Mahler

~ Release by Mahler; Abbado, Berliner Philharmoniker, Lucerne Festival Orchestra (see all versions of this release, 1 available)

Annotation

Box containing all Mahler Symphonies

Sub-optimal Credits

Project Management: David Butchart

Annotation last modified on 2017-11-26 06:30 UTC.

Tracklist

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1▼CD: Symphony no. 1
#TitleArtistRatingLength
1Symphony no. 1 in D major: I. Langsam. Schleppend
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:13
2Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:23
3Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:32
4Symphony no. 1 in D major: IV. Stürmisch bewegt
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-12)
conductor:
Claudio Abbado (conductor) (in 1989-12)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-12)
live recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1989-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:37
2▼CD: Symphony no. 2
#TitleArtistRatingLength
1Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler20:45
2Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:23
3Symphony no. 2 in C minor “Resurrection”: III. [Scherzo.] In ruhig fließender Bewegung
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler11:22
4Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”. Sehr feierlich, aber schlicht — “O Röschen rot!”
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
solo alto vocals:
Anna Larsson (contralto) (in 2003-08)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:04
5Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Die Auferstehung”
executive producer:
Paul Smaczny
producer:
Christopher Alder (editor/engineer/producer) and Georg Obermayer (producer/engineer)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 2003-08)
solo alto vocals:
Anna Larsson (contralto) (in 2003-08)
solo soprano vocals:
Eteri Gvazava (soprano) (in 2003-08)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2003-08)
conductor:
Claudio Abbado (conductor) (in 2003-08)
chorus master:
José Antonio Sainz Alfaro (in 2003-08)
balance engineer:
Toine Mertens (Dutch recording engineer) and Georg Obermayer (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2004)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2003-08)
live recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 2003-08)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler34:42
3▼CD: Symphony no. 3 (Part I)
#TitleArtistRatingLength
1Symphony no. 3 in D minor: Part I: 1. Kräftig. Entscheiden
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:11
2Symphony no. 3 in D minor: Part I: 1. Immer das gleiche Tempo (fig. 11)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:43
3Symphony no. 3 in D minor: Part I: 1. Tempo I (fig. 18)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:50
4Symphony no. 3 in D minor: Part I: 1. Zeit lassen (fig. 29)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:02
5Symphony no. 3 in D minor: Part I: 1. Zeit lassen (fig. 33)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:11
6Symphony no. 3 in D minor: Part I: 1. Immer dasselbe Tempo. (Marsch) (fig. 43)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:26
7Symphony no. 3 in D minor: Part I: 1. Im alten Marschtempo (Allegro moderato): 3 bars after (fig. 54)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:45
8Symphony no. 3 in D minor: Part I: 1. Tempo I (fig. 62)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:15
4▼CD: Symphony no. 3 (Part II)
#TitleArtistRatingLength
1Symphony no. 3 in D minor: Part II: 2. Tempo di Menuetto. Sehr mäßig
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler1:57
2Symphony no. 3 in D minor: Part II: 2. L'istesso tempo (fig. 3)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler0:59
3Symphony no. 3 in D minor: Part II: 2. A tempo. (Wie im Anfang) (fig. 6)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:24
4Symphony no. 3 in D minor: Part II: 2. Ganz plötzlich gemächlich. Tempo di Menuetto (fig. 14)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:45
5Symphony no. 3 in D minor: Part II: 3. Comodo. Scherzando. Ohne Hast
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:29
6Symphony no. 3 in D minor: Part II: 3. Wieder sehr gemächlich, wie zu Anfang (fig. 6)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:52
7Symphony no. 3 in D minor: Part II: 3. Etwas zurückhaltend: 6 bars before (fig. 14)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:26
8Symphony no. 3 in D minor: Part II: 3. Tempo I. 2 bars before (fig. 17)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:49
9Symphony no. 3 in D minor: Part II: 3. Wieder sehr gemächlich, beinahe langsam (fig. 27)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:47
10Symphony no. 3 in D minor: Part II: 4. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib acht!"
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
solo alto vocals:
Anna Larsson (contralto) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1999-10)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:51
11Symphony no. 3 in D minor: Part II: 4. Più mosso subito: 6 bars after (fig. 6)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1999-10)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:18
12Symphony no. 3 in D minor: Part II: 5. Lustig im Tempo und keck im Ausdruck “Bimm Bamm! Es sungen drei Engel”
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
choir vocals:
City of Birmingham Symphony Youth Chorus (in 1999-10) and London Symphony Chorus (in 1999-10)
solo alto vocals:
Anna Larsson (contralto) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
chorus master:
Simon Halsey (conductor) (in 1999-10) and Stephen Westrop (chorus master) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:19
13Symphony no. 3 in D minor: Part II: 6. Langsam. Ruhevoll. Empfunden
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:18
14Symphony no. 3 in D minor: Part II: 6. Nicht mehr so breit (fig. 4)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:42
15Symphony no. 3 in D minor: Part II: 6. Tempo I. Ruhevoll (fig. 9)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:51
16Symphony no. 3 in D minor: Part II: 6. Nicht mehr so breit (fig. 13)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:00
17Symphony no. 3 in D minor: Part II: 6. Tempo I (fig. 21)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:42
18Symphony no. 3 in D minor: Part II: 6. Langsam. Tempo I (fig. 25)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler6:29
19Applause
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
[no artist]3:20
5▼CD: Symphony no. 4
#TitleArtistRatingLength
1Symphony no. 4 in G major: I. Bedächtig. Nicht eilen — Recht gemächlich
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2005-05)
conductor:
Claudio Abbado (conductor) (in 2005-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2005-05)
live recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 2005-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:13
2Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
producer:
Christopher Alder (editor/engineer/producer)
solo violin:
גיא בראונשטיין (Guy Braunstein, violinist) (in 2005-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2005-05)
conductor:
Claudio Abbado (conductor) (in 2005-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2005-05)
live recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 2005-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:35
3Symphony no. 4 in G major: III. Ruhevoll (Poco adagio)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2005-05)
conductor:
Claudio Abbado (conductor) (in 2005-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2005-05)
live recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 2005-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler19:57
4Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”
producer:
Christopher Alder (editor/engineer/producer)
solo soprano vocals:
Renée Fleming (soprano) (in 2005-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2005-05)
conductor:
Claudio Abbado (conductor) (in 2005-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2005-05)
live recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 2005-05)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:25
6▼CD: Symphony no. 5
#TitleArtistRatingLength
1Symphony no. 5 in C-sharp minor: Part I: 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:36
2Symphony no. 5 in C-sharp minor: Part I: 2. Stürmisch bewegt, mit größter Vehemenz
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:46
3Symphony no. 5 in C-sharp minor: Part II: 3. Scherzo. Kräftig, nicht zu schnell
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
solo horn:
Gerd Seifert (horn player) (in 1993-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:26
4Symphony no. 5 in C-sharp minor: Part III: 4. Adagietto. Sehr langsam
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:01
5Symphony no. 5 in C-sharp minor: Part III. 5. Rondo-Finale. Allegro — Allegro giocoso. Frisch
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1993-05)
producer:
Christopher Alder (editor/engineer/producer)
mixer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-05)
conductor:
Claudio Abbado (conductor) (in 1993-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1993-05)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1993-05)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:40
7▼CD: Symphony no. 6
#TitleArtistRatingLength
1Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 2004-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler22:48
2Symphony no. 6 in A minor: II. Andante moderato
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 2004-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:57
3Symphony no. 6 in A minor: III. Scherzo. Wuchtig
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 2004-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler12:43
4Symphony no. 6 in A minor: IV. Finale. Allegro moderato — Allegro energico
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 2004-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler29:44
5Applause
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
[no artist]0:24
8▼CD: Symphony no. 7
#TitleArtistRatingLength
1Symphony no. 7 in E minor: I. Langsam (Adagio) — Allegro risoluto, ma non troppo
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler21:35
2Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler15:54
3Symphony no. 7 in E minor: III. Scherzo. Schattenhaft
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler8:53
4Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler12:58
5Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario — Allegro moderato ma energico
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:45
6Applause
producer:
Christopher Alder (editor/engineer/producer)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
[no artist]1:02
9▼CD: Symphony no. 8 (Part I)
#TitleArtistRatingLength
1Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Allegro impetuoso. “Veni, creator spiritus”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:33
2Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:35
3Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Etwas drängend — Noch einmal so langsam. (Nicht schleppend) “Infirma nostri corporis”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:10
4Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:17
5Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals and tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:45
6Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzlichem Aufschwung “Accende lumen sensibus”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:54
7Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: “Veni, creator spiritus”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
contralto vocals:
Rosemarie Lang (mezzo-soprano) (in 1994-02) and Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:13
8Symphony no. 8 “Symphony of a Thousand”: Part I, Hymnus “Veni, creator spiritus”: Wieder frisch. “Gloria sit Patri Domino”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:58
10▼CD: Symphony no. 8 (Part II)
#TitleArtistRatingLength
1Symphony no. 8 “Symphony of a Thousand”: Part II, Final Scene from Goethe’s Faust: Poco Adagio
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:50
2Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Più mosso. (Allegro moderato)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:16
3Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Wieder langsam. Chor und Echo “Waldung, sie schwankt heran”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:46
4Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Moderato. Pater ecstaticus “Ewiger Wonnebrand”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:54
5Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Allegro — (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
6Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied Geisterwelt vom Bösen” / Chor seliger Knaben: “Hände verschlinget euch”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:03
7Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Molto leggiero. Chor der jüngeren Engel: “Jene Rosen aus den Händen”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:53
8Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Schon etwas langsamer und immer noch mäßiger — Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:04
9Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben, nebelnd um Felsenhöh’" / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sempre l’istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt!"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:02
11Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Äußerst langsam. Adagissimo. “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02)
solo soprano vocals [Una Poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:53
12Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” / Maria Aegyptiaca: “Bei dem hochgeweihten Orte”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:57
13Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Una poenitentium: “Neige, du Ohnegleiche”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:54
14Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Unmerklich frischer werden. Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen Geisterchor umgeben”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:24
15Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sehr langsam. Mater gloriosa: “Komm! hebe dich zu höhern Sphären!” / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
16Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (engineer/producer) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Czech Philharmonic Chorus, Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:43
11▶CD: Symphony no. 9

Credits

Release

printed in:EU (Europe)
art direction:Merle Kersten
design/illustration:Anja Hoppe (designer)
photography:Marco Caselli Nirmal (photographer)
Cordula Groth (photographer)
Evelyn Hofer (photographer)
Priska Ketterer
liner notes:Eva Zöllner (booklet editor)
miscellaneous support:David Butchart
copyrighted (©) by and phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2014)
ASIN:DE: B00JJ9DYMY [info]
discography entry:http://www.deutschegrammophon.com/de/cat/4793204 [info]