True Women

~ Release by Bruce Broughton (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Main Title
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Main Title
composer:
Bruce Broughton
3:04
2Phemie Joins Sarah
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Phemie Joins Sarah
composer:
Bruce Broughton
2:49
3Setting Out
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Setting Out
composer:
Bruce Broughton
2:32
4Bartlett's Sonnet
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Bartlett's Sonnet
composer:
Bruce Broughton
1:53
5Night Raid
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Night Raid
composer:
Bruce Broughton
2:24
6The Sketch
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
The Sketch
composer:
Bruce Broughton
1:31
7Campfire Concerns
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Campfire Concerns
composer:
Bruce Broughton
2:59
8Passings and Crossings
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Passings and Crossings
composer:
Bruce Broughton
6:44
9Bartlett Returns
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Bartlett Returns
composer:
Bruce Broughton
1:07
10The Barn Fire
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
The Barn Fire
composer:
Bruce Broughton
1:56
11The Lynching
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
The Lynching
composer:
Bruce Broughton
3:47
12Trail of Tears
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Trail of Tears
composer:
Bruce Broughton
1:45
13Big Elm Draw
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Big Elm Draw
composer:
Bruce Broughton
3:23
14The Dove
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
The Dove
composer:
Bruce Broughton
1:46
15Family Christmas
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Family Christmas
composer:
Bruce Broughton
1:36
16Mattie Is Returned
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Mattie Is Returned
composer:
Bruce Broughton
5:34
17Shoot Me, Then Yourself
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Shoot Me, Then Yourself
composer:
Bruce Broughton
6:09
18Tarantula Saves Sarah
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Tarantula Saves Sarah
composer:
Bruce Broughton
4:45
19Seguin
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Seguin
composer:
Bruce Broughton
1:40
20Harvesting Babies and Cotton
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Harvesting Babies and Cotton
composer:
Bruce Broughton
2:07
21William and Phemie
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
William and Phemie
composer:
Bruce Broughton
2:10
22So Accustomed to Grief
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
So Accustomed to Grief
composer:
Bruce Broughton
2:21
23Georgia Kills Haller
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Georgia Kills Haller
composer:
Bruce Broughton
1:43
24Georgia's Death
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Georgia's Death
composer:
Bruce Broughton
3:05
25Reminiscences
recording engineer and mixer:
Mike Ross (engineer)
producer:
Bruce Broughton
editor:
Patricia Carlin and Joe Tarantino (audio engineer, mastering)
orchestra:
The Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at:
Whitfield Street Recording Studios (only recordings from 1984–1989 belong here, see annotation for history) in London (Greater London), England, United Kingdom
edited at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Reminiscences
composer:
Bruce Broughton
4:31