24)
direttore d'orchestra:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz e Alexander von Pitamic (Alfred Scholz pseudonym) (dal 1986-04-22 al 1986-04-24)
registrata presso:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (dal 1986-04-22 al 1986-04-24)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (dal 1986-04-22 al 1986-04-24)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
10Serenade Nr. 13 KV 525 „Eine kleine Nachtmusik“: Menuetto, Allegretto
tecnico audio:
Bernhard Mahne (Classical music producer) (dal 1986-04-22 al 1986-04-24) e Lutz Wildner (dal 1986-04-22 al 1986-04-24)
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) e Camerata Labacensis (Slovenian chamber orchestra) (dal 1986-04-22 al 1986-04-24)
direttore d'orchestra:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz e Alexander von Pitamic (Alfred Scholz pseudonym) (dal 1986-04-22 al 1986-04-24)
registrata presso:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (dal 1986-04-22 al 1986-04-24)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (dal 1986-04-22 al 1986-04-24)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
11Serenade Nr. 13 KV 525 „Eine kleine Nachtmusik“: Rondo, Allegro
tecnico audio:
Bernhard Mahne (Classical music producer) (dal 1986-04-22 al 1986-04-24) e Lutz Wildner (dal 1986-04-22 al 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) e Camerata Labacensis (Slovenian chamber orchestra) (dal 1986-04-22 al 1986-04-24)
direttore d'orchestra:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz e Alexander von Pitamic (Alfred Scholz pseudonym) (dal 1986-04-22 al 1986-04-24)
registrata presso:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (dal 1986-04-22 al 1986-04-24)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (dal 1986-04-22 al 1986-04-24)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:25
2▼CD: Franz Schubert
#TitoloArtistaValutazioneDurata
1Sinfonie Nr. 8 D 759 h-moll „Unvollendete“: Allegro moderato
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
compositore:
Franz Schubert (composer) (nel 1822)
parte di:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert13:43
2Sinfonie Nr. 8 D 759 h-moll „Unvollendete“: Allegro con moto
orchestra:
Radio Symphony Orchestra Ljubjana (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
compositore:
Franz Schubert (composer) (nel 1822)
parte di:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:26
3Impromptu Nr. 3
pianoforte :
Leonard Hokanson (pianist)
registrazione di:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
compositore:
Franz Schubert (composer) (nel 1827)
parte di:
Classic 100: Piano (2004) (numero: 6)
parte di:
4 Impromptus, op. 90, D. 899
Franz Schubert5:30
4Streichquartett Nr. 12 D 703 c-moll „Quartettsatz“ op. ph.: Allegro assai
strumenti:
Bamberger Quartett
strumenti a corda strofinata :
Bamberger Quartett
registrazione di:
String Quartet no. 12 in C minor, D. 703 “Quartettsatz”: I. Allegro assai
compositore:
Franz Schubert (composer) (nel 1820-12)
parte di:
String Quartet no. 12 in C minor, D. 703 “Quartettsatz”
Franz Schubert9:22
5Moment Musical D 780 Nr. 3 f-moll „Air russe“
pianoforte :
Leonard Hokanson (pianist)
registrazione di:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato
compositore:
Franz Schubert (composer)
parte di:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert8:57
3▼CD: Johann Strauss
#TitoloArtistaValutazioneDurata
1An der schönen blauen Donau, op. 314
registrazione di:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
eseguita per la prima volta a:
Wien (Vienna), Austria (il 1867-02-15)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1866)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 314)
Johann Strauss10:05
2Tritsch - Tratsch - Polka, op. 214
orchestra:
Orchester der Wiener Volksoper
direttore d'orchestra:
Alfred Scholz
registrazione di:
Tritsch-Tratsch Polka, op. 214 (catch-all for arrangements)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
arrangiamento di:
Tritsch–Tratsch Polka, op. 214
Johann Strauss2:41
3Frühlingsstimmen, op. 410
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) e Wiener Johann Strauss Orchester
direttore d'orchestra:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
registrazione di:
Frühlingsstimmen, op. 410 (Voices of Spring)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1882)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 410)
Johann Strauss6:58
4Rosen aus dem Süden, op. 388
registrazione di:
Rosen aus dem Süden, op. 388 (Roses from the South)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 388)
Johann Strauss9:16
5Pizzicato - Polka
orchestra:
Orchester der Wiener Volksoper
direttore d'orchestra:
Alfred Scholz
registrazione di:
Pizzicato-Polka
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1869) e Josef Strauss (Austrian composer) (nel 1869)
Johann Strauss2:46
6Kaiserwalzer, op. 437
registrazione di:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)
eseguita per la prima volta a:
Berlin, Germania (il 1889-10-21)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1889)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 437)
Johann Strauss12:01
7Perpetuum Mobile, op. 257
orchestra:
People's Opera Orchestra, Vienna e Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Perpetuum mobile, op. 257
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1861)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 257)
Johann Strauss2:57
8Eljen a Magyar, op. 332
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
direttore d'orchestra:
Joseph Francek (conductor, pseudonym for Alfred Scholz) e Alfred Scholz
registrazione di:
Éljen a Magyar, op. 332 (Long live the Magyar!)
eseguita per la prima volta a:
Pest (Pest County), Ungheria (nel 1869)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 332)
Johann Strauss2:49
9Wiener Blut, op. 354
registrazione di:
Wiener Blut, op. 354 (Vienna Blood, waltz)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 354)
Johann Strauss9:29
10Persischer Marsch, op. 298
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
direttore d'orchestra:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
registrazione di:
Persischer Marsch, op. 289
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 289)
Johann Strauss2:23
11Radetzky - Marsch, op. 228
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) e Wiener Johann Strauss Orchester
direttore d'orchestra:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) e Alfred Scholz
registrazione di:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
compositore:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (nel 1848)
dedicata a:
Joseph Radetzky von Radetz
eseguita per la prima volta presso:
Wasserglacis in Wien (Vienna), Austria (il 1848-08-31)
parte di:
Works of Johann Strauss Sr. by opus number (numero: op. 228)
Johann Strauss2:56
4▼CD: Peter Tschaikowsky
#TitoloArtistaValutazioneDurata
1Nußknacker Suite, op. 71a, Nr. 1: Ouvertüre miniature
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (fino al 1892)
parte di:
The Nutcracker (suite from the ballet), op. 71a
Peter Tschaikowsky3:17
2Nußknacker Suite, op. 71a, Nr. 2: Marche miniature
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
registrazione di:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Peter Tschaikowsky2:47
3Nußknacker Suite, op. 71a, Nr. 3: Tanz der Zuckerfee
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Peter Tschaikowsky2:09
4Nußknacker Suite, op. 71a, Nr. 4: Trepak - Russischer Tanz
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tschaikowsky1:15
5Nußknacker Suite, op. 71a, Nr. 5: Arabischer Tanz
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tschaikowsky3:40
6Nußknacker Suite, op. 71a, Nr. 6: Chinesischer Tanz
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tschaikowsky1:25
7Nußknacker Suite, op. 71a, Nr. 7: Tanz der Rohrflöten
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Peter Tschaikowsky2:40
8Nußknacker Suite, op. 71a, Nr. 8: Blumen Walzer
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Peter Tschaikowsky7:09
9Symphony No. 5, op. 64 e-moll: III. Walzer Allegro moderato
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1888-05 al 1888-08)
parte di:
Symphony no. 5 in E minor, op. 64
Peter Tschaikowsky6:01
10Capriccio Italien, op. 45
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Marko Munih (conductor)
registrazione di:
Capriccio italien, op. 45
eseguita per la prima volta a:
Moscow, Russia (il 1880-12-18)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1880-01 al 1880-05)
dedicata a:
Карл Юльевич Давыдов (Karl Davydov)
parte di:
The Tchaikovsky Handbook (numero: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 44) e Works of Pyotr Ilyich Tchaikovsky by opus number (numero: op. 45)
Peter Tschaikowsky15:07
11Sinfonie Nr. 6 op. 74 h-moll „Pathétique“: II. Marsch: Allegro con grazia
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Marko Munih (conductor)
registrazione di:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (Sinfonia No. 6 in Si minore, Op. 74 "Patetica": II. Allegro con grazia)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1893-02 al 1893-08)
parte di:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Tschaikowsky8:01
12Dornröschen Suite, op. 66a: Introduction - La Fèe des Lilas
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty, op. 66: Introduction
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Peter Tschaikowsky3:32
13Dornröschen Suite, op. 66a: Pass d’Action
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Peter Tschaikowsky5:26
14Dornröschen Suite, op. 66a: Pas de Caractère
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Peter Tschaikowsky2:32
15Dornröschen Suite, op. 66a: Panorama
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Peter Tschaikowsky4:24
16Dornröschen Suite, op. 66a: Apothèse
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: V. Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66: Acte III
Peter Tschaikowsky2:00
5▼CD: Antonio Vivaldi
#TitoloArtistaValutazioneDurata
1Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 1: „Der Frühling“: Allegro
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) e Bohdan Warchal (violinist, conductor)
registrazione parziale di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (numero: F. I/22) e Ryom-Verzeichnis (numero: RV 269)
parte di:
Il cimento dell’armonia e dell’inventione, op. 8 (Il cimento dell'armonia e dell'inventione, op. 8)
parte di:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:27
2Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 1: „Der Frühling“: Largo e pianissimo sempre
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:15
3Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 1: „Der Frühling“: Allegro (Danza patorale)
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:02
4Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 2: „Der Sommer“: Allegro non molto
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:16
5Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 2: „Der Sommer“: Adagio
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:09
6Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 2: „Der Sommer“: Tempo impettuoso d’Estate
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangiatore:
Jeannette Sorrell (conductor and harpsichordist)
arrangiamento di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:56
7Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 3: „Der Herbst“: Allegro
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:07
8Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 3: „Der Herbst“: Adagio
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:05
9Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 3: „Der Herbst“: La Caccia
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:21
10Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 4: „Der Winter“: Allegro non molto
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name) e Nils‐Erik Sparf (Swedish viol(in)ist)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:35
11Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 4: „Der Winter“: Largo
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
arrangiamento di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:45
12Konzert für Violine, Streicher und Basso continuo „Die vier Jahreszeiten“, op. 8 Nr. 4: „Der Winter“: Allegro
violino :
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e Südwest-Studioorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Heribert Münchner (conductor, pseudonym for Alfred Scholz)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:31
13Konzert für Mandoline, Streicher & Basso continuo, Nr. 1 C-Dur: Allegro
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) e Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) e Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Concerto for Mandolin in C major, RV 425: I. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:12
14Konzert für Mandoline, Streicher & Basso continuo, Nr. 1 C-Dur: Largo
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Antonio Vivaldi2:48
15Konzert für Mandoline, Streicher & Basso continuo, Nr. 1 C-Dur: Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Antonio Vivaldi2:45
16Konzert für Violoncello, Streicher & Basso continuo, G-Dur: Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Antonio Vivaldi3:04
17Konzert für Violoncello, Streicher & Basso continuo, G-Dur: Siciliana
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Antonio Vivaldi2:32
18Konzert für Violoncello, Streicher & Basso continuo, G-Dur: Alla Breve
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Antonio Vivaldi4:09
19Concerto Grosso, Nr. 10 op. 3: Allegro
orchestra:
The Soloists of Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: I. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1711)
parte di:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi4:15
20Concerto Grosso, Nr. 10 op. 3: Largo, Larghetto
orchestra:
The Soloists of Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: II. Largo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1711)
parte di:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
Antonio Vivaldi3:20
21Concerto Grosso, Nr. 10 op. 3: Allegro
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
Antonio Vivaldi3:32
22Konzert für Streicher und Basso continuo, G-Dur: Presto
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
registrazione di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:34
23Konzert für Streicher und Basso continuo, G-Dur: Adagio
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
registrazione di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: II. Adagio
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:02
24Konzert für Streicher und Basso continuo, G-Dur: Allegro
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
registrazione di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: III. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:30

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