A Brand New Me

~ Release by Aretha Franklin with the Royal Philharmonic Orchestra (see all versions of this release, 3 available)

Tracklist

1CD
#TitleArtistRatingLength
1Think
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Willie Bridges, Floyd Newman and Martin Williams (reeds)
bass:
Jerry Jemmott and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Tommy Cogbill, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Dewey "Spooner" Oldham
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Andrew Love and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
Think
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin & Royal Philharmonic Orchestra2:55
2Don't Play That Song (You Lied)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
additional keyboard:
Jim Dickinson and Mike Utley
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Tommy McClure and Steve Pearce (UK bassist)
drums (drum set):
Sammy Creason and Ralph Salmins
guitar:
Charlie Freeman, Howard "Buzz" Feiten and Timothy Cansfield
piano:
Aretha Franklin and Graham Harvey
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Margaret Branch, Brenda Bryant, Almeda Lattimore, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Don’t Play That Song (You Lied)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Aretha Franklin & Royal Philharmonic Orchestra2:56
3I Say a Little Prayer
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Jerry Jemmott and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Tommy Cogbill and Timothy Cansfield
piano:
Aretha Franklin and Graham Harvey
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin & Royal Philharmonic Orchestra4:18
4Until You Come Back To Me (That's What I'm Gonna Do)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Steve Pearce (UK bassist) and Chuck Rainey (American bassist)
drums (drum set):
Bernard Purdie and Ralph Salmins
electric piano:
Donny Hathaway and Pete Murray (pianist and keyboardist)
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Richard Tee
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
solo flute:
Joe Farrell
synthesizer:
Kenneth Bichel (keyboardist)
background vocals:
Patti Austin, Margaret Branch, Ann S. Clark, Ledisi, Lynn Fiddmont, Valerie Pinkston and Pat Smith (soul vocalist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin & Royal Philharmonic Orchestra3:30
5A Brand New Me
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Graham Harvey
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Brand New Me
writer:
Theresa Bell, Jerry Butler (soul singer) and Kenneth Gamble (songwriter for Philadelphia International)
Aretha Franklin & Royal Philharmonic Orchestra4:19
6A Natural Woman (You Make Me Feel Like)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
drums (drum set):
Gene Chrisman and Ralph Salmins
guitar:
Timothy Cansfield
piano:
Dewey "Spooner" Oldham and Pete Murray (pianist and keyboardist)
background vocals:
Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
orchestrator:
Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
recording of:
(You Make Me Feel Like) A Natural Woman
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin & Royal Philharmonic Orchestra3:36
7Angel
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Ben Castle
baritone saxophone:
Claire McInerney
bass:
Steve Pearce (UK bassist)
drums (drum set):
Ralph Salmins
guitar:
Timothy Cansfield
piano:
Pete Murray (pianist and keyboardist)
solo alto saxophone:
Phil Woods (US jazz woodwind player)
solo tenor saxophone:
Joe Farrell
tenor saxophone:
Chris White (UK jazz saxophonist)
trombone:
Neil Sidwell
trumpet:
Matt Holland (trumpet, keyboard, vocals) and Adam Linsley
background vocals:
Patti Austin, Andy Caine, Ledisi, Lynn Fiddmont, Mirriam Grey, Valerie Pinkston and Shena Winchester
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Richard Cottle
orchestrator:
Robin Smith (songwriter/pianist/conductor/producer) and Chris Walden
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Angel
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
Aretha Franklin & Royal Philharmonic Orchestra4:42
8Border Song (Holy Moses)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Steve Pearce (UK bassist) and Chuck Rainey (American bassist)
drums (drum set):
Ray Lucas and Ralph Salmins
guitar:
Cornell Dupree and Timothy Cansfield
organ:
Pete Murray (pianist and keyboardist) and Billy Preston
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ronnie Bright, J.R. Bailey, Ledisi, Lynn Fiddmont, Valerie Pinkston, The Sweet Inspirations and Sammy Turner
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Border Song
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Aretha Franklin & Royal Philharmonic Orchestra3:24
9Let It Be
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Eddie Hinton, Jerry Weaver, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Barry Beckett
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Let It Be
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin & Royal Philharmonic Orchestra3:34
10People Get Ready
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Haywood Henry (US jazz saxophonist) and Martin Williams (reeds)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
bass trombone:
Tony Studd
drums (drum set):
Roger Hawkins and Ralph Salmins
flute:
Frank Wess
guitar:
Timothy Cansfield and Bobby Womack
organ:
Dewey "Spooner" Oldham
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, King Curtis (saxophonist), Seldon Powell, Jamie Talbot (English jazz alto saxophonist) and Frank Wess
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Bernie Glow, Melvin Lastie, Joe Newman (US jazz trumpeter), Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Carolyn Franklin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin & Royal Philharmonic Orchestra4:04
11Oh Me Oh My (I'm a Fool for You Baby)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer) and Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger:
Steve Sidwell (English composer & wind instrumentalist)
strings arranger:
Robin Smith (songwriter/pianist/conductor/producer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Oh Me Oh My (I’m a Fool for You Baby)
lyricist and composer:
Jim Doris (in 1969)
publisher:
Abesongs Ltd (PRS), Noo Trac Ltd. and Origin Network Pty Ltd
Aretha Franklin & Royal Philharmonic Orchestra4:18
12You're All I Need To Get By
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
Eric Gale and Steve Pearce (UK bassist)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) and Ralph Salmins
guitar:
Hugh McCracken and Timothy Cansfield
organ:
Donny Hathaway
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin & Royal Philharmonic Orchestra3:59
13Son of a Preacher Man
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Martin Williams (reeds)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) and Steve Pearce (UK bassist)
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Eddie Hinton, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Barry Beckett
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Ledisi, Lynn Fiddmont, Valerie Pinkston and The Sweet Inspirations
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Son of a Preacher Man
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Aretha Franklin & Royal Philharmonic Orchestra3:29
14Respect
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Greg Field
assistant producer:
Greg Field (background vocals)
producer:
Nick Patrick and Don Reedman (producer)
mixer:
Peter Schwier (producer, mixing and recording engineer)
editor:
Cécile Tournesac and Kirsty Whalley (engineer and keyboardist)
alto saxophone:
Nigel Hitchcock
baritone saxophone:
Willie Bridges and Martin Williams (reeds)
bass:
Tommy Cogbill and Steve Pearce (UK bassist)
cornet:
Melvin Lastie
drums (drum set):
Roger Hawkins and Ralph Salmins
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Timothy Cansfield
organ:
Dewey "Spooner" Oldham
percussion:
Danny Cummings (British drummer and percussionist)
piano:
Aretha Franklin and Pete Murray (pianist and keyboardist)
tenor saxophone:
Graeme Blevins, Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), King Curtis (saxophonist) and Jamie Talbot (English jazz alto saxophonist)
trombone:
Nigel Barr, Alistair White and Andy Wood (trombonist)
trumpet:
Simon Gardiner, Ryan Quigley and Paul Spong (trumpetist)
background vocals:
Patti Austin, Carolyn Franklin, Erma Franklin, Ledisi, Lynn Fiddmont and Valerie Pinkston
orchestra:
Royal Philharmonic Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
additional instruments arranger:
Nick Patrick and Don Reedman (producer)
brass arranger and strings arranger:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and G Studio Digital in Studio City, Los Angeles, California, United States
mixed at:
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
cover recording of:
Respect
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin & Royal Philharmonic Orchestra2:37

Credits

Release

art direction and design:ZiP Design
photography:Jerry Schatzberg (photographer and film director)
recording engineer:Peter Schwier (producer, mixing and recording engineer)
mastering:Nigel Reeve
Ray Staff (British mastering engineer)
illustration:Jimmy Turrell
copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2017)
recorded at:RAK Studios in London (Greater London), England, United Kingdom
Shine Studios in Salisbury, Wiltshire, England, United Kingdom
mastered at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/11192504 [info]
ASIN:DE: B0741B6Q6Q [info]