Sonn und Schild: Cantatas BWV 4 / 79 / 80

~ Release by Johann Sebastian Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ein feste Burg ist unser Gott, BWV 80: 1. Coro "Ein feste Burg ist unser Gott "
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:34
2Ein feste Burg ist unser Gott, BWV 80: 2. Aria e Choral (bass, soprano) "Alles, was von Gott geboren "
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2017-01-23 until 2017-01-25)
soprano vocals:
Dorothee Mields (German soprano) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:39
3Ein feste Burg ist unser Gott, BWV 80: 3. Recitativo (bass) "Erwäge doch, Kind Gottes"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:54
4Ein feste Burg ist unser Gott, BWV 80: 4. Aria (soprano) "Komm in mein Herzenshaus"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
soprano vocals:
Dorothee Mields (German soprano) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:15
5Ein feste Burg ist unser Gott, BWV 80: 5. Choral "Und wenn die Welt voll Teufel wär"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:33
6Ein feste Burg ist unser Gott, BWV 80: 6. Recitativo (tenor) "So stehe dann bei Christi blutgefärbten Fahne"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
tenor vocals:
Thomas Hobbs (tenor) (from 2017-01-23 until 2017-02-05)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:25
7Ein feste Burg ist unser Gott, BWV 80: 7. Aria (alto, tenor) "Wie selig sind doch die"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
countertenor vocals:
Alex Potter (countertenor) (from 2017-01-23 until 2017-01-25)
tenor vocals:
Thomas Hobbs (tenor) (from 2017-01-23 until 2017-02-05)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:07
8Ein feste Burg ist unser Gott, BWV 80: 8. Choral "Das Wort sie sollen lassen stahn"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (catch-all for arrangements) (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn"
Johann Sebastian Bach1:14
9Christ lag in Todesbanden, BWV 4: 1. Sinfonia
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:06
10Christ lag in Todesbanden, BWV 4: 2. Versus I (coro): "Christ lag in Todesbanden"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:19
11Christ lag in Todesbanden, BWV 4: 3. Versus II (soprano, alto): "Den Tod niemand zwingen kunnt"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
countertenor vocals:
Alex Potter (countertenor) (from 2017-01-23 until 2017-01-25)
soprano vocals:
Dorothee Mields (German soprano) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:27
12Christ lag in Todesbanden, BWV 4: 4. Versus III (tenor): "Jesus Christus, Gottes Sohn"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
tenor vocals:
Thomas Hobbs (tenor) (from 2017-01-23 until 2017-02-05)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:05
13Christ lag in Todesbanden, BWV 4: 5. Versus IV (coro): "Es war ein wunderlicher Krieg"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:36
14Christ lag in Todesbanden, BWV 4: 6. Versus V (bass): "Hier ist das rechte Osterlamm"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:46
15Christ lag in Todesbanden, BWV 4: 7. Versus VI (soprano, tenor): "So feiern wir das hohe Fest"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
soprano vocals:
Dorothee Mields (German soprano) (from 2017-01-23 until 2017-01-25)
tenor vocals:
Thomas Hobbs (tenor) (from 2017-01-23 until 2017-02-05)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:34
16Christ lag in Todesbanden, BWV 4: 8. Versus VII (choral): "Wir essen und leben wohl"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 2017-01-23 until 2017-01-25)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:05
17Gott der Herr ist Sonn und Schild, BWV 79: 1. Coro "Gott der Herr ist Sonn und Schild"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:44
18Gott der Herr ist Sonn und Schild, BWV 79: 2. Aria (alto) "Gott ist unsre Sonn und Schild!"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
countertenor vocals:
Alex Potter (countertenor) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:13
19Gott der Herr ist Sonn und Schild, BWV 79: 3. Choral "Nun danket alle Gott"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:55
20Gott der Herr ist Sonn und Schild, BWV 79: 4. Recitativo (bass) "Gottlob, wir wissen"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:01
21Gott der Herr ist Sonn und Schild, BWV 79: 5. Aria (soprano, bass) "Gott, ach Gott, verlass die Deinen nimmermehr!"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2017-01-23 until 2017-01-25)
soprano vocals:
Dorothee Mields (German soprano) (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:22
22Gott der Herr ist Sonn und Schild, BWV 79: 6. Choral "Erhalt uns in der Wahrheit"
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (from 2017-01-23 until 2017-01-25)
choir vocals:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
orchestra:
Collegium Vocale Gent (from 2017-01-23 until 2017-01-25)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2017-01-23 until 2017-01-25)
balance engineer:
Martin Nagorni (from 2017-01-23 until 2017-01-25)
phonographic copyright (℗) by:
Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2017-01-23 until 2017-01-25)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 2017-01-23 until 2017-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:41

Credits

Release

manufactured in:Austria
photography:Michiel Hendryckx (photographer)
liner notes:Michael Maul (musicologist)
liner notes translator:Jenifer Ball (liner notes translator)
Jens Van Durme
Catherine Meeùs
miscellaneous support:Jens Van Durme (task: artistic coordinator)
Timothée van der Stegen (task: label manager)
mastering:Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
artwork:Bob Verschueren (Belgian sculptor, land artist) (task: cover artwork)
manufactured by:Sony DADC Austria AG
copyrighted (©) by:Outhere (sub-categorized under Outhere Music, as "Other Catalogues") (in 2018)
graphic design:Racasse Studio (graphic design & visual communication)
Discogs:https://www.discogs.com/release/15666120 [info]