The Hit Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1▼CD: The 60's Smash Hits
#TitoloArtistaValutazioneDurata
1Hang On Sloopy
produttore:
Feldman (of The Strangeloves), Goldstein (producer, record label owner and publisher) e Gottehrer (American songwriter and music executive)
direttore d'orchestra:
Bassett Hand (nel 1965)
arrangiatore:
Bassett Hand
diritti fonografici (℗) detenuti da:
Bang Records (Bert Berns label)
parte di:
Paste: The 25 Best Songs About Ohio Ever Made (numero: 1)
registrazione di:
Hang On Sloopy (nel 1965)
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys53:07
2Hit the Road Jack
produttore:
Sid Feller
basso :
Edgar Willis (bass) (il 1961-07-05)
batteria :
Edward "Bruno" Carr (il 1961-07-05)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
sassofono baritono [baritone sax] :
Leroy "Hog" Cooper (saxophonist) (il 1961-07-05)
sassofono contralto [alto sax] :
Bennie "Hank" Crawford (il 1961-07-05)
sassofono tenore [tenor sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1961-07-05)
tromba :
Phillip Guilbeau (il 1961-07-05) e John Hunt (trumpeter) (il 1961-07-05)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05) e Margie Hendrix (il 1961-07-05)
voce di accompagnamento:
The Raelettes (il 1961-07-05)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1961-07-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 248)
registrazione di:
Hit the Road Jack (il 1961-07-05)
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.41:58
3Needles and Pins
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:14
4You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
5Diana
registrazione di:
Diana
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing e Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka2:12
6Travellin’ Man
registrazione di:
Travelin’ Man
paroliere e compositore:
Jerry Fuller (nel 1961)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Ricky Nelson2:19
7Out of Time
registrazione cover di:
Out of Time
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia e EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:34
8Itchycoo Park
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces2:48
9Chantilly Lace
The Big Bopper2:25
10Tossin’ & Turnin
registrazione di:
Tossing and Turning
compositore:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:27
11You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:14
12Lonely Boy
registrazione di:
Lonely Boy
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Epa Publishing
Paul Anka2:18
13Where the Boys Are
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
Where the Boys Are
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
EMI Longitude Music, Robbins Music Corp. Ltd., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Connie Francis2:40
14She’s Not There
The Zombies2:26
15Boom Boom Baby
Billy “Crash” Craddock2:31
16Bye Bye Love
registrazione di:
Bye Bye Love
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:19
17Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:08
18Venus in Blue Jeans
Mark Wynter2:10
19Have I the Right?
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Have I the Right (nel 1964)
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
The Honeycombs32:57
20Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations2:53
2▼CD: The 70’s Smash Hits
#TitoloArtistaValutazioneDurata
1Money, Money, Money
tecnico:
Michael B. Tretow (il 1976-05-17)
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1976-05-17)
chitarra :
Björn Ulvaeus (il 1976-05-17)
chitarra basso :
Rutger Gunnarsson (il 1976-05-17)
chitarra elettrica :
Anders Glenmark (il 1976-05-17)
tastiera :
Benny Andersson (ABBA) (il 1976-05-17)
voce solista:
Frida (Swedish singer and member of ABBA) (nel 1976)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Union Songs AB (publisher) (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-05-17)
registrazione di:
Money, Money, Money (il 1976-05-17)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Union Songs Music e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
ABBA3.63:09
2I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:17
3Venus
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.153:03
4Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:11
5Dreadlock Holiday
produttore:
Graham Gouldman e Eric Stewart
batteria e tamburello :
Stuart Tosh
chitarra basso e chitarra e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra e organo :
Rick Fenn
congas, campanaccio, marimba, timbales e triangolo :
Paul Burgess (UK rock drummer)
pianoforte elettrico, maracas e organo :
Eric Stewart
sintetizzatore :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1977)
registrazione di:
Dreadlock Holiday (nel 1977)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
10cc45:02
6Lola
registrazione di:
Lola
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1970-04)
editore:
Carlin Music Corporation, Carlin (nel 1970, nel 1984) e Davray (publisher) (nel 1970, nel 1984)
The Kinks4:11
7Get It On
registrazione di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
Marc Bolan1:14
8Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:30
9Please Mr. Postman
tecnico:
Ray Gerhardt (Recording and mixing engineer)
produttore:
Richard Carpenter (The Carpenters)
produttore associato:
Karen Carpenter
voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1974)
registrazione cover di:
Please Mr. Postman (il 1974-07-22)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Carpenters42:50
10Girls Can Get It
registrazione di:
Girls Can Get It
paroliere e compositore:
Leslie Pearl
Dr. Hook3:16
11Fox on the Run
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
The Sweet4:51
12You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:31
13Joy
diritti fonografici (℗) detenuti da:
Start Entertainment Ltd (nel 1972)
registrazione di:
Joy (Apollo 100)
autore:
[traditional] (special purpose artist)
arrangiatore:
T. Parker (arranger & multi-instrumentalist)
editore:
Belsize Music Ltd.
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 1002:35
14Midnight Train to Georgia
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:00
15The Way You Do It
Pussyfoot3:03
16Don’t Let Me Be Misunderstood
produttore:
Chris Tsangarides
registrazione cover di:
Don’t Let Me Be Misunderstood (nel 1980)
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Gary Moore43:34
17You’re the First, the Last, My Everything
produttore:
Barry White
registrazione di:
You’re the First, the Last, My Everything (nel 1974)
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White4.44:34
18Cum on Feel the Noize
registrazione di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4:17
19Beach Baby
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class5:02
20Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.552:46
3▼CD: The 80’s Smash Hits
#TitoloArtistaValutazioneDurata
1She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:36
2Drop the Pilot
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:42
3Drivers Seat
batteria :
Luigi Salvoni
chitarra :
Mick Dyche e Loz Netto
chitarra acustica :
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
chitarra basso :
Chris Birkin
voce:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
diritti fonografici (℗) detenuti da:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (nel 1978)
registrazione di:
Driver’s Seat (Sniff ’n’ the Tears song)
compositore:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears44:00
4She Works Hard for the Money
registrazione di:
She Works Hard for the Money
autore:
Michael Omartian e Donna Summer (soul/disco diva)
editore:
Warner Chappell, See This House Music (dal 1983 a oggi) e Sweet Summer Night Music (dal 1983 a oggi)
Donna Summer3:26
5Tainted Love
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1981)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:57
6Shout to the Top
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1984)
registrazione di:
Shout to the Top
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:19
7I Don’t Want a Lover
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1989)
registrazione di:
I Don’t Want a Lover
paroliere e compositore:
Johnny McElhone e Sharleen Spiteri
editore:
BMG 10 Music Ltd.
Texas34:27
8While You See a Chance
Steve Winwood3:52
9Toy Boy
registrazione di:
Toy Boy
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, SAW songs e Sid’s Songs Limited
Sinitta3:29
10St. Elmo’s Fire
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3:41
11Mickey
registrazione cover di:
Kitty (more well known as "Mickey")
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
versione tradotta di:
Mickey
Toni Basil3:28
12Jeopardy
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1983)
registrazione di:
Jeopardy
autore:
Greg Kihn e Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:50
13Your Wildest Dreams
tecnico di registrazione e produttore:
Tony Visconti
registrata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Your Wildest Dreams
paroliere e compositore:
Justin Hayward (of the Moody Blues)
The Moody Blues4.54:52
14Rain
registrazione di:
Rain (Dragon song)
autore:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) e Johanna Pigott
editore:
Essex Music of Australia Pty. Ltd.
Dragon4:16
15The Winner Takes It All
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1980-06-06)
chitarra :
Lasse Wellander (il 1980-06-06)
chitarra basso :
Mike Watson (English‐Swedish rock musician) (il 1980-06-06)
percussione :
Åke Sundqvist (il 1980-06-06)
tastiera e sintetizzatore :
Benny Andersson (ABBA) (il 1980-06-06)
viola :
Nils Heie (il 1980-06-16), Håkan Roos (Swedish violist) (il 1980-06-16) e Bo Söderström (Swedish violinist) (il 1980-06-16)
violino :
Martin Bylund (Swedish violinist) (il 1980-06-16), Anders Dahl (Swedish violinist) (il 1980-06-16), Lars Stegenberg (Swedish violinist) (il 1980-06-16), Gunnar Michols (Swedish violinist) (il 1980-06-16), Bernt Nylund (Swedish violinist) (il 1980-06-16), Bertil Orsin (Swedish violinist) (il 1980-06-16), Sixten Strömvall (Swedish violinist) (il 1980-06-16) e Harry Teike (il 1980-06-16)
violoncello :
Olle Gustafsson (cellist) (il 1980-06-16) e Åke Olofsson (Swedish cellist) (il 1980-06-16)
voce di accompagnamento:
Frida (Swedish singer and member of ABBA) (il 1980-06-06)
voce principale:
Agnetha Fältskog (il 1980-06-06)
arrangiatore violoncello, viola e violino :
Rutger Gunnarsson (nel 1980)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1980)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-06, il 1980-06-16)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-18)
parte di:
The Downloader’s Music Source Book (numero: 66)
registrazione di:
The Winner Takes It All (nel 1980-06)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Universal/Union Songs Musikförlag AB (conclusa), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (dal 1980 al ????) e Countless Songs, Ltd. (dal 1980 al ????)
parte di:
Mamma Mia! (1999 musical)
ABBA3.854:54
16The Power of Love
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4:43
17Living on the Ceiling
Blancmange3:46
18Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:35
19Dracula’s Tango
registrazione di:
Dracula’s Tango (Sucker for Your Love)
autore:
Barry Blue (singer, producer, and songwriter) e Paul Greedus
editore:
Blue Mer Ltd. (publisher) (nel 1982), Heath Levy Music Co. Ltd. (nel 1982), Magic Frog (publisher) (nel 1982) e Virgin Music (Publishers) Ltd. (nel 1982)
Toto Coelo3:24
20Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.73:43
4▼CD: Classic Love Songs
#TitoloArtistaValutazioneDurata
1Nothing’s Gonna Change My Love for You
diritti fonografici (℗) detenuti da:
Amherst Records, Inc. e PolyGram International Music B.V. (not for release label use!) (nel 1988)
registrazione cover di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
registrazione di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Glenn Medeiros3.53:49
2Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
3I’m Not in Love
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1975)
registrazione di:
I’m Not in Love
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4:43
4I Wanna Wake Up With You
diritti fonografici (℗) detenuti da:
Creole Records Ltd. (nel 1986)
registrazione di:
I Want to Wake Up With You
paroliere e compositore:
Ben Peters (country music songwriter)
editore:
Ben Peters Music (BMI) e IQ Music
Boris Gardiner3:57
5This Is My Song
registrazione di:
This Is My Song
paroliere e compositore:
Charlie Chaplin (filmmaker) (nel 1966)
editore:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
parte di:
A Countess From Hong Kong
Petula Clark53:17
6Go Now
registrazione cover di:
Go Now
autore:
Larry Banks e Milton Bennett
editore:
Belinda Music e Trio Music Company
The Moody Blues3:13
7Try to Remember / The Way We Were
medley che comprende una registrazione di:
The Way We Were
paroliere:
Alan Bergman (American lyricist) (nel 1973) e Marilyn Bergman (nel 1973)
compositore:
Marvin Hamlisch (nel 1973)
editore:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. e Colgems-EMI Music Inc. (nel 1973)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 46th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1973 winner)
parte di:
The Way We Were
medley che comprende una registrazione di:
Try to Remember (The Fantasticks)
paroliere:
Tom Jones (musical theatre lyricist)
compositore:
Harvey Schmidt
editore:
Chappell & Co., Chappell Music (UK) e Warner/Chappell Music Ltd. (1996–2019)
Gladys Knight & the Pips4:36
8You to Me Are Everything
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Pye Records (nel 1976) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3.653:22
9Everybody’s Got to Learn Sometime
registrazione di:
Everybody’s Got to Learn Sometime
paroliere e compositore:
James Warren (English singer and guitarist)
editore:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (nel 1980) e Warner Bros. Ltd. (publisher) (nel 1980)
The Korgis3:39
10How Deep Is Your Love
registrazione di:
How Deep Is Your Love (Bee Gees song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Bee Gees3:57
11Cherish
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang3:53
12Reunited
produttore:
Freddie Perren
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978)
edit di:
Reunited di Peaches & Herb
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:54
13You’re a Lady
Peter Skellern4:30
14Can’t Give You Anything (But My Love)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975)
registrazione di:
I Can’t Give You Anything (But My Love)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Abilene Music Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:15
15If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:32
16Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremolos3.653:10
17Pillow Talk
registrazione di:
Pillow Talk
autore:
Michael Burton (American songwriter and producer) e Sylvia Robinson
Sylvia Robinson34:21
18Come What May
Vicky Leandros3:30
19Ruby Tuesday
voce:
Melanie (US singer‐songwriter Melanie Safka) (nel 1970)
registrazione cover di:
Ruby Tuesday (nel 1970)
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:37
20What Becomes of the Broken Hearted
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin3:03
5▼CD: The Dance Hits
#TitoloArtistaValutazioneDurata
1Never Can Say Goodbye
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
Gloria Gaynor4:09
2Fame
registrazione di:
Fame
paroliere:
Dean Pitchford
compositore:
Michael Gore (composer)
editore:
EMI Affiliated Catalog Inc.
parte di:
The 53rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1980 winner)
Irene Cara3:46
3Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:01
4I Love the Nightlife
Alicia Bridges3:28
5Maniac
registrazione di:
Maniac
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4:16
6Push It
parte di:
Grammy Award: Best Rap Performance nominees (numero: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 374) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 440)
registrazione di:
Push It
autore:
Hurby Azor e Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Next Plateau Music Inc. e Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:33
7Boogie Down (Get Funky Now)
registrazione di:
Boogie Down (Get Funky Now)
autore:
Chris Amoo e Eddie Amoo
The Real Thing4:08
8Doctorin’ the Tardis
video musicali:
Doctorin’ The Tardis (Official Video) di The Timelords (British electronic band with several aliases)
registrazione di:
Doctorin’ the Tardis
autore:
Jimmy Cauty, Mike Chapman (Australian producer and songwriter), Nicky Chinn, Bill Drummond, Gary Glitter, Ron Grainer (score composer) e Mike Leander
si basa su:
Block Buster!
si basa su:
Doctor Who (TV theme – please try to find correct arrangement)
si basa su:
Rock & Roll, Part 2
The Timelords33:31
9So Macho
registrazione di:
So Macho
paroliere e compositore:
James George Hargreaves
Sinitta3:27
10More, More, More
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection43:17
11Hold Back the Night
registrazione di:
Hold Back the Night
autore:
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder e Norman Harris (American Philly Soul guitarist, producer, and songwriter)
editore:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. e Reservoir 416
versione di:
Scrub Board
The Trammps3:34
12I’m on Fire
produttore:
Tony Eyers
voce principale:
Tina Charles
arrangiatore:
Tony Eyers
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1975)
registrazione di:
I’m on Fire
paroliere e compositore:
T. Eyers
editore:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. e Intersong Musikverlag (publisher) (nel 1989)
5000 Volts42:51
13Hit That Perfect Beat
registrazione di:
Hit That Perfect Beat
autore:
Steve Bronski, John Foster (John Jøn, Bronski Beat) e Larry Steinbachek
Bronski Beat3:16
14Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
è stato produttore per:
Five Record (Italian label owned by Fininvest)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.753:51
15Rapper’s Delight
registrazione di:
Rapper’s Delight
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang5:16
16Suspicious Minds
registrazione cover di:
Suspicious Minds
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Candi Staton3:55
17Get Dancing
registrazione di:
Get Dancin’
autore:
Bob Crewe e Kenny Nolan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. e Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes3:48
18Love’s Theme
registrazione di:
Love’s Theme (instrumental version)
compositore:
Barry White
editore:
January Music Corp. e Sa‐Vette Music Inc.
Love Unlimited Orchestra3:59
19Time to Make the Floor Burn
registrazione di:
Time to Make the Floor Burn
Megabass4:38
20If I Can’t Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:53

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