Bizet: Carmen Suites Nos. 1 & 2 / Grieg: Peer Gynt Suites Nos. 1 & 2

~ Release by Bizet, Grieg; Royal Philharmonic Orchestra, Mark Ermler (see all versions of this release, 3 available)

Tracklist

1▼CD
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1Carmen Suite No. 1: Prelude
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (in 1993-10)
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet3:30
2Carmen Suite No. 1: Intermezzo
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:38
3Carmen Suite No. 1: Seguedille
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (in 1993-10)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:51
4Carmen Suite No. 1: Les Dragons d'Alcala
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:31
5Carmen Suite No. 1: Les Toréadors
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:17
6Carmen Suite No. 2: Marche des Contrebandiers
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet4:01
7Carmen Suite No. 2: Habanera
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: II. Habanera (in 1993-10)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet2:11
8Carmen Suite No. 2: Nocturne
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: III. Nocturne (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet5:42
9Carmen Suite No. 2: Chanson du Toréador
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: IV. Chanson du toréador (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:48
10Carmen Suite No. 2: La Garde Montante
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:40
11Carmen Suite No. 2: Danse Bohème
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1993-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:57
12Peer Gynt Suite no. 1, op. 46: I. Morning
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:22
13Peer Gynt Suite no. 1, op. 46: II. The Death of Aase
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:16
14Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:31
15Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:30
16Peer Gynt Suite no. 2, op. 55: I. Ingrid's Lament
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:51
17Peer Gynt Suite no. 2, op. 55: II. Arabian Dance
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:38
18Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Home Coming
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:51
19Peer Gynt Suite no. 2, op. 55: IV. Solveig's Song
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:01