Love Songs & More

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra43:42
2Close to You
recording of:
Close to You
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
Frank Sinatra3:36
3(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
Frank Sinatra2:59
4My Fanny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Frank Sinatra2:31
5(How Little It Matters) How Little We Know
reeds:
Plas Johnson (on 1956-04-05)
trumpet:
Harry “Sweets” Edison (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
recording of:
(How Little It Matters) How Little We Know (on 1956-04-05)
lyricist:
Carolyn Leigh
composer:
Philip Springer
publisher:
Carwin Music, Inc. and Tamir Music
Frank Sinatra2:42
6Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Frank Sinatra2:37
7Lonely Town
Frank Sinatra4:14
8Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Frank Sinatra42:43
9Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra3:30
10I'm Gonna and Write Myself a Letter
Frank Sinatra2:28
11With Every Breath I Take
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
With Every Breath I Take (writers Robin/Rainger) (on 1956-04-05)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
recording of:
With Every Breath I Take (writers Robin/Rainger)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
Frank Sinatra3:38
12Peach Tree Street
vocals:
Rosemary Clooney (on 1950-04-08) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1950-04-08)
orchestra:
George Siravo Orchestra (on 1950-04-08)
conductor:
George Siravo (on 1950-04-08)
arranger:
George Siravo
recording of:
Peachtree Street (on 1950-04-08)
lyricist and composer:
Leni Mason, Jimmy Saunders and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
publisher:
Barton Music Corp.
Frank Sinatra with Rosemary Clooney3:11
13I Think of You
recording of:
I Think of You
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Don Marcotte
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott), Don Marcotte and Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
publisher:
Embassy Music Corporation
is based on:
Piano Concerto no. 2 in C minor, op. 18
Frank Sinatra3:04
14At Long Last Love
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
At Long Last Love (on 1956-11-20)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
Frank Sinatra42:23
15Violets for Your Furs
recording of:
Violets for Your Furs
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Frank Sinatra3:05
16Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Frank Sinatra2:44
17You Forgot All the Worlds
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
George van Eps
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Robert Lawson, Wilbur Schwartz and Champ Webb
trombone:
Dick Noel (trombone), Jimmy Priddy and Paul Tanner
trumpet:
Johnny Best (jazz trumpeter), Harry “Sweets” Edison, Shorty Sherock and Rubin "Zeke" Zarchy
viola:
Maxine Johnson, Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Sam Cytron, Robert E. Gross, Henry Hill (Violin player), Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld and Mischa Russell (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-10-17)
conductor:
Gordon Jenkins (on 1955-10-17) and Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
recording of:
You Forgot All the Words (While I Still Remember the Tune) (on 1955-07-29)
writer:
E.H. Jay and Bernie Wayne
publisher:
Midwood Music Corp.
Frank Sinatra3:20
18Sunday
recording of:
Sunday (famously sung by Frank Sinatra & others)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
Frank Sinatra2:30
19Last Night We Were Young
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort and Ed Gilbert
drums (drum set):
Frankie Carlson
guitar:
Bobby Gibbons
harp:
Kathryn Julye and Ann Mason Stockton (American harpist)
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bart Caldarelli (saxophone), Mahlon Clark, Mort Friedman, Harry Klee, Champ Webb and James Williamson (Saxophone player)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-03-01)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1954-03-01)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-03-01)
cover recording of:
Last Night When We Were Young (on 1954-03-01)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
Frank Sinatra3:13
20I Won't Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Frank Sinatra3:21
21Anytime, Anywhere
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-05-02)
recording of:
Anytime, Anywhere (on 1953-05-02)
writer:
Lenny Adelson and Imogen Carpenter
Frank Sinatra2:46
22You're Cheatin' Yourself (If You're Cheatin' on Me)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
You're Cheatin' Yourself (If You're Cheatin' on Me) (on 1957-05-20)
lyricist:
Dick Manning (American songwriter)
composer:
Al Hoffman
Frank Sinatra2:36
23What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Frank Sinatra2:32
24I Thought About You
recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Frank Sinatra2:31
25You're Sensational
recording of:
You’re Sensational (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
part of:
High Society (stage musical)
Frank Sinatra3:54
2▼CD
#TitleRatingLength
1Learnin' the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:04
2I Get Along Without You Very Well
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:41
3Young at Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1953-12-09)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:51
4The End of a Love Affair
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:11
5It Happened in Monterey
recording of:
It Happened in Monterey
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. and EMI United Partnership Ltd.
2:35
6Someone to Watch Over Me
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:57
7Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:59
8Maybe You'll Be There
recording of:
Maybe You’ll Be There
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
3:07
9So Long My Love
recording of:
So Long, My Love
lyricist:
Sammy Cahn
composer:
Lew Spence
2:46
10I See Your Face Before Me
recording of:
I See Your Face Before Me
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
3:24
11Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
2:24
12We Kiss in a Shadow
recording of:
We Kiss in a Shadow (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
3:38
13I Guess I'll Have to Change My Plan
recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:24
14Look to Your Heart
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
orchestra:
The Nelson Riddle Orchestra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-08-15)
recording of:
Look to Your Heart (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:09
15Too Marvelous for Wofds
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:31
16Love Locked Out
recording of:
Love Locked Out
lyricist:
Max Kester
composer:
Ray Noble
2:43
17From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:51
18I'm Walking Behind You
recording of:
I’m Walking Behind You (1953 song)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:55
19Taking a Chance on Love
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:14
20Ill Wind
recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:46
21Oh! Look at Me Now
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
2:48
22Crazy Love
recording of:
Crazy Love
lyricist:
Sammy Cahn
composer:
Phil Tuminello
2:53
23I'll Be Around
recording of:
I’ll Be Around
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
2:59
24Mind If I Make Love to You?
recording of:
Mind If I Make Love to You?
lyricist and composer:
Cole Porter (composer)
2:24
25In the Small Hours of the Morning
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:00
3▼CD
#TitleArtistRatingLength
1All the Way
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (on 1957-08-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
Frank Sinatra42:54
2Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Frank Sinatra3:16
3Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Co., Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Frank Sinatra2:52
4Deep in Dream
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
violin:
Paul Shure, Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
Deep in a Dream (on 1955-03-04)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
Frank Sinatra2:49
5Johnny Concho Theme (Wait for Me)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
recording of:
Johnny Concho’s Theme (Wait for Me) (on 1956-04-05)
lyricist:
Dok Stanford
composer:
Nelson Riddle
Frank Sinatra2:51
6You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
Frank Sinatra42:55
7I Cover the Waterfront
recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
Frank Sinatra2:56
8Well, Did You Evah!
recording of:
Well, Did You Evah! (High Society)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Frank Sinatra with Bing Crosby3:49
9Little Girl Blue
recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Frank Sinatra2:53
10Don't Like Goodbyes
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Don’t Like Goodbyes (House of Flowers) (on 1956-03-08)
lyricist:
Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
House of Flowers
Frank Sinatra4:50
11I Wish I Were in Love Again
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
Frank Sinatra2:27
12Glad to Be Unhappy
recording of:
Glad to Be Unhappy
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
Frank Sinatra2:36
13I Am Loved
recording of:
I Am Loved
lyricist and composer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
part of:
Out of This World
Frank Sinatra2:25
14You Brought a New Kind of Love to Me
recording of:
You Brought a New Kind of Love to Me
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra2:50
15Something Wonderful Happens in Summer
recording of:
Something Wonderful Happens in Summer
writer:
Joe Bushkin and John DeVries
publisher:
Sands Music Corp.
Frank Sinatra3:16
16It Worries Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Arthur Kafton and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bobby Gibbons
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Chuck Gentry, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo and Rubin "Zeke" Zarchy
viola:
Maxine Johnson and Paul Robyn
violin:
Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nicholas Pisani, Mischa Russell (violinist), Eudice Shapiro (Violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
orchestra:
The Nelson Riddle Orchestra (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-05-13)
recording of:
It Worries Me (on 1954-05-13)
lyricist:
Ernst Verch
composer:
Fritz Schulz-Reichel
translator:
Carl Sigman
translated version of:
Denk’ an mich
Frank Sinatra2:53
17I Couldn't Sleep a Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
Frank Sinatra3:23
18The Lonesome Road
recording of:
Lonesome Road
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
Frank Sinatra3:54
19Where Are You?
cello:
Cy Bernard and Armand Kaproff
double bass:
Jack Ryan (jazz bassist)
drums (drum set):
Nick Fatool
French horn:
Vincent DeRosa, Arthur Frantz and Richard Perissi
guitar:
Allan Reuss
harp:
Kathryn Thompson (harpist)
piano:
Bill Miller (pianist)
viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn and Dave Sterkin
violin:
Victor Arno, Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Achille Mierlot Jr. (violinist), Erno Neufeld, Lou Raderman, Mischa Russell (violinist) and Marshall Sosson
woodwind:
Jack Chaney, Jack Dumont, Dent Eckels, Matty Matlock and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-01)
conductor:
Gordon Jenkins (on 1957-05-01)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-05-01)
cover recording of:
Where Are You? (on 1957-05-01)
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Frank Sinatra3:29
20Like Someone in Love
cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra3:11
21How About You?
recording of:
How About You?
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
Frank Sinatra2:46
22Your Love for Me
recording of:
Your Love for Me
writer:
Barry Parker (songwriter)
Frank Sinatra2:57
23Tell Her You Love Her
recording of:
Tell Her You Love Her
lyricist:
Barry Parker
composer:
Homer Denison (orchestrator, composer) and Hugh Halliday
Frank Sinatra2:57
24The Girl Next Door
recording of:
The Girl Next Door
composer:
Ralph Blane and Hugh Martin
publisher:
EMI Feist Catalog Inc. and EMI United Partnership Ltd.
Frank Sinatra2:36
25You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Frank Sinatra2:03